Singles - Movie Reviews - Rotten Tomatoes

Singles Reviews

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½ December 11, 2017
Looking back on Singles, the concept of the plot coming before the once-in-a-lifetime music scene the characters are near the epicentre of seems a little strange. Although not as riveting as "Fast Times", Crowe and cast genuinely try to put a relatable spin on a music scene which the earlier wave of GenXers might have missed out on.

However, one scene in this film CANNOT go uncriticized: If you are at an Alice In Chains concert in the early '90s, shut your mouth and invest every atom of your attention on Layne Staley and the band. Trust me, your relationship issues can wait until the gig is over. This is a moment in your life worth experiencing uninterrupted and in all fullness.
September 26, 2017
90's dramedy about single 20-somethings in Seattle. It tries to capture a time and place but I hated it. Nothing funny, nothing good about this movie.
September 11, 2017
It is a great light-hearted story that strikes chords and invokes nostalgia.
June 21, 2017
Totally 90s. Exceptionally grunge. Excellent movie. Killer Soundtrack. Nuff Said.
December 22, 2016
I hadn't watched this movie in over ten years, and there it was, on HBO... which I pay money to receive. "Singles" Is... "Friends" for people who wore Alice in Chains and thought Soundgarden were "heavy". Also, no one seems to have a job, and every new experience needs to be hyper-analyzed, as though NO ONE has ever had a scumbag boyfriend, or had a friend chasing the impossible boyfriend... really, a Gen X movie made by a guy who was busy interviewing musicians and marrying them, and horrendously allowing said musician's music into films like this one (Pssst : Nancy Wilson's musical contributions to Cameron Crowe films SUCK. One example: "Say Anything". I think I've made my point). The cameos by grunge guys like TAD and Eddie Vedder are funny, but scream "demographic". This movie was made to be "topical" and "hip"... and Matt Dillon as the befuddled rock singer / floral delivery is the only highlight in this bag of "grunge". The scene where he puts a new stereo in his (sort of) girlfriend's car is funny, as is Citizen Dick reading their review in a local indie scene paper... But don't get it twisted; this is NOT what the 90s were like (didn't see anyone eating ramen or stealing newspapers... or shopping at a thrift store un-ironically). Soundtrack is pedestrian... Oh, wow, Hendrix is from Seattle,let's name (or grave) drop him ! And if one more person says the name Paul Westerberg, I will find them and projectile vomit on them. He is NOT nor will he EVER be The Replacements; go find a copy of Let It Be and listen to what Tommy and Bob Stinson brought to the table. They were an 80s band, Westerberg is picking up loose change in the 90s with this movie. And "a credible grunge-era time capsule" ??? Yeah, like Cheech and Chong personified 70s hippie stoners... speaking of ... where are the drugs ? Not one joint, and no pills, and obviously no one's using needles with their espressos. This must be the G version.
May 22, 2016
Do a romantic movie wrong and you've got manipulative schmaltz on your hands. Do it right and you've got something healthily heartwarming and maybe even a bit perceptive. 1992's "Singles," an ensemble piece written and directed by Cameron Crowe, is of the latter camp. Using Seattle, WA's grunge scene as its backdrop, it is a clear-eyed study of modern romance set in a desperate world, capturing the unpredictabilities, the jubilations, of young love, never talking down to us and never being anything less than agreeable.
It centers on two couples. One of them appears to be made for each other; the other couldn't be any worse. The soulmates of the film are Steve (Campbell Scott) and Linda (Kyra Sedgwick), veritably good-hearted people who've been unlucky in love for most of their twenties. But once they first catch a glimpse of another at an Alice in Chains concert, something ignites that cannot be diminished.
Their opposites come in the form of Cliff (Matt Dillon) and Janet (Bridget Fonda), who epitomize the eternally depressing type of pair in which one party cares about the relationship much more than the other. That party is Janet, a waitress who's so smitten with Cliff's wannabe rock star personality that she'd do anything just to make him care about her a little more. A shame: she's smart and she's a catch, but doesn't realize that she's wasting her time with a guy who'll never be impressed with what she has to offer.
And then there's Debbie (Sheila Kelley), a lovable oddball who's dying to find Mr. Right but is having minimal luck in her attempts.
Familiar material is something "Singles" wears on its sleeve shamelessly, but it's designed with such likability that we aren't much concerned that "Before Sunrise" and even "Notting Hill" played with similar formula with more stirring results. You can see the seeds of TV's "Friends" being planted within "Singles's" effectually amusing exterior, its hip, attractive, and youthful characters fit with temperaments and hang-ups that ring with the charisma of a particularly investing sitcom grouping. It's a relief that the film is insightful and easily humorous: then there'd be potential for TV asininity. But Crowe, hot off "Say Anything ..." and on the road to "Jerry Maguire," is more dedicated to shaping humanely sympathetic characters than to intensely focusing on romantics, and that's why the movie has maintained its crispness. Its era summarizing soundtrack, featuring Pearl Jam, Soundgarden, and Smashing Pumpkins, certainly doesn't hurt.
And the performances don't either. Ranging from simplistically entertaining (Dillon), quirkily sweet (Fonda, Kelley), and to genuinely touching (Sedgwick, Scott), the contrasts in their tonal centers heighten the feeling that "Singles," appealing as it is, is a lot like real life. A bold statement, sure: but wouldn't it be nice to live in a world where our plights were cinematic rather than unbearable? I think so. "Singles" conjoins naturalism and duende and finishes as a blithesome delicacy.
April 10, 2016
This is one of my favorite comedy/romance films from the early 90's and it does a great job depicting generation X and all our quirkiness. The film does a great job highlighting the little things that make life so great.
Super Reviewer
½ August 27, 2015
Rather than say 'Aloha' to Cameron Crowe's prodigious talents ebbing and flowing in dodgy waters, check out a 1992 gem by this writer-director that winningly captures grunge and knowingly looks grungy while doing it. Someway somehow, Crowe - the Rolling Stone reporter who brilliantly documents a fan's-eye-view of '70s rock 'n' roll right from the trenches of his own young adult experience with Almost Famous - shows up right as grunge is being conceived and provides a series of bitingly truthful love stories that just happen to perfectly document an important time in music history. You know how Forrest Gump pops up at just the right times throughout U.S. history to make his mark and provide us with a wink and nod lesson? Well, Cameron Crowe does the same for rock history without playing Zelig ... at least he did before becoming too sentimental with projects like Elizabethtown, We Bought a Zoo and the aforementioned Aloha. With Singles, he provides a hip, vervy portrait of the influential '90s Seattle scene that's far from a love letter - it's a full-on time capsule. It's not like Titanic where a flimsy love story got framed around a disaster. These relationships happen organically and Pearl Jam and Alice in Chains just happen to be in the background.

