Barry Paris Movie Reviews & Previews - Rotten Tomatoes

Barry Paris

Barry Paris
Barry Paris's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Pittsburgh Post-Gazette

Movie Reviews Only

Rating T-Meter Title | Year Review
85% Alpha (2018) In the cinematic dog days of August, you and your kids could do much worse than spend 90 minutes in this wolf's situation room.‐ Pittsburgh Post-Gazette
Read More | Posted Aug 17, 2018
3.5/4 96% BlacKkKlansman (2018) Not least of Klansman's virtues is its resurrection of Mr. Lee's terrific gift for storytelling. ‐ Pittsburgh Post-Gazette
Read More | Posted Aug 10, 2018
3/4 96% 1945 (2017) Torok's powerfully absorbing tale juggles multiple characters and themes -- guilt, greed, justice. It's imperfect, but it has a crucial message about the complicity of "little people" in the context of unfathomably bigger crimes.‐ Pittsburgh Post-Gazette
Read More | Posted Jul 20, 2018
3/4 48% Skyscraper (2018) [It's] silly but satisfactory summer fun.‐ Pittsburgh Post-Gazette
Read More | Posted Jul 13, 2018
3/4 82% That Summer (2018) The film's biggest revelation is Lee Radziwill herself -- looking as lithe as a teenager and even more beautiful than her sister. ‐ Pittsburgh Post-Gazette
Read More | Posted Jun 29, 2018
2.5/4 51% Jurassic World: Fallen Kingdom (2018) The uninspired script by Derek Connolly and Colin Trevorrow recycles the usual conflict between good-and-bad-guy scientists, government agents and private profiteers.‐ Pittsburgh Post-Gazette
Read More | Posted Jun 22, 2018
2.5/4 58% Hotel Artemis (2018) Alas, like many other sci-fi thrillers movies set in fascinating futures, this Hotel doesn't live up to the novelty of its mise-en-scene. Glib conventional ending? Any time of year, you can find it here.‐ Pittsburgh Post-Gazette
Read More | Posted Jun 8, 2018
4/4 99% Won't You Be My Neighbor? (2018) In Joe E. Brown's immortal words at the end of "Some Like It Hot," "Nobody's perfect." But Mr. Rogers and this documentary are pretty damn close.‐ Pittsburgh Post-Gazette
Read More | Posted Jun 6, 2018
2.5/4 94% Beast (2018) Yes, well, in any case, the film's dramatic set-up and performances are gripping, but it gets progressively soapy and -- at 147 minutes -- makes for a rather burdensome Beast.‐ Pittsburgh Post-Gazette
Read More | Posted Jun 1, 2018
3/4 85% Let the Sunshine In (Un beau soleil intérieur) (2018) What makes these complexities work, as a film, is the mesmerizing performance of Juliette Binoche, at the tender age of 54. ‐ Pittsburgh Post-Gazette
Read More | Posted May 25, 2018
3.5/4 85% Disobedience (2018) This fine Disobedience... is unorthodox, in more ways than one, yet eminently reverent.‐ Pittsburgh Post-Gazette
Read More | Posted May 18, 2018
3/4 74% Final Portrait (2018) Final Portrait is a captivating portrait of a haunted but exhilarating artist and an unlikely friendship between two totally different men, bonding through the blessing and curse of the artistic process.‐ Pittsburgh Post-Gazette
Read More | Posted Apr 20, 2018
3/4 89% Isle of Dogs (2018) The lush, meticulous detail is worth the price of admission.‐ Pittsburgh Post-Gazette
Read More | Posted Apr 6, 2018
3/4 73% Ready Player One (2018) Aside from its sci-fi adventure essence, Player poses semi-significant questions of identity, and the pros and cons of remaking oneself in a digital dimension. ‐ Pittsburgh Post-Gazette
Read More | Posted Mar 28, 2018
3/4 82% Life and Nothing More (La Vida y Nada Más) (2017) This is Mr. Esparza's second feature and first English-language film. He has a deep, penetrating vision and an admirable aversion to sentimentality. ‐ Pittsburgh Post-Gazette
Read More | Posted Mar 23, 2018
4/4 96% The Death of Stalin (2018) It's cutting-edge political satire worthy of Russian dramatists Gogol or Bulgakov - farcical and frightening. Throat-cutting edge, you might say.‐ Pittsburgh Post-Gazette
Read More | Posted Mar 23, 2018
3/4 40% A Wrinkle in Time (2018) It's an impressive feat, by any measure.‐ Pittsburgh Post-Gazette
Read More | Posted Mar 9, 2018
