Tiny Furniture (2010)
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Critic Reviews for Tiny Furniture
A deft self-portrait of someone who hasn't reached the point where they can take themselves seriously.
Just when you think "Tiny Furniture" is of the nothing-happens school of indie-filmdom, something more dramatic happens.
Sharp observations, thin on entertainment value -- "Mumblecore" at its heart.
Dunham has a sharp eye for visual composition and a sharp ear, too.
There's not much to it, but you do sense, after watching it, that this filmmaker might someday make something very good, once she starts looking beyond her own immediate vicinity.
It's one of the loveliest lowest-budget features to come down the pike.
Audience Reviews for Tiny Furniture
I liked this film because of how real and relatable it is. It may seem self indulgent but the point is to show how a recent college graduate deals with her issues and tries to figure out her identity as an independent woman in the real world. So, of course, the film features this character's (Aura's) flaws and virtues in ways we may not always like... just like every other human being on this earth. We are sometimes ugly, awkward, pathetic, depressed, and whiny. We get involved with people who aren't worth our time and appreciate others who we sometimes ignored out of sheer ignorance. I like how this film captures those concepts and tries to make us see that Aura is a work-in-progress. She still has a lot of maturing to do, but those stupid decisions she's making now (and which her mother made as well), will (hopefully) make her a better woman in the future.
It's a quiet, slow film that features beautiful cinematography, smart writing, and some hilarious moments. However, its pacing is off-putting and not much is accomplished. Nonetheless, it has its moments of affability, and does showcase Lena Dunham's ability to make a dry, black comedy that (if a little more tweaking had been to it) might have been a success.
It's pretty tough to judge "Tiny Furniture" without judging its creator, Lena Dunham. The film is Lena Dunham, or at least a snapshot of her. That's the awesome thing about the movie - by directing, writing, and starring, Dunham has made something so personal that its hard to not be constantly impressed with her. But the problem remains that she is self-absorbed. And thus, so is the film. She knows it, acknowledges it in her script, and has gone on to acknowledge it in Girls, but the truth is, she can't make anything that isn't about her, and she can't stay out of it. She wants people to see how she thinks, feels, and what she desires. And while this is an interesting film for exactly that reason, it also feels like listening to someone go on about their insecurities without a single thought given to anything outside of their bubble. Lena Dunham continues to create in this way. She whines, though she is privileged, as if begging us to believe that she has problems too, and they are just as bad as everyone else's. And while such an experience in real life can be eye-opening, it can also be quite annoying - especially when it lasts an hour and a half.
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