Clean Slate: Season 1 (2025)
87%
EDIT
“It eschews the dramatic and rests almost entirely on the comedic. It bypasses chances to deepen our understanding of the characters and their circumstances. ” –
Autostraddle
Feb 13, 2025
Full Review
XO, Kitty: Season 2 (2025)
83%
EDIT
“... Particularly when it comes to queer representation, XO, Kitty is breaking new ground and, hopefully, pushing an entire genre towards greater inclusivity.” –
Autostraddle
Jan 24, 2025
Full Review
We Are Lady Parts: Season 2 (2024)
95%
EDIT
“When I pressed play on the second series of We Are Lady Parts, it was hard for me to imagine it being better than the first. But Manzoor somehow manages it. She has continued and expanded the story without missing a beat.” –
Autostraddle
May 31, 2024
Full Review
The Girls on the Bus: Season 1 (2024)
59%
EDIT
“To the extent that The Girls on the Bus is worth watching, it’s on the back of its four co-stars. They are eminently watchable and elevate what is otherwise a middling script.” –
Autostraddle
Mar 14, 2024
Full Review
Vigil: Season 2 (2023)
57%
EDIT
“I’ve always preferred British thrillers to American procedurals, in part because of their willingness to confront hard truths and to complicate the narrative around policing. But in this instance, Vigil falls short.” –
Autostraddle
Feb 15, 2024
Full Review
Hightown: Season 3 (2024)
EDIT
“Hightown never fully appreciated the complexity that Raymund brings to the character.” –
Autostraddle
Jan 27, 2024
Full Review
Under Pressure: The U.S. Women's World Cup Team: Season 1 (2023)
EDIT
“The absence of drama in Under Pressure also means that no one should come to the series hoping to get answers for what went wrong.” –
Autostraddle
Dec 27, 2023
Full Review
Rap Sh!t: Season 2 (2023)
100%
EDIT
“Chastity’s storyline is absolutely the best thing about Rap Sh!t‘s sophomore effort. Chastity still delivers that swagger and she is nothing if not a hustler but this season also gives her the opportunity to be scared and vulnerable. ” –
Autostraddle
Nov 9, 2023
Full Review
Lioness: Season 1 (2023)
54%
EDIT
“That Lioness works at all, it is on the backs of its stars who are engaging enough to watch, even as the story fails them.” –
Autostraddle
Aug 31, 2023
Full Review
Ladies First: A Story of Women in Hip-Hop: Season 1 (2023)
100%
EDIT
“... Making queerness a five-to-ten minute segment at the very end, as if it wasn’t what we were talking about all along, was short sighted and leaves a bad taste on what was otherwise clearly a work of love and care.” –
Autostraddle
Aug 10, 2023
Full Review
P-Valley: Season 2 (2022)
90%
EDIT
“... It's already claimed its spot among my favorite shows of this year.” –
Autostraddle
Jun 22, 2022
Full Review
Good Trouble: Season 4, Episode 9 (2022)
EDIT
“While much of this episode and much of this season have felt like a miss, Alice and Malika’s storylines have been standouts. They are proof that the big swings are worth taking… and it’s enough to give me hope for the rest of the show’s fourth season.” –
Autostraddle
May 23, 2022
Full Review
The Bold Type: Season 4 (2020)
63%
EDIT
“It feels like The Bold Type is re-emphasizing one of the things that makes the Kat/Eva storyline problematic: diminishing the show’s lead black character to bolster the bonafides of its white ones...” –
Autostraddle
Apr 12, 2022
Full Review
Naomi: Season 1 (2022)
91%
EDIT
“Amanda Marsalis delivers one of the best looking pilots I’ve seen on the CW.” –
Autostraddle
Jan 19, 2022
Full Review
The Bold Type: Season 2 (2018)
100%
EDIT
“You watch The Bold Type expecting Miranda Priestly, not Jacqueline Carlyle. It seemed at once wholly inauthentic and, yet, very necessary.” –
Autostraddle
Oct 23, 2021
Full Review
Doubt: Season 1 (2017)
55%
EDIT
“It's not a perfect show. Still, I'll treasure it for it's revolutionary representation of trans women in pop culture.” –
Autostraddle
Oct 5, 2021
Full Review
We Are Lady Parts: Season 1 (2021)
100%
EDIT
“While it shares some of its DNA with other British exports, We Are Lady Parts has its own voice... and it is loud, raucous and unapologetic.” –
Autostraddle
Jul 2, 2021
Full Review
How to Get Away With Murder: Season 5 (2018)
86%
EDIT
“To hear that from Eve, of all people, is really unfathomable. This was just awful, awful writing.” –
Autostraddle
Sep 15, 2020
Full Review
Homecoming: Season 2 (2020)
60%
EDIT
“This role was made for Janelle Monáe, I just wish the show's writing matched her talents.” –
Autostraddle
Jun 15, 2020
Full Review
Good Trouble: Season 1 (2019)
100%
EDIT
“Good Trouble avoids that trap, keeping the show's narrative focused and balanced, even while introducing all these new characters...” –
Autostraddle
Jan 16, 2019
Full Review
All American: Season 1 (2018)
92%
EDIT
“In a disappointing TV season, All American stands out as one of the fall's few bright spots, thanks in large part to the bond forged between Coop and Spencer.” –
Autostraddle
Oct 11, 2018
Full Review
Ackley Bridge: Season 2 (2018)
EDIT
“Deeply, deeply uncomfortable and so very, very necessary to witness, no matter where you live.” –
Autostraddle
Jul 23, 2018
Full Review
Claws: Season 1 (2017)
82%
EDIT
“The show errs in its audacious moments, which seem crass for the sake of being crass - but there's enough relatable material on Claws to make enduring those moments worthwhile.” –
Autostraddle
Apr 20, 2018
Full Review
Imposters: Season 1 (2017)
93%
EDIT
“While you could chalk some of those tropes to being a side effect of the show's overall premise, the presentation of Maddie's sexuality leaves a lot to be desired.” –
Autostraddle
Apr 20, 2018
Full Review
grown-ish: Season 1 (2018)
95%
EDIT
“grown-ish is a show teeming with potential.” –
Autostraddle
Apr 20, 2018
Full Review
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