4/4 80% The Party (2018) [Potter] has fashioned a smart, nasty parlor piece that skewers the hypocrisies of its characters' liberal mores. Stagey, to be sure - but theatrically delightful.‐ Pittsburgh Post-Gazette
Read More | Posted Mar 2, 2018
3.5/4 75% A Beautiful Mind (2001) You've gotta hand it to Howard. He and A Beautiful Mind got me (and I bet will get you) interested in this subject for the first time since "new math" ruined it for most of us in high school.‐ Pittsburgh Post-Gazette
Read More | Posted Feb 27, 2018
3/4 89% The Insult (L'insulte) (2018) Mr. Doueiri's film sheds light on Lebanon's wonderfully different court procedures, which allow all sorts of cross-talk, incendiary speeches and interruptive plaintiff-defendant involvement.‐ Pittsburgh Post-Gazette
Read More | Posted Feb 23, 2018
3/4 80% Film Stars Don't Die in Liverpool (2017) Annette Bening and 28-years-younger Jamie Bell both turn in excellent performances. ‐ Pittsburgh Post-Gazette
Read More | Posted Feb 22, 2018
2.5/4 24% The 15:17 to Paris (2018) The brief but exciting climax almost, but not quite, redeems such deficiencies. ‐ Pittsburgh Post-Gazette
Read More | Posted Feb 9, 2018
3.5/4 95% Call Me by Your Name (2018) It's no Brokeback Mountain. There's no social, cultural, parental or "public" issue. It's about coming of age, not coming out. The guiltless, ephemeral exhilaration. It's an unforgettable, virtuoso achievement by Mr. Guadagnino.‐ Pittsburgh Post-Gazette
Read More | Posted Jan 19, 2018
4/4 91% Phantom Thread (2018) This is a perverse and elegantly wrought romance, as well as an evocative period piece, unpredictable from beginning to deliciously Hitchcockian end.‐ Pittsburgh Post-Gazette
Read More | Posted Jan 19, 2018
3.5/4 87% The Post (2018) It's the first time [Hanks] and Ms. Streep have appeared together, and you won't find a better match than these two old pros, who are in the business of complementing, not competing with, each other.‐ Pittsburgh Post-Gazette
Read More | Posted Jan 12, 2018
3/4 77% Last Flag Flying (2017) This film's strength lies in its gentle, dissonant sincerity - trademarks of Mr. Linklater's humanism: Three men with vastly different values bonding in the gradual understanding that their losses were for naught.‐ Pittsburgh Post-Gazette
Read More | Posted Nov 22, 2017
3/4 57% Murder On The Orient Express (2017) Recurring overhead shots of the crime scene are both funny and utilitarian, given the tight confines of a train compartment - almost as claustrophobic as the Marx Brothers' stateroom scene in Night at the Opera!‐ Pittsburgh Post-Gazette
Read More | Posted Nov 10, 2017
3/4 80% The Killing of a Sacred Deer (2017) This one is nothing if not Kubrickian, with its slow-simmering-to-a-boil tension and creepy, emotionless dialogue a la 2001.‐ Pittsburgh Post-Gazette
Read More | Posted Nov 3, 2017
3/4 64% Goodbye Christopher Robin (2017) It is all so beautifully photographed, with a surreal snow scene in which the flakes drift up as well as down, and impeccable production values, highlighted by lovely drawings-cum-animations of Christopher and Winnie at play.‐ Pittsburgh Post-Gazette
Read More | Posted Oct 26, 2017
3.5/4 96% The Florida Project (2017) Mr. Dafoe turns in his best, most touching performance in years. ‐ Pittsburgh Post-Gazette
Read More | Posted Oct 20, 2017
3/4 87% Professor Marston & The Wonder Women (2017) [The] defects are largely offset by fine production values and director Angela Robinson's choice of subtle vs. graphic sexuality, treating the three-way lovemaking respectfully as natural, not salaciously as aberrant.‐ Pittsburgh Post-Gazette
Read More | Posted Oct 13, 2017
3/4 82% Brad's Status (2017) With all his kvetching and self-pity, Brad is a lot like a guy in a bar that you can't wait to get away from. But he's never reduced to sitcom level. And his predicament -especially for males of a certain age - may ring painfully true.‐ Pittsburgh Post-Gazette
Read More | Posted Sep 22, 2017
3.5/4 90% Lady Macbeth (2017) The cinematography rivets our attention with every frame, not just in the shocking murder scenes but also in the details.‐ Pittsburgh Post-Gazette
Read More | Posted Aug 25, 2017
