Mary Poppins Returns
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All Critics (15)
| Top Critics (10)
| Fresh (1)
| Rotten (14)
Think the Bourne franchise meets the Bond franchise, without the wit or action.
[A] dippy hodgepodge of hitman action, illogical romance and geopolitical commentary.
Why is Slater in this? Why are Sutherland and Spall? Why am I even watching it?
Corny action scenes and borderline-hilarious direction by Isaac Florentine mark the film as an obvious straight-to-video item that somehow took a wrong turn into a movie theater.
Mr. Slater valiantly tries to appear turned on by his leading lady's shimmying midsection, but he might as well be watching a performing dog for all the heat mustered between them.
This psychologically tinged thriller about a mysterious female assassin won't erase memories of La Femma Nikita.
A martial-artist-turned-filmmaker, Florentine (born Yitzhak Florentin) has carved out a niche in the direct-to-video world as an old-school action director with a knack for choreographing and composing fight scenes.
The script and direction are equally inept, with a series of overwrought action sequences and ludicrous plot twists that come suspiciously close to parody.
What do belly dancers, wigs, shrinks, split personalities and secret ops sexpot mercenary mayhem have to do with a movie? Well, an awful lot it seems, in this CIA espionage freakout that makes waterboarding appear tame by comparison.
In trying to pass off the obvious as some type of mystery, Assassin's Bullet repeatedly insults viewer intelligence until the whole effort transforms into unintentional camp.
Isaac Florentine's film is maligned with gaping plot holes, terrible expository dialogue, and obvious moments of foreshadowing.
Assassin's Bullet feels like a shameless, dismal vanity project.
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