Owen Butler
Owen Butler's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
The Ascent (1977)
100%
EDIT
“Larisa Shepitko’s 1977 film The Ascent remains a crowning achievement like no other.” –
Film Inquiry
Mar 1, 2022
Full Review
Army Of The Dead (2021)
68%
EDIT
“While the film's atmosphere is terrifically structured, it's too robust for a story as thin as this, and as a result, the movie falls flat during moments where it should be soaring.” –
Film Inquiry
May 21, 2021
Full Review
Malcolm & Marie (2021)
57%
EDIT
“Malcolm & Marie isn't a terrible film by any means, but it's undoubtedly a bewildering mess that collapses under its own weight due to astounding impotence for itself and the audience.” –
Film Inquiry
Jan 30, 2021
Full Review
The Midnight Sky (2020)
49%
EDIT
“Ultimately, this was a promising movie that, had it focused on the more compelling elements of its narrative, could've delivered an introspective look, but unfortunately chose to shift its course in a less interesting direction.” –
Film Inquiry
Dec 30, 2020
Full Review
Crash (1996)
65%
EDIT
“Crash isn't perfect, but it's always interesting and investing enough to make up for the holes in its execution.” –
Film Inquiry
Dec 10, 2020
Full Review
Mank (2020)
83%
EDIT
“It's an immaculate return to the fold from Fincher, and undoubtedly one of the best films of the year.” –
Film Inquiry
Dec 5, 2020
Full Review
Bill & Ted Face the Music (2020)
83%
EDIT
“It's just such a joyful rarity to watch a late entry in a franchise that feels like a worthwhile addition to the universe, one that cherishes its characters' legacies and pays respect to them in lovely ways.” –
Film Inquiry
Sep 15, 2020
Full Review
Spree (2020)
65%
EDIT
“We need more filmmakers in the industry who are able to tackle deep, complex subjects like this with such humorous grace while still retaining the dark elements at the core of this story, and Kotlyarenko definitely succeeded in that respect.” –
Film Inquiry
Aug 18, 2020
Full Review
She Dies Tomorrow (2020)
84%
EDIT
“It was undeniably ambitious and fascinating enough to sustain my attention, but not nearly to the degree other modern horror films have been.” –
Film Inquiry
Aug 6, 2020
Full Review
Bloodshot (2020)
32%
EDIT
“Bloodshot attempts to do something different, but retains so many of the clichés its predecessors have befallen to.” –
Film Inquiry
Mar 17, 2020
Full Review
Portrait of a Lady on Fire (2019)
97%
EDIT
“It's hard to call Sciamma's vision anything short of a triumph on nearly every level. It starts off as enticing and mysterious, but quickly transports the viewer into an even deeper stupor of romance.” –
Film Inquiry
Oct 30, 2019
Full Review
Waves (2019)
84%
EDIT
“Waves is, simply put, the greatest film of the year. Everything Shults has crafted before has built to this, a magnum opus of brutal emotional devastation and healing amelioration.” –
Film Inquiry
Oct 30, 2019
Full Review
The Truth (2019)
87%
EDIT
“It doesn't completely stick the landing, but it's worth viewing, and Kore-eda shows tremendous future potential if he wishes to continue expanding outside of Japanese cinema.” –
Film Inquiry
Oct 30, 2019
Full Review
Ad Astra (2019)
83%
EDIT
“Ad Astra is not without its flaws, but Gray's science-fiction endeavor is ultimately one of the best films of the year.” –
Film Inquiry
Oct 1, 2019
Full Review
The Lion King (2019)
52%
EDIT
“It's a surprisingly efficient remake that acts as both a touching tribute to its predecessor and a breathtaking standalone epic in its own right.” –
Film Inquiry
Jul 23, 2019
Full Review
Missing Link (2019)
88%
EDIT
“Sweet, charming, and beautifully unique, Missing Link deserves only the highest praise.” –
Film Inquiry
Apr 17, 2019
Full Review
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