3.5/4 87% Wind River (2017) Wind River addresses both an inner and outer American wilderness, with a sobering look at Native American issues in the process.‐ Pittsburgh Post-Gazette
Read More | Posted Aug 18, 2017
3/4 50% The Glass Castle (2017) All the performances are compelling, if not convincing.‐ Pittsburgh Post-Gazette
Read More | Posted Aug 11, 2017
3/4 93% Baby Driver (2017) Lurching between mind-boggling car chases and a cliched young love subplot, the film starts strong and ends weak - both exhilarating and disappointing - but worth seeing for its razzle-dazzle, if mindless, action.‐ Pittsburgh Post-Gazette
Read More | Posted Jun 28, 2017
74% Beatriz at Dinner (2017) It's billed as a comedy, but I'm not sure it is - despite John Lithgow's brilliantly entertaining performance as Strutt.‐ Pittsburgh Post-Gazette
Read More | Posted Jun 23, 2017
55% 47 Meters Down (2017) It has its exciting moments. Both Ms. Moore and Ms. Holt are beautiful, dangling and kicking their lovely long white legs - the shark-bait equivalent of a matador's red cape to the bull.‐ Pittsburgh Post-Gazette
Read More | Posted Jun 16, 2017
1.5/4 15% The Mummy (2017) A dreadful pastiche of tried-and-false devices from the Indiana Jones, Dracula, Living Dead, Fast & Furious franchises -- with a little Lawrence of Arabia.‐ Pittsburgh Post-Gazette
Read More | Posted Jun 9, 2017
2.5/4 86% Captain Underpants: The First Epic Movie (Captain Underpants) (2017) The frantic action is frequently funny, with giant toilet monsters attempting to establish a new excremental world order‐ Pittsburgh Post-Gazette
Read More | Posted Jun 2, 2017
3/4 30% Pirates of the Caribbean: Dead Men Tell No Tales (2017) Fantastic visuals, an epic ride, never a dull moment in this coldly calculated, smoothly crafted concoction of action, slapstick and mumbo-jumbo magic.‐ Pittsburgh Post-Gazette
Read More | Posted May 26, 2017
89% Norman (Norman: The Moderate Rise and Tragic Fall of a New York Fixer) (2017) Norman is a delightfully wry black dramedy, enhanced by its sophisticated political intrigue and the seamier side of our era's current obsession with "networking." ‐ Pittsburgh Post-Gazette
Read More | Posted May 19, 2017
3/4 66% The Wall (2017) I'd recommend it.‐ Pittsburgh Post-Gazette
Read More | Posted May 12, 2017
3/4 91% A Quiet Passion (2017) A Quiet Passion, director Terence Davies' beautiful but problematic biopic, wastes no time establishing its heroine as iconoclastic.‐ Pittsburgh Post-Gazette
Read More | Posted May 5, 2017
2.5/4 49% The Promise (2017) In the end, the movie is not all that the Armenian diaspora might have hoped for, but earnest and moving despite its flaws - a "Promise" half kept, half broken.‐ Pittsburgh Post-Gazette
Read More | Posted Apr 21, 2017
3/4 73% Gifted (2017) How can you resist a movie whose adorably toothless 10-year-old protagonist and her one-eyed cat are both threatened with abandonment? Well, you can. But not likely with Gifted.‐ Pittsburgh Post-Gazette
Read More | Posted Apr 13, 2017
2.5/4 49% Going in Style (2017) In the Geezer High Jinks Department, the current reboot is somewhat better than the original and much better than the tedious old Matthau-Lemmon "GOM" flicks.‐ Pittsburgh Post-Gazette
Read More | Posted Apr 7, 2017
3.5/4 93% I, Daniel Blake (2017) Often funny and sweet, it's a nonetheless damning indictment of the Tory government's punitive, belt-tightening austerity measures and a rallying cry for its victims, told in a fiercely unapologetic way.‐ Pittsburgh Post-Gazette
Read More | Posted Mar 23, 2017
3/4 75% The Sense Of An Ending (2017) It's an intriguing meditation on the slippery slope of memory and regret: the crucial difference between your life and the story of your life, however it chooses to unfold.‐ Pittsburgh Post-Gazette
Read More | Posted Mar 17, 2017
3/4 75% Kong: Skull Island (2017) However much a mashup of its predecessors and of Jurassic Park, Apocalypse Now, Miss Saigon and Journey to Center of the Earth, it moves fast and it marks the entertaining return of cinema's most enduring and endearing beast.‐ Pittsburgh Post-Gazette
Read More | Posted Mar 10, 2017