Critic Consensus: Collateral's social commentary is sometimes overbearing, but strong performances cut through an overcrowded script to suggest that good intentions can count for something.
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From the beginning, the show was not only superbly high energy, but peopled with characters whose back stories are easily as gripping as the main action.
Mars looks like a nice guy so far, but who can tell what's going on behind those curranty eyes?
This could be a fruitful exercise, if tackled with care, and a willingness to find nuance in a subject that's deeply fraught. But Hare, whose work has always had a polemicist strain, paints only in black and white.
By centering this story around all of these totemic societal institutions, Collateral is taking a broad view of all of these key political, legal, and religious pillars, which are subject to the individuals who comprise them.
Mulligan provides the backbone for a series that could easily have gone awry. Yet Hare's drama is perfectly suited to give her a starring vehicle.
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