The LEGO Movie 2: The Second Part
The Walking Dead
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All Critics (7)
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An odd duck to be sure: substantially darker than the other Capra films I've seen, with a Chinese civil war and firing squads serving as the backdrop for a love story that never really comes together.
If any Hollywood film from the '30s is positively begging to be rediscovered...this is it.
Weird, poetic, deliberately pretentious drama from Capra.
This early Frank Capra film is much different and more serious in tone than the later, lighter films that made his reputation. The story, of a young fiancee' of a missionary in China who is kidnapped by a general with whom she eventually falls in love, must have given the censors ulcers back then. Even discounting the interracial romance between Chinese General Yen (played by very much NOT Chinese Nils Asther, and very well at that) and American Megan Davis (a VERY young Barbara Stanwyck, playing bossy and sassy even here), there are scenes of mass executions, a violent streetfight, a bath scene by Stanwyck that one can tell was made intentionally sexy, and a variety of other questionable scenes. The film looks sumptuous, dark and mysterious, and the Chinese set decor and costumes are beautiful. I had a problem with the film however, in that I just wasn't convinced of the romance between Yen and Megan. In his position as powerful Chinese general, I couldn't see him falling for an American, especially with the gorgeous Toshia Mori around, playing the traitorous Mah-Li. But then again, there are plenty of couples out there that I would have never imagined could have hooked up. I'm really going to have to see this again. I think I may have missed something, especially the final scene between Stanwyck and Asther. May be something more there than I got the first time around.
capra's most daring film was a box office disaster in 1933. it was denounced by women's groups and religious organizations in america and banned in the british empire for obliquely portraying an interracial love story between star barbara stanwyck and a chinese general (played by a swedish guy of course *eyeroll*) and it's criticism of missionary work in china. racist attitudes and pronouncements made by white christian missionaries made the film rather subversive. a fascinating film sadly stuck between it's progressive ideas and it's traditionally racist casting *note* someone has suggested to me that political correctness shouldn't be a criteria for judging films and that 'racist casting' may in fact be insisting actors only portray their own race. i must admit this is an interesting point of view. plz discuss :)
Strange and unusal for a 30's film
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