Movies with Mae - Rotten Tomatoes

Movies with Mae

Movies with Mae is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer when written by the following Tomatometer-approved critic(s): Mae Abdulbaki
Rating
Title/Year
Author
1
2.5/5
Outlaw King (2018)

Mae Abdulbaki

Outlaw King struggles with commanding attention and doesn't leave much of a lasting impact after the credits begin to roll.
Posted Nov 13, 2018
2
4/5
Wildlife (2018)

Mae Abdulbaki

Wildlife is an exploration of the destruction of the nuclear family through the eyes of a teenager whose wholesome views and ideas of his parents' marriage deteriorates as things begin to slowly fall apart.
Posted Oct 29, 2018
3
4/5
Everybody Knows (Todos lo saben) (2019)

Mae Abdulbaki

Everybody Knows has a clear trajectory and it's not willing to wrap everything up in a neat bow, but rather lives off of the unsettling unknown.
Posted Oct 25, 2018
4
4/5
What They Had (2018)

Mae Abdulbaki

What They Had is haunting, emotional, and everything from the acting to the unfolding of the story is beautifully crafted.
Posted Oct 25, 2018
5
3/5
Boy Erased (2018)

Mae Abdulbaki

Boy Erased certainly strikes a chord and aims to make an impact on both of the issues it tackles in the film and it does manage to be a realistic portrayal.
Posted Oct 23, 2018
6
2.5/5
The Favourite (2018)

Mae Abdulbaki

The Favourite enjoys being whimsical and allows itself to run wild, but that's also part of its downfall.
Posted Oct 22, 2018
7
2.5/5
First Man (2018)

Mae Abdulbaki

First Man has trouble balancing the toll it takes on astronauts with everything else and where there should be emotion, a sense of urgency, and some sense of pride, there is an emptiness.
Posted Oct 11, 2018
8
2/5
Venom (2018)

Mae Abdulbaki

Venom won't be going on anyone's best lists for 2018, but if you intend to see it anyway, see it with the expectation that you won't be getting much out of it but a few laughs, a very lively performance from Hardy, and an incredibly forgettable story.
Posted Oct 5, 2018
9
3/5
The Oath (2018)

Mae Abdulbaki

The Oath plays well into the familial drama that can happen over opposing political views, but its insistence on becoming more of a thriller later only gives it so much momentum before quickly running out of fuel.
Posted Sep 28, 2018
10
2/5
Remember (2016)

Mae Abdulbaki

The laser focus on remaining a mystery and choosing not to involve itself in the depths of the character's emotional journey or the aftermath leaves a vacant hole in the film's story.
Posted Aug 31, 2018
11
3/5
Hello, My Name is Doris (2016)

Mae Abdulbaki

"Hello, My Name is Doris" never quite strays into anything deeper than what it presents, and the film spends too long on the unrequited love between Doris and John, but it has a certain and distinct charm that's hard to escape.
Posted Aug 31, 2018
12
2/5
The Divergent Series: Allegiant (2016)

Mae Abdulbaki

"Allegiant" combines nice set pieces and cool effects but the action is generally bland and the plot even more so.
Posted Aug 31, 2018
13
3.5/5
Eye In The Sky (2016)

Mae Abdulbaki

"Eye in the Sky" builds up the tension and suspense to the point where it becomes unbearable. The film is littered with political commentary and is ambitious and works great as a thriller where no one is right in a tough situation.
Posted Aug 31, 2018
14
2.5/5
Batman v Superman: Dawn of Justice (2016)

Mae Abdulbaki

As a comic book fan myself, "Batman v Superman" has its moments, but is underwhelming as a film and lacks any fully realized characters.
Posted Aug 31, 2018
15
2/5
I Saw the Light (2016)

Mae Abdulbaki

With no emotional attachment to the characters and a plot that struggles to stay interesting, "I Saw the Light" is often dull and a hard sell.
Posted Aug 31, 2018
16
2.5/5
My Big Fat Greek Wedding 2 (2016)

Mae Abdulbaki

There are a couple of genuine chuckles here and there, but what the film ultimately lacks are the endearing qualities and surprisingly funny and heartwarming moments that made the first one such a hit.
Posted Aug 31, 2018
17
3/5
Marguerite (2016)

Mae Abdulbaki

Catherine Frot's performance as the titular title character is notable and layered, and the film provides a wonderful supporting cast.
Posted Aug 31, 2018
18
3/5
Lolo (2016)

