Darren Bignell
Darren Bignell's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Mercury Rising (1998)
21%
2/5
EDIT
“An anaemic time-waster you've seen before that fails to create tension or generate the suspense this genre cries out for.” –
Empire Magazine
Apr 21, 2020
Full Review
Carpool (1996)
14%
2/5
EDIT
“The whole madcap production is at best faintly amusing, at worst, painfully protracted.” –
Empire Magazine
May 2, 2014
Full Review
Spy Hard (1996)
7%
2/5
EDIT
“Sporadically funny, but never more than a sting of crude gags.” –
Empire Magazine
Jun 4, 2013
Full Review
Beautiful Girls (1996)
78%
4/5
EDIT
“This film really succeeds with its warm treatment of ordinary hang-ups -- no life-shattering revelations or pain repressed since childhood, just the genuine, everyday trials of life.” –
Empire Magazine
Aug 20, 2010
Full Review
The Saint (1997)
30%
3/5
EDIT
“There's no lack of style or pace from Noyce, just the sense that it isn't quite gelling together.” –
Empire Magazine
May 20, 2008
Full Review
Happy Gilmore (1996)
65%
3/5
EDIT
“At the end of the day, it's exactly what most spectators would really love to see on the fairway.” –
Empire Magazine
Apr 15, 2008
Full Review
The Devil's Advocate (1997)
65%
4/5
EDIT
“High art this may not be, and certainly no Paradise Lost, but fine filmic entertainment it most definitely is.” –
Empire Magazine
Jan 1, 2000
Full Review
Her Majesty, Mrs. Brown (1997)
92%
4/5
EDIT
“Before you know it, you're caught up in a difficult but touching friendship, and enjoying a history lesson more than you ever thought possible.” –
Empire Magazine
Jan 1, 2000
Full Review
I Know What You Did Last Summer (1997)
47%
3/5
EDIT
“...this appetiser proves that nouveau horror is alive and kicking hard.” –
Empire Magazine
Jan 1, 2000
Full Review
American Pie (1999)
62%
3/5
EDIT
“There's a good balance struck between bite-size chuckles offered by the central caricatures, and belly-laughs provoked by the scrapes they get into.” –
Empire Magazine
Jan 1, 2000
Full Review
Lost in Space (1998)
27%
3/5
EDIT
“Praise is nevertheless due to the host of effects houses responsible for hideous space spiders, a ship ominously reminiscent of Event Horizon and countless other amazing visuals.” –
Empire Magazine
Jan 1, 2000
Full Review
There's Something About Mary (1998)
84%
EDIT
“There are some scenes of stand-out hilarity that will actually leave you in pain.” –
Empire Magazine
Jan 1, 2000
Full Review
Empire of the Sun (1987)
75%
3/5
EDIT
“Good-looking but hollow.” –
Empire Magazine
Jan 1, 2000
Full Review
Hook (1991)
37%
2/5
EDIT
“Unfortunately, such lack of clarity is evident at surface level too: just who is this movie for? ” –
Empire Magazine
Jan 1, 2000
Full Review
Blade (1998)
59%
3/5
EDIT
“Norrington's ability with stuntwork, fight sequences and positing CGI are unquestionable.” –
Empire Magazine
Jan 1, 2000
Full Review
Big Daddy (1999)
39%
3/5
EDIT
“Big Daddy is clear evidence that -- for the moment at least -- this pony doesn't need a new trick.” –
Empire Magazine
Jan 1, 2000
Full Review
Pitch Black (2000)
58%
4/5
EDIT
“This is filmmaking that's lean, mean and (in Diesel) boasts one hell of a fighting machine.” –
Empire Magazine
Jan 1, 2000
Full Review
The Leading Man (1996)
69%
3/5
EDIT
“Like the characters' imminent theatre - there's a pervading sense of unreality which makes full connection with the movie rather difficult.” –
Empire Magazine
Jan 1, 2000
Full Review
Liar Liar (1997)
83%
4/5
EDIT
“...a reliably entertaining slice of comic nonsense.” –
Empire Magazine
Jan 1, 2000
Full Review
The Basketball Diaries (1995)
46%
3/5
EDIT
“Not exactly upbeat watching but the charm of an early DiCaprio and Mark Wahlberg makes this worthwhile viewing.” –
Empire Magazine
Jan 1, 2000
Full Review
Deep Impact (1998)
45%
3/5
EDIT
“The subject matter can't fail to make you think about your own reaction to such a crisis, and Leder has packaged the premise in a way that's never boring and frequently telling.” –
Empire Magazine
Jan 1, 2000
Full Review
Cotton Mary (1999)
36%
EDIT
“All very, very long-winded. And it's a basic filmic truth that if you fail to provide an audience with even one character to sympathise with, interest will rapidly flag.” –
Empire Magazine
Jan 1, 2000
Full Review
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