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Mary Sollosi

Mary Sollosi's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
A Journal for Jordan (2021) 39% C EDIT “There are three different movies packed into Denzel Washington's A Journal for Jordan, and none of them are very good.” – Entertainment Weekly Dec 22, 2021 Full Review Spencer (2021) 83% A- EDIT “For all of Larraín's artistry, Spencer would crumble in the hands of the wrong actress, and Stewart gives one of the best performances of her career so far as this highly subjective version of Diana.” – Entertainment Weekly Nov 4, 2021 Full Review Dear Evan Hansen (2021) 28% D EDIT “The script may have moved from stage to screen, but its star doesn't seem to have made that transition, and his performance reads heavily as just that - a performance.” – Entertainment Weekly Sep 24, 2021 Full Review He's All That (2021) 29% D EDIT “Even when little is asked of her, Rae's acting is not up to the challenge. Buchanan doesn't exactly deliver a star-making performance either, but he's not even given a chance to.” – Entertainment Weekly Aug 27, 2021 Full Review The Protégé (2021) 64% C+ EDIT “Some of Q's action sequences - she did most of her own stunts, despite a recent spine surgery - are a genuine thrill, but they lose their power as the movie gets bogged down in murky plot.” – Entertainment Weekly Aug 20, 2021 Full Review Beckett (2021) 49% C EDIT “Washington has presence to spare and carries the film with ease.” – Entertainment Weekly Aug 13, 2021 Full Review Respect (2021) 68% C+ EDIT “Ultimately, Respect generally hits the notes it needs to, both musically and historically, but comes up short in what should be the most crucial ingredient - soul.” – Entertainment Weekly Aug 9, 2021 Full Review Space Jam: A New Legacy (2021) 25% D+ EDIT “Here's the thing about basketball: It is extremely watchable. Here's the thing about Space Jam: A New Legacy: It's not.” – Entertainment Weekly Jul 15, 2021 Full Review To All the Boys: Always and Forever (2021) 79% C+ EDIT “It's a shame, though, that what was once a bit of an underdog love story, rendered all in dreamy blues and quiet feelings, has been blown up into a tricked-out globetrotting fantasy of gooey devotion.” – Entertainment Weekly Feb 12, 2021 Full Review Little Fish (2020) 91% B EDIT “Maybe that's the greatest surprise of the movie, after all: Obsessed though it is with the past, throughout its whole runtime, the best part always lies ahead.” – Entertainment Weekly Feb 8, 2021 Full Review Misha and the Wolves (2021) 86% B+ EDIT “The insights of the doc don't reverberate far beyond the story it's telling. But oh, what a story.” – Entertainment Weekly Feb 2, 2021 Full Review Land (2021) 69% B- EDIT “"This isn't working!" Edee screams at one point, floundering in the harsh winter. It isn't, exactly. But not for lack of trying.” – Entertainment Weekly Feb 1, 2021 Full Review Malcolm & Marie (2021) 57% D+ EDIT “The whole movie comes across as deeply self-conscious, more concerned with how it sounds than what it's saying, consumed with impressing people rather than expressing something.” – Entertainment Weekly Jan 22, 2021 Full Review Wonder Woman 1984 (2020) 57% B EDIT “Maybe Wonder Woman will be the one to save us, after all.” – Entertainment Weekly Dec 15, 2020 Full Review Farewell Amor (2020) 97% B+ EDIT “Its gentle, understated tone belies Msangi's careful attention to rhythm and detail, though the simplicity of the plot, particularly in a few mild contrivances, slightly undermines the story's authenticity.” – Entertainment Weekly Dec 13, 2020 Full Review Wander Darkly (2020) 75% B- EDIT “The film's greatest strength is the pairing of Miller and Luna, an immensely charismatic duo who give Adrienne and Matteo's relationship (not to mention her metaphysical crisis) credibility even where Miele's script does not.” – Entertainment Weekly Dec 11, 2020 Full Review The Prom (2020) 54% D EDIT “[U]ltimately, the film has way too much in common with the egomaniacs at its center: It poses for an undeniably good cause, but its greater purpose is to collect the credit for having done it.” – Entertainment Weekly Dec 1, 2020 Full Review Monsoon (2019) 87% B+ EDIT “Monsoon could stand to be a little more turbulent, but that doesn't mean it won't stir something within you.” – Entertainment Weekly Nov 21, 2020 Full Review Holidate (2020) 45% C- EDIT “[A] resolutely mediocre romantic comedy...” – Entertainment Weekly Oct 30, 2020 Full Review The Craft: Legacy (2020) 47% C- EDIT “By the end of Legacy, each of the witches has become less interesting and less distinct.” – Entertainment Weekly Oct 28, 2020 Full Review The Broken Hearts Gallery (2020) 80% C- EDIT “Too much feels off. The setting barely resembles New York. The key-to-everything backstories are terribly contrived, the setup of Lucy's failed romance inadequate to buy into what follows.” – Entertainment Weekly Sep 12, 2020 Full Review The Personal History of David Copperfield (2019) 92% B EDIT “A sincere affection for and understanding of the source material shines through in its wit and good nature.” – Entertainment Weekly Aug 29, 2020 Full Review Yes, God, Yes (2019) 92% A- EDIT “Despite the breathtaking unfairness perpetuated by so many characters under the pretext of faith, the film shows remarkable empathy not only for Dyer's heroine, but also everyone around her...” – Entertainment Weekly Jul 25, 2020 Full Review The Truth (2019) 87% B+ EDIT “If anyone can handle The Truth, it's Deneuve.” – Entertainment Weekly Jul 3, 2020 Full Review Wasp Network (2019) 40% C+ EDIT “Visually, the appeal of Wasp Network is undeniable - all warm, colorful, open spaces, elegantly shot and peopled with beautiful actors. The intrigue could have used some of that heat, too.” – Entertainment Weekly Jun 25, 2020 Full Review
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