Norman Lear: Just Another Version of You (2016)
Critic Consensus: Norman Lear: Just Another Version of You pays tribute to its subject's brilliant legacy with an entertaining primer peppered with his own fascinating reflections.
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Critic Reviews for Norman Lear: Just Another Version of You
This is a story of a life of enormous fulfillment-eloquently told and openhearted as related by the subject himself, now in his early 90s, who knows, as he reveals, what to value in life.
An affectionate reminder of what an impact one writer-producer had on the modern world.
Just Another Version is less sweeping than Lear's memoir but filled with smartly chosen clips.
If the movie fails to plumb the depth of Lear's mystery, it succeeds in being an entertaining look at an influential figure.
The film is poetically structured and Lear is a spry, emotionally involved participant in a lively bio-doc that succeeds eulogistically and contextually.
Audience Reviews for Norman Lear: Just Another Version of You
This fine documentary about Norman Lear, one of the paragons of American comedy TV, is a must see for anyone interested in screen. It is also a lesson in freedom of speech and tolerance, and the courage to insist upon them. Lear wrote and produced many of the landmark American serials of the twentieth century and he was ground breaking in the treatment of prejudice. All In The Family flushed out every bigoted opinion. Lear derived that concept from the iconic English show Till Death Us Do Part, with the key difference being perhaps that Lear's Archie Bunker was written sympathetically and appealed to the heart, whereas the English Alf Garnett was unmerciful. Lear's Maude starred Bea Arthur as an older feminist and among other topics the show dealt with the complexity of abortion, which led to 17,000 letters being sent to the producers and had 65 million viewers. The film has key clips from that series. The Jeffersons was written for Black audiences and exposed racial prejudice. It was a conscious departure from Black sitcom written for white audiences, which tended to blunt the edge with clowning - Lear was challenged by the Black Power movement and, engaging with those arguments, he produced The Jeffersons. Lear's shows and skits ran the gamut of anti-Semitism, something of deepest personal concern for him, pointedly and with a hilarity that we rarely see today. The documentary contains very funny clips from all of these shows, plus behind-the-scenes process, and interviews with the actors including Carol O'Connor (Archie Bunker) and John Amos and Esther Rolle (leads in Good Times). In his later years, Norman Lear became an activist against the self-styled Moral Majority, which Lear pointed out is not a majority. He campaigned for the separation of the state from religion, and for the equal rights of all individuals regardless of race, religion or sex and the protection of these rights by the Constitution. Lear's authority in the television industry attracted the support of important people, including Bob Hope. Extraordinarily, Lear succeeded in purchasing the actual, physical document of the American Declaration of Independence. With frankness, the film also states where he took his ideas from others. In presenting Norman Lear with an award, Amy Poehler points out how very difficult it is to achieve what he did - to present socially challenging subject matter, make it very funny and combine those things with commercial success. Thanks to Lear, several generations of kids grew up watching nightly TV that encouraged open minds, free debate about social issues and a concern for humanity. How is that going today? And check out Lear at 93 years of age - it seems that being on the right side of history keeps you young.
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