The LEGO Movie 2: The Second Part
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The good cast and rollicking soundtrack eventually drown when this comic homage to pirate radio loses its quippy steam.
All Critics (162)
| Top Critics (39)
| Fresh (100)
| Rotten (62)
| DVD (3)
Curtis's movie is loosely based on the historical truths of the time, but it isn't meant as a documentary, a rockumentary, or even a docucomedy. It's just a hell of a lot of fun.
It just sits there in the water.
Any serious music fan -- that is anyone who sees the radio pirates as kindred spirits -- will be outraged by its sloppy approach to the history of rock and roll.
Forty years ago, they couldn't get these songs on the radio; now we can't get them off.
Richard Curtis's comedy is anchored only in exuberance, but that's more than you can say for most movies these days; it keeps you beaming with pleasure.
Mr. Curtis has delightfully re-created that storied era, making Pirate Radio the most fun you'll have in a movie theater this year.
The film is a tad cluttered but wildly entertaining, and if you don't go see it, definitely buy the soundtrack.
The Boat That Rocked is pointless, shapeless, historically bogus and so emotionally disengaging you can't even feel the soundtrack.
At the very least, it will have you feeling all gooey and nostalgic about a time you may not have been around for.
It is a great cast and the perfect one for a group of oddballs such as this. If only the script had been able to match the caliber of the acting, there might have been a really special film here.
thinly drawn plot, thinner characters
I kinda see this as a companion piece to the earlier British comedy 'Still Crazy', or they could exist in same universe at least. As for the title I think the US version is much better really, the original UK title is a bit of a mouth full, mind you other Euro versions are quite radical also. In France its called 'Good Morning England' which is quite the rip-off frankly, in Germany its 'Radio Rock Revolution' and in Italy its 'I Love Radio Rock'. So all in all this movie has the most title changes ever it seems...all of which are actually better than the original UK one I think.
The quaint little story here is straight forward, back in the 60's rock and pop was frowned upon by the stale old crusty stiff upper lipped British government. A government that is still clearly set in the 50's and wasn't ready or willing to accept the free flowing hippie movement and its drastic changes. During this time pirate radio stations were set up to play tunage that was considered not cricket, but to avoid British law these musical rebels set up shop in the North Sea away from land-set restrictions and out of reach. Although inspired by real pirate radio stations of the time this fictional story sees a group of ragtag DJ's on a rusty old trawler blasting the UK with dangerous rock n roll. At the same time the dastardly Kenneth Branagh and his sidekick are trying their upmost to shut them down.
The plot is actually quite similar to 'Still Crazy' with the basic premise of a young man joining a group of older men to go on a wild immature adventure of sorts. In 'Still Crazy' a young man joins the band, here a young man joins the radio crew, both films focusing on all of the characters giving us multiple subplots. As you can imagine all of these little character driven stories revolve around the simple issues of sex, booze, relationships, having a good time and battling against the establishment. Each character has their own little quirk that is pretty predictable and highly cliched in a typically rude crass British kind of way, nothing wrong with that of course, you expect it right from the start but its seen in virtually every British comedy.
Apparently you simply cannot make a British comedy without Bill Nighy and here he plays the same type of rigid character yet again. Rhys Ifans plays another slimy creepy generally unlikable character, Nick Frost plays...errr...the fat bloke...again, and then pad out the rest with various familiar faces which most Brits will recognise in some form or another but everyone else won't. The only real breath of fresh air in this cast is Hoffman as the rebellious brash US DJ which gives the film a sense of 'Good Morning Vietnam' vs traditional British toilet humour...at times.
The establishment that is trying to ruin everyone's fun is played in its entirety by Kenneth Branagh, a strict headmaster-esque government minister who thinks rock n roll is corrupting young minds. His sidekick played by Jack Davenport is surprisingly not a half wit as you might expect but a clever devious subordinate who digs up legal loopholes. Together these two make a reasonably fun pair of bad guys (not really bad of course) and do offer most of the entertainment character wise. Sure it might have been cliched to make them a bumbling pair of Laurel and Hardy types but maybe that might have worked in the films favour? None the less Branagh plays the sniveling jobsworth suit to a tee with his grovelling to the Prime Minister. Alas they did let everything down by naming Davenport's character Twatt...a totally lame and unfunny gag that seems rather childish, they couldn't think of anything better than that?!
By now I'm sure most of you must know what to expect with a comedy like this, all the usual Brit gags visual or otherwise, like I said its the same spiel in all UK comedy flicks (with almost the same cast). Being based on pirate radio of course this means the sexual innuendo gags are through the roof! add to that lots of frat house-like tomfoolery, soppy lovin' and a brief spot of nudity. What can I say, its silly and infantile but its still a good, warm-hearted relaxing flick with a solid soundtrack and a surprisingly semi-emotional finale. Its just not as funny as you'd like it to be.
Dispite a screenplay full of flaws, The Boat That Rocked, bring a great soundtrack and comic cast.
Add this too the long list of films that endeavor mightily to capture the soul of rock and roll only to prostitute the admittedly bad old girl shamelessly. Cue the classics of yore, present cast et al "grooving to the beat", and cut to credits. Better to light one up, reheat the lava lamp and put on some Floyd.
A group of - for lack of a better term - frat boy disc jockeys play rock 'n' roll off the coast of Britain despite the efforts of prissy lawmakers.
Richard Curtis, the most estrogen-laden man this side of Angel from Rent, has made a bro-tacular love letter to classic rock. Much like Cameron Crowe's Almost Famous, Pirate Radio stacks classic rock song upon classic rock song in a party of a film. It's a fun ride, and Kenneth Brannagh plays a great villain of the uptight, stick-up-one's-arse variety. The performances are all jovial, and it's clear the actors had a blast making the film.
However, I didn't like the ending, saccharine and unbelievable, and the depiction of women. All of the women were masculinized lesbians or fangirls who jump into bed at a wink or a well-placed "how 'bout it then?" The females, without exception, serve as objects of male desire without character arcs of their own. What is more, even after meeting Emma Thompson's character, it's hard to imagine her sending her son to this boat for any type of reformation.
Overall, though, I enjoyed the film immensely, caught up as I was in its celebration of music.
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