as Marion Kerby
as George Kerby
as Cosmo Topper
as Henrietta Topper
as Elevator Boy
as Mrs. Stuyvesant
as Miss Johnson
as Hotel Manager
as Hat Check Girl at Rainbow Nightclub
as Bill, the Piano Player
as Hotel clerk
as Car mechanic/salesman
as Lounge singer
News & Interviews for Topper
Critic Reviews for Topper
Cary Grant and Constance Bennett, as the reincarnated Kerbys, do their assignments with great skill.
Too gentle and leisurely to survive as a solid classic, though there's pleasure to be found in the cast's graceful way with comedy and their smooth ensemble playing.
Cary Grant and Constance Bennett are Thorne Smith's continental ghosts, haranguing tired businessman Roland Young in arch screwball style.
Boasting strong performances from Cary Grant and Constance Bennett, this sophisticated screwball comedy was so popular that it led to two sequels (without Grant).
Audience Reviews for Topper
'Topper' is a fun and playful movie which has several things going for it, starting with Cary Grant and Constance Bennett, who play a sophisticated married couple who enjoy staying out all night carousing. They are both delightful. Grant gets a little too reckless behind the wheel of his expensive sports car, and they end up ghosts, but there's no sadness here, and the only difference seems to be that they can now become invisible. They still have appetites (e.g. for alcohol) and can make physical contact with things. Does that make sense? I don't know, but who cares. The film works as a romantic comedy and relationship film, as Grant and Bennett are contrasted by a wealthy banker (Roland Young) who is stifled by his prim wife (Billie Burke), who has him on a tight leash and schedule. She needs to loosen up, and he needs to assert himself, and Grant and Bennett help that along in their own odd ways. There are solid performances all around, and you'll recognize Burke from her role as Glinda the Good Witch in 'The Wizard of Oz'. The special effects are nice, including seeing Grant and Bennett fade in and out, and float various objects in the air (the tire changing scene is brilliant). It's also nice to see Hoagy Carmichael perform a catchy song, 'Old Man Moon'. Don't overthink it, and you'll enjoy this one.
Topper, a serious minded, by-the-book sort of fellow, is in danger of being trapped in the monotony of complacency when two freewheeling buds decide to loosen him up just a little. Nothing too serious, mind you, except for ... oh, but they're dead. They're ghosts. By modern standards its hard to tell the difference much between the monotony of complacency and freewheeling depicted here, but still a grand time is had by all in this, the film that solidified Cary Grant as major star material. But this is a team effort, everyone onscreen contributing to the smiles that follow.
I liked this movie, not just because I love Grant, but it's a very funny movie. It has a great story, uses old special effects, and has great actors. What more could you want?
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