However most of the notoriety must go down to the technical achievements of the filmmakers.
The whole 80 or so minute length of the film takes place in one single location (a New York apartment) and appears to be shot in one single take unspooled and unedited.
Of course that is not technically possible especially with camera using traditional film as they can only shoot for 10 minutes or so.
If you look closely enough there are points where the camera zooms in on dark objects allowing a quick spool change. However it is still an achievement to have such long unedited scenes in which every actor cannot make a single error that can be edited out later!
The story is a typical film noir style murder case (although shot in Technicolor).
Two male flatmates (controversial in itself on release) murder (using a rope to strangulate) and hide the body in their apartment just prior to hosting several guests for a party.
One of the guests happens to be a part time psychologist cum detective cum murder obsessive James Stewart.
Stewart and the murderers take part in a game of cat and mouse throughout and just after the party ending in police sirens in the distance!
The film is based on a source stage play Gaslight ffom 1944.
The single location and attention to minute details in expressions etc. would add weight to this.
A clever little film. Lost for many years due to rights issues and the like apparently. If only modern CGI, digital films showed as much ingenuity. Perhaps a little was showed by the CGI regeneration of old characters ling since deceased in Rogue One.
Hitchcock delivers again. Only the films age has lowered my rating.
After 2 young men named Brandon and Phillip strangle a classmate named David who they believe is inferior to them, they put his body in a wooden chest and have several of their friends over for a dinner party to test the perfection of their crime. They put the food on top of the chest and they use his grave as a centerpiece. As Brandon says hints about David's disappearance, one of the guests, Rupert, begins to suspect that something is up with them.
This film was shot to make it look like it was filmed in 1 consecutive take (minus the opening credits). Hitchcock wanted to film it in 1 take without any interruptions. However, he could only record 20 minutes at a time. To get around this issue, Hitchcock tried to hide the cuts. For example, the camera could zoom in on a jacket, stop and start recording again, and zoom out so it looks like the movement happened at the same time. Some of these cuts were noticeable and could've been hidden better, but most of them were hidden decently enough. Also, Hitchcock had a backdrop of a city in the window behind their room. Every time a cut happened, it would look like time was moving along in the film as the sky would slowly get darker, changing from evening to night. It wasn't until 2002 when "Russian Ark" became the first and, currently, the only film to be shot in 1 unbroken cut.
Suspense is a trademark of Hitchcock films. He's made many suspenseful scenes in the past which have worked very well. As the party guests continued to get more suspicious of Brandon and Phillip, tension kept on rising. There is a man who keeps on getting more suspicious and questions both of them. There is a woman who has to open the chest later in the night to put books into it. I'll argue that out of all of Hitchcock's films that I've seen, this is his most suspenseful film. There are large portions of the film dedicated to keeping the viewer on the edge of their seats. Also, there are some added touches to certain scenes. For example, the movie had a metronome ticking as one of the characters questions one of the perpetrators, causing him to feel increasingly uneasy. Also, one of the characters could be visualizing how he thinks the crime would've went down as the camera moves around the room, in accordance with his theory.
However, the long take actually helps the suspense factor. In order for the suspense to work, the viewer had to be positive that the chest remained in the room for the entire film. That way, the viewer would be certain that his body hadn't been moved out somehow during a jump in the time. The fact that the film looks like it's filmed in 1 take reassures the viewer that the body hasn't left the room. If a character tries to open the chest, the viewer feels a lot of tension, because they know for a fact what that character will find. Top this off with some very solid acting from John Dall (Brandon) and Farley Granger (Phillip), and you get some firm, well-done suspense.
The dialogue is one of the highlights of the film. One of the perpetrators, Brandon, continues to give hints about the crime throughout the discussion. When one of the characters asks if he's throwing the party because of a birthday, he says that it's the exact opposite, implying David's death. When the character he said it to gets confused, he says that it's a farewell party. At one point in the film, a character asked Brandon a question. Brandon paused for a few seconds before giving a normal answer. It's almost like he was trying to think of a hint to say. Also, there are other scenes such as when Joan, one of the party guests, says that she could strangle Brandon as an exaggeration. Also, there's the discussion when all of the party guests briefly discuss murder, and Brandon tells a story about Phillip choking a chicken. I picked up more hints from the dialogue on my 2nd viewing. I'm assuming that there's a few more lines of dialogue that I could pick up on if I watch it a 3rd time. The dialogue slightly contributes to the films' suspense as it's a factor in what causes Rupert and the other guests to become suspicious.
Since the film has a lot of suspense, the 80 minute runtime feels a lot more like a mere 40 minutes. As I started to approach the ending on my 2nd viewing, I felt like it was over too quickly. I would've liked to see more of it as it was engaging me from beginning to end. Also, since suspense is a main driving point of the film, a lot of it is gone after you watch it a 2nd time. However, this is present in all suspenseful movies. The first viewing is always the best one as I'm not sure how the film will end.
In conclusion, this was a very suspenseful film. From what I've read, Hitchcock apparently called this an "experiment which didn't work out". It may not be one of Hitchcock's best films, but it's a really good film at showing us Hitchcock's suspense at its finest. It accomplished a few things pretty well, and I'm glad that I watched it. It was a pretty good film.
Once the film gets rolling there is a palpable rising tension that permeates every conversation. Philip becomes more tense, Brandon becomes more careless, and Rupert becomes more suspicious. This elevates the dialogue in such a way that almost every word spoken has a double meaning. I love any scene in a film where people are saying one thing but you can sense they are actually talking about something else, and this movie is loaded with that stuff.
Of course the king of delivering these lines with depth and meaning is the great Jimmy Stewart. There are no words for how superb he is in Rope. I could not get enough of watching his mind work, and the way his tone would change based on his inner thoughts. John Dall and Farley Granger did a great job with their parts as the killers, but when Stewart goes to work I was simply in awe. I'll admit the rest of the cast I found largely forgettable, but in most of the scenes their characters are just pawns being manipulated by these 3 key players.
Then there is the genius of Hitchcock himself. While there were some odd choices made with the camera (I suspect most of those were ways of concealing cuts between takes) most of the time he knows perfectly what to show you and what to hide. There's one scene, and I think anyone who has seen this film will know which scene I'm referencing, where an entire conversation is going on off-camera. I barely heard a word of the conversation because Hitchcock keeps the camera fixated so that we feel every tension-filled second as it seems the murder is about to be discovered.
Rope is a film that made me feel thrills the way that few films can manage. My body was all tight and anxious, not because of explosive action or cheap jump scares, but simply because of a well-crafted story and good camerawork. I'll admit it did take me a little time to become fully invested in the story, but once I bought in I could not look away. I'm anxious to watch Rope again and see if it can affect me as well as it did this first time. If it is that effective on a re-watch, then my rating for it might go even higher. A truly superb masterpiece!
A smart thriller with terrific acting and directing.
The experimental nature of the film makes it stand out and is the one movie from Mr. H that I I return to most.
And it vizivel the influence of this film in the years 60/70.