Mae Abdulbaki

The film's intention is to be ludicrous and outrageous, taking from similar domestic comedies of the past, and it works just enough to keep you entertained, but by the end has you question "Lolo's" underdeveloped conclusion.
Posted Aug 31, 2018
19
3/5
Midnight Special (2016)

Mae Abdulbaki

There's something frustrating about the overall lack of detail that was needed to bring us just a bit closer to Alton and his journey. Regardless, Nichols' sci-fi mystery stands strong enough on its own merits.
Posted Aug 31, 2018
20
3.5/5
Louder Than Bombs (2016)

Mae Abdulbaki

"Louder Than Bombs" is a very intimate affair. The plot is as simple as they come, but it's how the perspectives and scenes shift from character to character and points in time that give strength to this film.
Posted Aug 31, 2018
21
3/5
Miles Ahead (2016)

Mae Abdulbaki

Don Cheadle's ambitions for his first directorial feature don't completely pan out in terms of story, but "Miles Ahead" at least stands out in its unique execution, if nothing else.
Posted Aug 31, 2018
22
2/5
The Boss (2016)

Mae Abdulbaki

"The Boss" forces all its characters on us and doesn't have a direction that justifies any of the events in the film. A disappointing comedy that struggles to keep its story afloat.
Posted Aug 31, 2018
23
2.5/5
Demolition (2016)

Mae Abdulbaki

In a movie about a man who tries to find a way back into the life he's emotionally left, there is no sense of gravitas or proper character development.
Posted Aug 31, 2018
24
2.5/5
Wedding Doll (Hatuna Meniyar) (2016)

Mae Abdulbaki

This lack of rise and fall causes the progress of the story to dwindle and remain mostly stagnant. All of these things unfortunately hinder an otherwise good central mother/daughter relationship.
Posted Aug 31, 2018
25
4/5
Sing Street (2016)

Mae Abdulbaki

Carney nails the tone of the film and everything from the costumes, to the dialogue and music will have you leaving the theater feeling uplifted and tapping your feet.
Posted Aug 22, 2018
26
3.5/5
Green Room (2016)

Mae Abdulbaki

"Green Room" is a fun horror thriller, with a disturbing group of bad guys preying upon punk rock kids who are just in the wrong place at the wrong time. It's bloody and not for the faint of heart, but definitely worth the watch.
Posted Aug 22, 2018
27
4/5
The Jungle Book (2016)

Mae Abdulbaki

"The Jungle Book" has all the "bare necessities" and more with an outstanding cast...dazzling cinematography, strong themes, brilliant character interactions and edge-of-your-seat moments to relish.
Posted Aug 22, 2018
28
2/5
Criminal (2016)

Mae Abdulbaki

"Criminal" ultimately lacks finesse and the stakes don't feel powerful enough to bring the suspense to a head. Despite the multi-talented cast, the film is a thriller that is rather forgettable.
Posted Aug 22, 2018
29
3.5/5
The Dark Horse (2016)

Mae Abdulbaki

Propped up by good storytelling and powerful performances, "The Dark Horse" is uplifting and moving without falling into the usual traps that occur with other films of its kind.
Posted Aug 22, 2018
30
1.5/5
Rio, I Love You (Rio, Eu Te Amo) (2016)

Mae Abdulbaki

"Rio, I Love You" is made up of segments that don't flow well. Overly long and boring, the film never truly captures the vibe and personality of its title city.
Posted Aug 22, 2018
31
3/5
Ratchet & Clank (2016)

Mae Abdulbaki

The film is what it sets itself up to be, which is a cute and fun adventurous outing. And if you're nostalgic for a Saturday morning cartoon kind of feel, then "Ratchet & Clank" is worth checking out.
Posted Aug 22, 2018
32
3.5/5
Keanu (2016)

Mae Abdulbaki

Funny, smart, and full of action, "Keanu" is basically the best of Key and Peele, and if this is what we always have to look forward to in their films, then the future is bright.
Posted Aug 22, 2018
33
1/5
Mother's Day (2016)

Mae Abdulbaki

"Mother's Day's" attempts at being funny miss the target by a long shot and to be blunt, it is downright boring. Saying the film is an underwhelming catastrophe is an understatement.
Posted Aug 22, 2018
34
3.5/5
Fireworks Wednesday (Chaharshanbe-soori) (2016)

