Once Upon a Time In Hollywood
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It felt like the movie mover progressed past the first scene, things happened but it never felt like it. As if the movie was building to something but it ends with nothing.
I really liked this a lot. Watched it again and liked it even better. Its about settling or not settling for imperfect relationships with toxic lovers.
I expected better results. The performances are OK and as a romantic comedy it starts off decent for the first half but quickly lose it steam in the second half. The script didn’t hold my interest and neither did the characters. The first half is good the second half not so much.
fails to score even a distinction..
2 And A Half Out Of 5
Results is a character driven dramatic romance about a guy fueled with an agenda to keep the world fit along with her-kind-of-assistant.
It is an unstable feature with an uneven script that either tries to score with a glorifying note or a subtle take on the simplicity which both of it is appreciative but in here, is just a misunderstood concept. The chemistry in such features are the spine of it which unfortunately is shatteringly disappointing where the performance too factors in a lot.
The premise had a lot to trigger in its self-created complex characters but within its first act the hidden cards are visible and they are not the winning hand.
Bujalski's world isn't busy or competent as he might think and the primary reason is his undercooked characters and fast paced rhythmic beat which they feed on, that makes the viewers cringe on seat as the flaws are transparent like water.
The conversations are pragmatic and written with a keen awareness of the situation and the repercussions it breeds along with each character's perspective.
Instead of getting mature, the script grows juvenile contradictory to the tone of the feature. Addition to that, the crispiness and the tense environment among the characters too aren't communicated with the viewers.
It is short on technical aspects like cinematography, background score and editing. Stunning visuals and intriguing conversations are the only high points of the feature.
Smulders seems confused to the core where neither Pearce is supporting her and nor Corrigan's vulnerability helps. Bujalski; the writer-director is on his A game on executing the script on screen but has fumbled a lot on writing it.
Results fails to score even a distinction on any aspect of the feature where the audience leaves the screen feeling cheated.
This movie wanders like a 1-dimensional character lost in a non-descript neighborhood. Painful.
Slow moving and left me with a downer feeling
Bujalski rules and I still think of Kevin Corrigan's performance months later
Really BAD, Brooklyn is only in the movie for 10 minutes.
Bland and uninspiring indie drama that's taking up valuable real estate on Netflix for no apparent reason.
Bits and pieces of a good movie exist in here but the ending (what on earth is appealing about her? and that's what this was building up to?) is unbelievable and leaves a bad taste.