The LEGO Movie 2: The Second Part
Green Book
Widows
The Walking Dead
Log in with Facebook
OR
By creating an account, you agree to the Privacy Policy and the Terms and Policies, and to receive email from Rotten Tomatoes and Fandango.
Please enter your email address and we will email you a new password.
We want to hear what you have to say but need to verify your account. Just leave us a message here and we will work on getting you verified.
Please reference “Error Code 2121” when contacting customer service.
Critics Consensus: No consensus yet.
Tomatometer Not Available...
——
Critic Consensus: No consensus yet.
All Critics (16) | Top Critics (4) | Fresh (13) | Rotten (3)
Settings are inexpensive but sufficient for the needs. Production values, in general, however, aid materially in making this picture a winner.
The film accelerates to great effect towards the end.
Even though this film is taken from a modest stage play of a few seasons back, its humors are as stale and mechanical as those of the oldest such farce.
One of the lesser products of Val Lewton's years as the head of RKO's horror-film unit.
A strong, well above-average effort in almost every way, there's no evidence at all that Lewton's first brush with money and success dulled his instincts.
Researchers and healers are closer to the subjects on the autopsy slab than to their living patients in this acerbic chimera of shadow and sacrifice
there's a fascination with the ultimate futility of ever being something beyond opportunistic and solipsistic.
Too stuck on being literate to be a great movie ... .
The first and best of the three Val Lewton-Boris Karloff collaborations for RKO.
This is the most elegant and leisurely of the Val Lewton horror films, up until the whopper of an ending.
It is certainly far more accomplished and evocative than some critics have suggested.
Wildly overrated, but elegantly produced horror film
A pretty interesting little flick that ends extremely well. Odd seeing Bela Lugosi in such a tiny role, but also it's nice to see Boris Karloff being so evil and relishing it.
Super Reviewer
My favourite corpse snatching movie, it stars both Karloff and Lugosi, how could you not like it? It's exciting and creepy.
One of many from Val Lewton's stable of low budget horror masterpieces, a young Robert Wise masterfully directs Robert Louis Stevenson's tale of a doctor willing to cross the line in search of knowledge and the man who torments him. The Body Snatcher is proof positive that Boris Karloff was a great actor as any scene he's in legitimately has the ability to make your skin crawl. Don't get too excited about Bela Lugosi's (I'm pretty sure he's supposed to be a retarded Spaniard) role as he's got very little screen time but his final scene with Karloff is superb. Wise does so much with so little and that final carriage scene came close to freaking me out.
Sinister goings on in 19th century Edinburrow as a young medical student, presumably on exchange from America, is initiated into the art of grave robbing. Based on a short story by Robert Louis Stevenson and directed by Robert Wise, The Body Snatcher is not actually one of the better Val Lewton horror movies. The atmosphere is potent enough but the story doesn't really catch fire until the very end and, for such a short film, it tends to drag. Henry Daniell and Boris Karloff, as an anatomist and his resurrectionist respectively, are terrific; Bela Lugosi, on the other hand, is such a waste of space I'd forgotten he was even in the picture.
There are no approved quotes yet for this movie.
View All