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Michael Hann

Michael Hann's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies TV Shows
Parchís: The Documentary (2019) EDIT “It's absolutely fascinating, a window on a world most Anglophone pop fans won't even know existed.” – The Spectator May 18, 2020 Full Review Beastie Boys Story (2020) 95% EDIT “I came away from it wishing the Beastie Boys were my friends, and feeling glad they still care for each other.” – The Spectator May 18, 2020 Full Review The Hundred-Foot Journey (2014) 69% 3/5 EDIT “Cliche piles on cliche, but it's good-natured, undemanding fun.” – Guardian Sep 4, 2014 Full Review Big Star: Nothing Can Hurt Me (2012) 92% 3/5 EDIT “The result is an observed story, without the why of Big Star's musical disintegration that is at the heart of their enduring legend.” – Guardian Aug 1, 2014 Full Review Summer in February (2013) 32% 2/5 EDIT “Proof that truth is duller than fiction comes with this tale of real events in the Lamorna artists' colony in Cornwall in the months before the first world war.” – Guardian Jun 13, 2013 Full Review Crossfire Hurricane (2012) 89% 3/5 EDIT “In its own way, Crossfire Hurricane is just like one of those Stones albums of the last three decades: it's fun, it has terrific moments, but in the end it pales in comparison with earlier triumphs.” – Guardian Oct 18, 2012 Full Review Switch (2011) 33% 3/5 EDIT “The schlock factor increases with every passing frame, but at least it's never boring, though whether it needs quite so many shots of Vanasse's unclad breasts is doubtful.” – Guardian Mar 29, 2012 Full Review Monte Carlo (2011) 40% 2/5 EDIT “[A] good-natured but insipid vehicle for tween star Selena Gomez...” – Guardian Oct 20, 2011 Full Review Dolphin Tale (2011) 81% 3/5 EDIT “It's easy to roll one's eyes at Dolphin Tale, which is heavy on swelling music and how children - aw, shucks! - can teach adults a thing or two about holding on to hope.” – Guardian Oct 13, 2011 Full Review The Devil's Rock (2011) 56% 2/5 EDIT “By keeping the action confined to the tunnels and cells of the blockhouse, Campion creates a claustrophobic setting, but for all the gore and demonic transmogrification, there's a distinct lack of chills and frights.” – Guardian Jul 7, 2011 Full Review
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