Torn Curtain (1966)
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as Prof. Michael Armstrong
as Sarah Sherman
as Countess Luchinska
as Prof. Gustav Lindt
as Hermann Gromek
as Prof. Karl Manfred
as Mr. Jacobi
as Dr. Koska
as Farmer's Wife
as Heinrich Gerhard
as Fraulein Mann
as Factory Manager
as Hotel Travel Clerk
as Airline Official
as Olaf Hengstrom
as Taxi Driver
as Factory Manager
as Man Holding Baby in Hotel Lobby
Critic Reviews for Torn Curtain
Alfred Hitchcock's 1966 spy thriller has one of the lowest reputations of his late works. Coming after a masterpiece like Marnie, it almost had to be a disappointment. But Hitchcock was incapable of making an uninteresting film.
Hitchcock freshens up his bag of tricks in a good potpourri which becomes a bit stale through a noticeable lack of zip and pacing.
An above-average quota of glaringly shaky process work; but at least one classic sequence of protracted violence in a farmhouse kitchen.
In these times, with James Bonds cutting capers and pallid spies coming in out of the cold, Mr. Hitchcock will have to give us something a good bit brighter to keep us amused.
Hitchcock's 50th feature is one of his weakest, but it's worth seeing for the place it occupies in the master's career, his attempt to come to terms with the new movie market, genres, and tastes.
While there are some undeniably tense moments, this is Hitchcock on autopilot, and quite unrewarding.
Audience Reviews for Torn Curtain
Coming out after the essential flop that was Marnie, Hitch delivered once again a troubled movie that also basically flopped, and that film is this: his 50th feature. And this film really did have a troubled production. Half of the budget was spent securing Paul Newman and Julie Andrews in the lead roles, and they weren't Hitch's choices, but ones appointed by the studio. It didn't help that Hitch and Newman didn't get along all that well either. Bernard Herrmann was supposed to do the score, and fragments of it can be experienced as a dvd extra, but the studio opted for someone else, someone who could give a somewhat more upbeat score, and this essentially led to Herrmann never working with Hitch again. On top of that, the film was originally supposed to be a psychological drama told from the perspective of Andrews's character, but instead was turned into just another Cold War espionage thriller. Even Hitch called this his least enjoyable work of his own. With all that out of the way, I now give my review. While the film really isn't that good, it's not really terrible, just nothing new and generic. Despite being overlong drawn out, and uninspired, It is well shot, and the music is okay, as are the fine, albeit unspectacular performances. The Hitch cameo is quite amusing, but the real highlight of the movie is a scene that depicts just how difficult it can sometimes be to murder someone. Despite being generic, this film still manages to be quite suspense and intense at times, and that's really impressive. All in all, this film might be a low point, but it's not a truly colossal mess, though I don't recommend it unless you're a completist.
It has the feel of any Hitchcock film but seems empty. With Paul Newman starring as the new Cary Grant, you still have a strong protagonist but the story seems to fall flat at some point. It might be during the second half when desperation is at its best and the audience has to be put in a very uncomfortable situation. For any fan of the director, its still a passable entry but wont meet the high tier of films like Saboteur or North by Northwest.
Though it is a minor work for Hitchcock, this one still features many great moments and in my opinion is a huge step up from the two films before it.
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