
L. Robert Burks
Highest Rated: 98% Rear Window (1954)
Lowest Rated: 83% The Spirit of St. Louis (1957)
Birthday: Jul 4, 1909
Birthplace: Chino, California, USA
Proficient in virtually every genre and equally at home with black-and-white or color. Burks shot a string of 12 Hitchcock films, from "Strangers on a Train" (1951) through "Marnie" (1964).
Photos
Filmography
Movies
Credit | |||||
---|---|---|---|---|---|
No Score Yet | 67% | A Covenant With Death | Cinematographer | - | 1967 |
No Score Yet | 55% | Once a Thief | Cinematographer | - | 1965 |
83% | 73% | Marnie | Cinematographer | - | 1964 |
94% | 83% | The Birds | Cinematographer | - | 1963 |
94% | 85% | The Music Man | Cinematographer | - | 1962 |
No Score Yet | 55% | The Pleasure of His Company | Cinematographer | - | 1961 |
97% | 94% | North by Northwest | Cinematographer | - | 1959 |
92% | 93% | Vertigo | Cinematographer | $1.8M | 1958 |
83% | 75% | The Spirit of St. Louis | Cinematographer | - | 1957 |
93% | 75% | The Wrong Man | Cinematographer | - | 1956 |
88% | 84% | The Man Who Knew Too Much | Cinematographer | - | 1956 |
88% | 73% | The Trouble With Harry | Cinematographer | - | 1955 |
92% | 84% | To Catch a Thief | Cinematographer | - | 1955 |
98% | 95% | Rear Window | Cinematographer | $1.6M | 1954 |
90% | 92% | Dial M for Murder | Cinematographer | - | 1954 |
90% | 74% | Hondo | Cinematographer | - | 1953 |
No Score Yet | 7% | Mara Maru | Cinematographer | - | 1952 |
No Score Yet | 85% | Room for One More | Cinematographer | - | 1952 |
98% | 92% | Strangers on a Train | Cinematographer | - | 1951 |
No Score Yet | 68% | Tomorrow Is Another Day | Cinematographer | - | 1951 |
No Score Yet | 57% | A Kiss in the Dark | Cinematographer | - | 1949 |
83% | 74% | The Fountainhead | Cinematographer | - | 1949 |
No Score Yet | No Score Yet | Star in the Night | Cinematographer | - | 1945 |
No Score Yet | No Score Yet | Jammin' the Blues | Cinematographer | - | 1944 |
No Score Yet | 78% | Make Your Own Bed | Cinematographer | - | 1944 |