The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
There has always been something so inward about [Theron;] she can seem detached or deprived. But here it's as if the script and the direction felt bound to heed that loneliness, and let the actress go with her bravery and the depressive sag of her mouth.
The movie doesn't weigh that much, but it has a kind of point-blank piquancy that has gradually seeped out of American comedies, which now are mostly going for broad, topical gags that rarely venture into the relatable shadows of human behavior.
A dark comedy that confirms Diablo Cody as a screenwriter of importance, eliminates the last shred of doubt that Jason Reitman is a major director and gives Charlize Theron her best showcase since "Monster."
What makes the movie marvelous is the same combination that the filmmaker and writer brought to "Juno" -- unerringly subtle yet precise direction plus a literate script with dramatic energy and a delicate tone.
It's an empathetic but bravely brittle portrait of an aging queen bee that showcases a nuanced performance from Theron as a woman too used to being admired to admit how lonely and desperate she's become.
The really pretty Theron captures that state of really ugly inner childishness (articulated so sharply by Cody) with such precision, it makes you want to hear stories of her own high school experience.
The attitude toward the protagonist is thinly-veiled contempt ... until, in the last 20 minutes or so, they attempt to turn her into an object of sympathy. It doesn't work and, on balance, neither does Young Adult.