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as Léa de Lonval
as Chéri, Fred Peloux
as Charlotte Peloux
as La Copine
as La Loupiote
as La Baronne
as Le Vicomte Desmond
as Madame Aidonza
as Silver-Haired Industrialist
as Monsieur Roland
as Madame Roland
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Critic Reviews for Chéri
A movie like Cheri needs the time and space of The Age of Innocence. Instead, it's rushed along in an hour and 40 minutes.
It's the kind of refined, delicate acting Pfeiffer does so well, and it's a further reminder of how much we've missed her since she's been away.
These two lovebirds are playfully mismatched, and that's just why they fall for each other.
Michelle Pfeiffer is quite good, but the script leaves Kathy Bates -- talented as she is -- with a bit of a cartoonish performance.
Audience Reviews for Chéri
Although not really involving nor exactly compelling, this romantic drama based on Colette is at least charming, with a wonderful production design and a nice chemistry between Pfeiffer and Friend.
During la belle epoque, an old courtesan and a young man fall in love, but when the man must marry, their relationship reaches an impasse. Playwright/screenwriter Christopher Hampton collaborated with director Stephen Frears in 1988 to produce one of the most vicious battles of the genders ever put to film, Dangerous Liaisons, and their most recent collaboration seems like the aborted product of their imitators or merely the vain scribblings of old men who can no longer hack it. In every way Cheri is a Frears/Hampton film, but in every way it falls short. In what few moments of manipulation there are, we see none of the mischievousness and guile that made Valmont a man we love to hate. In what few moments of sexual passion, we none of the allure of the young Uma Thurman (all of the actresses in Cheri must have had a no nudity clause). And in what few moments of loving tenderness in Cheri, there is none of the passion we saw in Tourvel and Valmont's torrid break-up and reunion. What remains is a sterile imitation of Dangerous Liaisons. And Cheri's motivations are occasionally mysterious. Even after he explains his reunion with Edmee, it still doesn't make any sense. I must say that this is a courageous role for Michelle Pfeiffer as much of Lea's character development takes place in the sad lines on her aging face. But this was but one ugly moment in a whole film in which she is made to look as beautiful as she can. Also, the script reduces the eminently talented Kathy Bates to a mere cartoon. Overall, see Dangerous Liaisons, and when you're done, you can say that you saw Cheri too.
Indulge in a wicked game of seduction A romantic story of a young boy who is attracted by a prostitute older than him So the movie inst so bad, i thought it could have been worst, way worst, its an elegant movie, that is visually pleasing, nothing out of the ordinary. In terms of costume this movie is fabulous, amazing stylish outfits that should inspire a lot of people out there. In terms of the story, there isn't anything special, its a semi-erotic build up plot. But one thing has to be named, Pfeiffer is amazing! So is you want to go see it, its up to you. I don't recommend it to everyone, but if you like historical romances with a spice of sensuality , go ahead. Lea de Lonval : I can't criticize his character, mainly because he doesn't seem to have one!
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