The LEGO Movie 2: The Second Part
The Walking Dead
Log in with Facebook
Forgot your password?
Don't have an account? Sign up here
and the Terms and Policies,
and to receive email from Rotten Tomatoes and Fandango.
Already have an account? Log in here
Please enter your email address and we will email you a new password.
We want to hear what you have to say but need to verify your account. Just leave us a message here and we will work on getting you verified.
Please reference “Error Code 2121” when contacting customer service.
No consensus yet.
Tomatometer Not Available...
No consensus yet.
All Critics (26)
| Top Critics (3)
| Fresh (17)
| Rotten (9)
| DVD (3)
If you hop aboard this sick, unjoyful ride, you'd better bail out early. Unsafe at any speed, this dramatic vehicle goes up in flames.
The movie is a road trip that takes a bad turn to hell. Check it out.
Brad Pitt's performance is crucial, and he rips into the character with a frightening sense of unhinged egomania, violently subverting the Redford-lite pretty-boy image with which so many wanted to associate him
It's good-looking but unsubstantial.
The movie begins extremely well before escalating into the inevitable Straw Dogs confrontation, when the sensitive-intellectual man discovers, just like Dustin Hoffman, that when push comes to shove, we're all brutes and animals.
An Absolutely riveting movie...Pitt is outstanding
A gritty, haunting voyeur's peek into the human condition.
Visually stylish, thematically creepy.
Pointless knock-off of NATURAL BORN KILLERS. Duchovny and Forbes both miscast and wasted. Juliette Lewis is annoying as ever.
Truly terrifying journey into madness.
Far more insightful than the similar but overblown Natural Born Killers.
Starting like a soft-core Red Shoe Diaries episode, the guitar score is less heart-throbbing and more chintzy. In a sociological study on murderous psychology, 'Kalifornia' delves headlong into sociopathic analysis (Duchovny asserts that serial killers can distinguish between right and wrong and they should receive the death penalty). These aspects of the film are intrinsically provocative. However, Duchovny's voiceover is a sleep tranquilizer like Harrison Ford's lukewarm narration in 'Blade Runner'. He waxes poetic about how serial killers "dream they can fly" and it sounds irredeemably pretentious. Pitt is superficial unkemptness as the hayseed Early and he is such a dimwit that he can hardly be classified as a threat (Early romanticizes California with claims that there "ain't no speed limits and the first month is rent free."). Anything spouted by Juliette Lewis is a juvenile stereotype of Southern yokels (she doesn't fathom the definition of the word "karma") and she is intolerable in the role. Early's parole officer with the hook appendage is extremely cartoonish. The cross-cutting of the two stories is awfully uneven since we are more enthralled with Early's impecunious trailer lifestyle than Brian's naïve obsessions. Truthfully, 'Kalifornia' is a vapid exercise in David Fincher style, but its declarations about the ill-bred origins of serial killers are shallow.
Very few people would dare to question Brad Pitt's versatility today. That was different in the early 90s, when he was still underestimated as just another pretty face. Undeservedly so, as this early work in his oeuvre shows. He has hardly ever been as menacing, unpredictable and merciless as in this thriller about an author taking a road trip to famous murder sites and sharing gas costs with a white trash couple. As brilliant as Pitt is, he is even outshined by Juliette Lewis as dumb but sweet bimbo. As the trip turns more and more into a nightmare for the yuppie couple, the violence is ruthless, realistic and ugly, as in real life. While our protagonist ("Mulder" David Duchovny) is looking for an explanation for the mindset of serial killers, the film has no answers to the questions of the their motifs. Which just makes it even more unpleasant and important. Well done.
Fear never travels alone
Good movie. It gets better as it goes along. Not only is the story very impressive, so is the acting from our four leads. Overall this is a very good and impressive psychological thriller with a very powerful story.
Brian Kessler, a journalist researching serial killers, and his photographer girlfriend Carrie set out on a cross-country tour of the sites of the killings. Sharing the ride and their expenses are Early Grayce, a paroled white trash criminal, and his girlfriend Adele. As the trip progresses, Early begins to appear more and more unstable, and Brian and Carrie begin to fear that they may have a real-life killer in the back seat of their car.
View All Quotes