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Cast

AnnaLynne McCord
as Pauline

Traci Lords
as Phyllis

Ariel Winter
as Grace

Roger Bart
as Bob

Jeremy Sumpter
as Adam

Marlee Matlin
as Amber

Ray Wise
as Principal Campbell

Matthew Gray Gubler
as Mr. Claybaugh

Malcolm McDowell
as Mr. Cooper

John Waters
as William

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Critic Reviews for Excision

Audience Reviews for Excision

• Oct 16, 2016

  The most surprising thing about this movie is the fact that Traci Lords, a former pornographic actress, has turned into a surprisingly solid actress. She's actually quite good in this movie as the domineering mother who expects things to be done her way and everyone who disagrees with her is in the wrong. With that said, however, I don't know if this can be classified so much as a horror movie. It definitely has some horror elements, like Pauline's increasingly violent and disturbing dreams, for example there's one where she has sex with a corpse, there's one where she removes her own head from someone else's body, there's one where she has an abortion and this person puts the fetus in this oven where it proceeds to blow up, etc, etc. When she wakes up, she is clearly turned on by her dreams, so that tells you a lot about her. These scenes with the dreams can definitely be classified as horror, but the movie as a whole, to me, can't. I think it's more of a character study into the mind of a very disturbed, yet vulnerable, teenage girl that does whatever she can to gain some sort of attention from her mother, who's only really worried about Pauline's sister, who's suffering from cystic fibrosis. Grace, Pauline's sister, sees her health deteriorate throughout the film. This is very important, as Pauline spends, pretty much, the entire film coming up with these ideas to get some sort of attention from her mother. At least the attention that she wants, since all she gets from her mother is disapproval or statements about how disappointed she is in Pauline's actions. So, Pauline, seeing that her mother really only cares about Grace, devices a plan to help save her sister, so her mother will finally love her. It's actually really fucking sad if you think about it. That the only way Pauline feels she'd get her mother's love is if she saves the daughter she actually shows some sort of affection for. The movie doesn't exploit this theme, thankfully, but it's actually pretty heartbreaking if you actually think about it. It also helps when you have AnnaLynne McCord puts forward an absolutely incredible performance in this film. Seriously. She is phenomenal in this role as she portrays this character that does all these things that might make her seem unlikable, but it's really just a call for attention and yet none of it works. Thankfully, though, the movie has a very clear obvious sense of humor that helps alleviate some of the film's darker and more disturbing themes or scenes. My favorite scene, from a comedy standpoint at least, has to be one with Marlee Matlin where she's thankful she's deaf after witnessing an argument between Pauline and her mother. The last act of the movie, where Pauline is finally pushed to the edge and she completely loses everything that made her sane, goes to some pretty dark places. But, again, it does reveal another layer of how sad Pauline's quest for her mother's love and approval really is. Honestly, I thought this was a really damn good movie. The writing is really strong and the acting, particularly from AnnaLynne, is pretty damn good as well. That adds up to what, I felt, was a really good movie and one that I would definitely recommend.
  Jesse O Super Reviewer
• May 09, 2015

  Adapted from a short film of the same title. Pauline is a mentally disturbed girl with low self esteem. Her family consists of a controlling mother, sister with cystic fibrosis and uncaring father. She is constantly bullied at school while having orgasmic dreams about mutilation and gore. When Pauline was finally pushed to her limits, she will do anything to achieve her dream of becoming a surgeon and helping her sister. A meshup of Welcome to the Dollhouse and May, it combined surrealism with the pain of coming of age. AnnaLynne McCord delivered an outstanding performance. Not the best film ever but it was certainly entertaining.
  

  Sylvester K Super Reviewer
• Jan 23, 2014

  Empathy for the troubled lead character Pauline, a sardonic 16-year-old who experiences increasingly violent and bloody nightmares/visions, quickly erodes because, well, she's just so nasty to everyone! That makes her an extremely atypical protagonist and AnnaLynne McCord deserves considerable credit for tackling such an unflattering role with aplomb, but the payoff, albeit shocking, is really not worth the journey. We never understand her or her dementia and the visions are truly disturbing. On the plus side, Traci Lords likely has the biggest role - make that the biggest <i>speaking</i> role - of her career in a wry slice of casting as Pauline's bitchy repressive mother.
  Doctor S Super Reviewer
• Dec 16, 2013

  basically a gory sequel to Welcome to the Dollhouse.
  Stevie S Super Reviewer

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