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as Frank Bigelow
as Paula Gibson
as Miss Foster
as Miss Foster
as Mrs. Philips
as Stanley Philips
as Marla Rakubian
as Dr. Schaefer
as Dr. MacDonald
as Dr. Matson
as Bell Hop
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Critic Reviews for D.O.A.
Mate's direction of the first portion of the story lingers too long over it, spreading the expectancy very thin, but when he does launch his suspense-building it comes over with a solid wallop.
Incidental pleasures include a bevy of suspiciously beautiful women... the wide lapels and fedoras favored by the heavies, and the ''in'' talk of the period, featuring words like ''hip,'' ''jive'' and ''kicks.''
Maté shoots fast and always to the point as he drives his protagonist through endless doorways and rooms which are like trapdoors and boxes in an accelerating nightmare.
...an underwhelming thriller that could and should have fared so much better.
[VIDEO ESSAY] A high-concept movie before there was such a thing, "D.O.A." foreshadowed the poisoning of (possibly) Yasser Arafat and (definitely) Alexander Litvinenko - via polonium-210 - by a half-century.
Audience Reviews for D.O.A.
"I want to report a murder." "Who was murdered?" "I was." One of the great "grabber" openings in movie history doesn't disappoint, leading to a tense and fatalistic noir about a poisoned accountant searching for his own killer.
Frank Bigelow is an accountant living on borrowed time. Someone has slipped luminous toxin into his bourbon and now he has just a few days to solve his own murder. D.O.A. is over-acted, over-scripted and under-appreciated. An absolute delight!
An extremely exciting, suspenseful movie, a really good movie.
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