The Tomatometer score — based on the opinions of hundreds of film and television critics — is a trusted measurement of critical recommendation for millions of fans. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is below 60%.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Thanks to his darkly unique perspective and grim, often nihilistic approach to storytelling, director Roman Polanski has left an indelible mark on world cinema. Although his films have been compared to those of Alfred Hitchcock, with their use of gallows humor, tension, and occasional surrealism to tell amoral stories of ordinary men struggling to cope in a hostile, ironic world, Polanski, unlike Hitchcock, has chosen to experiment with a variety of genres. In this regard, the director has considered himself a "cinematic playboy" intent on exploring the possibilities of all film categories. A uniformly pessimistic viewpoint provides the clearest link to entries in Polanski's body of work, something that is widely traced back to years of childhood trauma.The son of a Polish Jew and a Russian immigrant, Polanski was born in Paris on August 18, 1933. When he was three, his family moved to the Polish town of Krakow, an unfortunate decision given that the Germans invaded the city in 1940. Things went from bad to worse with the formation of Krakow's Jewish ghetto, and Polanski's family was the target of further persecution when his parents were deported to a concentration camp. Just before he was to be taken away, however, Polanski's father helped his son escape, and the boy managed to survive with help from kindly Catholic families, although he was at times forced to fend for himself. (At one point, the Germans decided to use Polanski for idle target practice.) It was during this period that Polanski became a devoted cinephile, seeking refuge in movie houses whenever possible. The cinemas provided him a type of protection that was brutally absent in the outside world. Shortly after sustaining serious injuries in an explosion, Polanski learned of his mother's death at Auschwitz. His father survived the camps, and moved back to Krakow with his son. Following his father's remarriage, the adolescent Polanski left home. Although still coping with great personal turmoil, he managed to nurture his love of the cinema; two films that particularly influenced him at the time were Laurence Olivier's Hamlet and Carol Reed's Odd Man Out. Following a near-fatal incident at the age of 16 -- which involved Polanski nearly becoming the next victim of a man who had just killed three people -- his father enrolled him in a technical school. He left in 1950 to attend film school, concurrently becoming an actor with the Krakow Theater and made his onscreen acting debut in Andrzej Wajda's 1954 Pokolenie/A Generation.That same year, Polanski was one of six applicants accepted into the rigorous director's course at Lodz's prestigious State Film School. In 1957, he made his first student film Rozbijemy Zabawe/Break up the Dance, an account of paid thugs destroying a school party (a stunt that almost got him expelled). Polanski's next film, Dwaj Ludzie z Szafa/Two Men and a Wardrobe, proved to be one of his most famous, winning him five international awards. This and subsequent shorts such as Le Gros et le Maigre/The Fat and the Lean (made in 1961 after his graduation) all featured the black humor that would characterize his later features. Polanski made his feature film debut in 1962 with Noz w Wodzie/Knife in the Water; as with most of his subsequent features, he also worked on the screenplay, in this case collaborating with Jerzy Skolimowski and Jakub Goldberg. A suspenseful, symbolic psychological drama set aboard a sailboat, the film told the story of a husband's misbegotten attempts to impress his wife and a potential rival, a young hitchhiker they bring aboard on a whim. It is considered the first Polish film not to deal with World War II, and was applauded for its visual precision (another characteristic of Polanski's work). It was also the only full-length feature the director made in Poland.Polanski moved to England to make his next two films, the first of which, Repulsion, became a cornerstone of contemporary psychological thrillers and, despite po
You're a nosy fella, kitty cat, huh? You know what happens to nosy fellas? Huh? No? Wanna guess? Huh? No? Okay. They lose their noses.
I think I'm pregnant
At what precise moment does an individual stop being who he thinks he is? Cut off my arm. I say, "Me and my arm." You cut off my other arm. I say, "Me and my two arms." You take out my stomach, my kidneys, assuming that were possible... And I say, "Me and my intestines."
And now, if you cut off my head... would I say, "Me and my head" or "Me and my body"?
What right has my head to call itself me?
At what precise moment does an individual stop being who he thinks he is? Cut off my arm. I say, 'Me and my arm.' You cut off my other arm. I say, 'Me and my two arms.' You take out my stomach, my kidneys, assuming that were possible... And I say, 'Me and my intestines.'
And now, if you cut off my head... would I say, 'Me and my head' or 'Me and my body'? What right has my head to call itself me? What right?