Mae Abdulbaki

"Fireworks Wednesday" brings an organic, sympathetic, and humanistic take on themes that have long been explored.
Posted Aug 22, 2018
35
3/5
The Family Fang (2016)

Mae Abdulbaki

"The Family Fang" is a fairly solid feature that explores familial relationships in a different context. It also questions the dedication to art by way of sacrificing personal relationships for it.
Posted Aug 22, 2018
36
4.5/5
Captain America: Civil War (2016)

Mae Abdulbaki

With swift pacing, a generally well-rounded story, and fantastic action sequences, "Civil War" is not to be missed.
Posted Aug 22, 2018
37
2.5/5
The Man Who Knew Infinity (2016)

Mae Abdulbaki

"The Man Who Knew Infinity" isn't a terrible biopic, but as a film, it plays it too safe and keeps its characters from being fully realized.
Posted Aug 22, 2018
38
2/5
High-Rise (2016)

Mae Abdulbaki

"High-Rise" is a highbrow genre art film that is ultimately unappealing. Its attempts at sophistication fall short and its story is too chaotic and laid out in a way that is incoherent.
Posted Aug 22, 2018
39
3/5
A Bigger Splash (2016)

Mae Abdulbaki

"A Bigger Splash" is gorgeously shot, taking pure advantage of its location to embody the story it wants to tell...However, the final 20 minutes change the film and not for the better.
Posted Aug 22, 2018
40
3/5
The Lobster (2016)

Mae Abdulbaki

"The Lobster" is a film that may confuse as much as it may delight.
Posted Aug 22, 2018
41
3/5
Money Monster (2016)

Mae Abdulbaki

Jodie Foster's "Money Monster" is a high-stakes thriller that doesn't work on every level, but still amasses some enjoyment for the hour and a half that you're watching.
Posted Aug 22, 2018
42
2.5/5
Being Charlie (2016)

Mae Abdulbaki

"Being Charlie" tries to cover several aspects...but the lines are not connected enough for it to have any kind of substantial emotional effect on the audience.
Posted Aug 22, 2018
43
4/5
The Nice Guys (2016)

Mae Abdulbaki

It's ultimately Gosling and Crowe's dynamic that is the strength of the film. "The Nice Guys" is aware of itself; it's silly and occasionally ridiculous, but in all the best ways possible.
Posted Aug 22, 2018
44
2.5/5
The Idol (Ya Tayr El Tayer) (2016)

Mae Abdulbaki

"The Idol" leaves a lot to be desired and a documentary-style format may have served Assaf's journey better. This isn't to say that it's a bad film, but it is ultimately underwhelming.
Posted Aug 22, 2018
45
3/5
X-Men: Apocalypse (2016)

Mae Abdulbaki

"X-Men: Apocalypse" lacks a thorough emotional investment in the apocalyptic events happening in the film and the villain is underwhelming, but the new mutants and some of the action prove to be enough to redeem some of the downsides.
Posted Aug 22, 2018
46
3.5/5
Popstar: Never Stop Never Stopping (2016)

Mae Abdulbaki

"Popstar: Never Stop Never Stopping" is not an intimately deep exploration of the music industry as a whole, but by playing it for laughs, it resonates even in its ridiculousness.
Posted Aug 22, 2018
47
2.5/5
Teenage Mutant Ninja Turtles: Out of the Shadows (2016)

Mae Abdulbaki

"Out of the Shadows" might be good for the kids, but it isn't fun most adults would enjoy unless you're already a major fan of the Teenage Mutant Ninja Turtles.
Posted Aug 22, 2018
48
3/5
The Conjuring 2 (2016)

Mae Abdulbaki

While there are some genuine scares and a definite creepy factor, this sequel may please the average horror fan, but the story isn't as tight this time around.
Posted Aug 22, 2018
49
3/5
Now You See Me 2 (2016)

Mae Abdulbaki

The film definitely banks on its mystery, illusions and humor as well as on the strength of its actors. The combination of these elements...bring audiences to experience this film as a fun-for-all, cinematic rendezvous.
Posted Aug 22, 2018
50
3/5
Me Before You (2016)

Mae Abdulbaki

Although a stereotypical story with type-cast characters, the subjects depict the human experience and appeal to sympathetic audiences and romantics, its simplicity giving it the ability to connect to audiences on a universal level.
Posted Aug 22, 2018