The LEGO Movie 2: The Second Part
The Walking Dead
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All Critics (60)
| Top Critics (20)
| Fresh (31)
| Rotten (29)
| DVD (4)
The young actresses Graham and Wagner here create two characters who feel whole, distinct and weighty.
An edgy, gabby, salaciously subversive sex farce.
You gotta admire a director who can come up with a way to hang out in such luxurious digs for two weeks, acting out sexual situations with three of the dishiest young actors in the business.
A lively, if slender, perpetuation of the battle between the sexes on a modern battleground.
Writer-director James Toback must believe his audience is hopelessly prudish if he thinks this pedantic story, which takes place over several hours in a Manhattan loft, is provocative.
Toback has somehow managed to prolong and expand this sketchy egg-on-your-face situation with a series of unexpected ironies and power role reversals that are not without wit, humor and intelligence.
There's a lot of vapid discussions about sexuality and fidelity that sound like a late-night drunken dorm room conversation.
As a serio-comedy, it only half succeeds. The laughs are well earned, but the attempts at serious romantic analysis fall short of poignancy.
Built around a fearless performance by the protean Robert Downey Jr., this deliberately provocative story of deception and sexuality packs a punch that's undermined by the director's indulgence.
There is little realistic feel to the characters, as drawn by Tobak.
Mildly entertaining. Is never as erotic as it thinks it is.
Hot, hot, hot!
The idea is good - two girls find out by accident that they have been dating the same guy for a year. They decide to confront him. But I didn't find Blake's excuses funny at all - in fact, I wondered what the two girls were still doing at his apartment after the first 15 minutes of the movie at all.
Two young ladies named Carla (Heather Graham) and Lou (Natasha Gregson Wagner) strike up a conversation while waiting outside of an apartment building for their boyfriends. It's not long into their conversation when they discover that they are each dating the same guy: a narcissistic and arrogant actor named Blake (Robert Downey, Jr.). Angered and bewildered over his deception, the two decide to team up, break into his apartment, and confront him when he gets home.
I think this is probably what Les Diaboliques might be to an extent if it wasn't a horror/thriller. It's a darkly comedic dramedy about love, lust and commitment in the late 90s, and a really nice and underrated gem.
It's definitely got the vibe of a stage play, mostly due to the minimal cast, and the fact that it takes place entirely in front of or inside Blake's apartment. It was also shot almost totally in sequence and plays out almost completely in real time.
I don't want to spoil how the confrontation plays out, as that's where the joy of the film lies, but I will say that I was surprised by it, and totally didn't know what to expect or where the film was going.
The writing is pretty strong for the most part, though things do slip somewhat near the end. What I really didn't expect from this is how it starts off like a typical fluffy romcom, but ends up being something actually worth of contemplation and serious discussion. Awesome.
It's not perfect, but this is overall a really strong piece of work. It's got great casting and performances, it's about something, and it both entertains and gives the brain something to think about. Well done.
If you like Heather Graham and/or Robert Downey Jr., you should check this one out. However, this film has it's problems. The story and dialogue seems to go nowhere, and the film pretty much falls flat. I do think there are moments that allow humor from Robert Downey Jr.'s character who's an actor/musician that is clearly all over the place in many ways.
When Carla(Graham) and Lou(Wagner) meet outside an apartment building(brownstone) in Soho(NYC), they start to chat about the guy they are waiting for and the coincidences are just too close.
Heather Graham was my reason for watching any of this, and there is a scene or two worth seeing if you like her as well.
A completely performance based movie that for the most part benefits from the style. The characters are allowed to develop right before our eyes, which is really the most interesting thing to see in film. Where most movies use time passage as tool, this uses real time and relishes in it. I'm not saying it would work for every movie, but it certainly does in a relationship drama. The scene where RDJ is caught and scrambles for a way out is one of the most uncomfortable put on screen.
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