It Started in Naples
1960, Romance/Comedy, 1h 40m
6 Reviews 500+ RatingsYou might also like
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Movie Info
When American lawyer Michael Hamilton (Clark Gable) hears that his estranged younger brother and sister-in-law have died in a car accident, he flies to Naples, Italy, to settle their estate. Upon arriving, the xenophobic Hamilton meets his impish nephew, Nando (Marietto), for the first time, and decides he will bring the boy back with him to the United States. But when Nando's gorgeous aunt, Lucia Curcio (Sophia Loren), protests, a lengthy and heated custody battle ensues.
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Genre: Romance, Comedy
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Original Language: English
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Director: Melville Shavelson
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Producer: Melville Shavelson, Jack Rose
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Writer: Melville Shavelson, Jack Rose, Suso Cecchi d'Amico
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Release Date (Theaters): original
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Release Date (Streaming):
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Runtime:
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Distributor: Paramount Pictures
Cast & Crew
Critic Reviews for It Started in Naples
Audience Reviews for It Started in Naples
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You have to forgive this movie several faults in order to enjoy it. Clark Gable, at 59, is far too old for Sophia Loren, 26. The musical numbers are weak with the exception of 'Americano', and let's face it, Loren is no Ginger Rogers. The custody battle for the child - Loren's son and Gable's nephew - is absurd to begin with, and then compounded by silly back and forth melodrama in the second half of the film. The film on the surface seems to be a loving look at Italy and Italians, but Gable's character is condescending with an annoying American arrogance, and the film as a whole is a bit patronizing. And yet, despite all that, I found it somewhat enjoyable, and certainly better than expected. Shot on location in Naples and Capri, the scenery is gorgeous and many of the shots in the streets or piazzas look authentic. Gable gets off a lot of wry one-liners in a script where the dialogue is better than events. Loren may not have the greatest dance moves, but she does show both a comedic side and a touching side in her playful relationship with her son, in addition to, well, being a knockout and all. I love the scene where Loren is sprawled out face down on the bed after a long night dancing, and her son pokes her in the behind with a meat fork in front of Gable. The supporting cast is all-Italian, and the little boy (Marietto) and the lawyer (Vittorio De Sica) turn in good performances. There are moments that seem cliché, but there are also moments that seem spontaneous, and quite true to southern Italy. Far from perfect, but enjoyable.
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