In this PG-13-rated dramedy, a group of twenty-something friends (Fonda, Scott, Kyra Sedgwick, Matt Dillon), most of whom live in the same apartment complex, search for love and success in grunge-era Seattle.

Though the story doesn't boast as much character as Crowe's '80s youth-defining work in Say Anything and the dialogue doesn't ring as resonantly as with his much more polished '90s rom-com masterwork Jerry Maguire, Singles' acting and setting provide a whipsmart and smart-ass look at a semi-modern romance. Plus, you get to see a Point of No Return-era Bridget Fonda, Dead Again-era Campbell Scott, Born on the Fourth of July-era Kyra Sedgwick, and Drugstore Cowboy-era Matt Dillon giving it their youthful all before taking on some more career-defining adult roles. Best of all, there's that soundtrack. Pearl Jam's "State of Love and Trust" - released exclusively for the motion picture - ranks among the band's best works.

Bottom line: Grunge Match
July 21, 2015
Un clásico, y, viéndola en retrospectiva, pionera en el género dramedy. Cliff Poncier es un crack, jajaja. Es más ligera que drama, pero tiene algunos buenos momentos de drama. Se siente como una película muy honesta, da la impresión de ser una foto de como era tener 20 y tantos en Seattle a principios de los 90. Los cameos de los músicos de la escena de Seattle (ya sea en tocatas como personajes) son super acertados. Un must see para todo fan grunge. Y no solo es una gran pelicula, sino que tiene uno de los mejores soundtrack que he escuchado (Pearl Jam x2, Alice in Chains, Soundgarden, Cornell solo, Screaming trees, Mudhoney, Mother Love Bone, etc). El soundtrack es como un super all stars de la escena de Seattle más invitados. Muy bueno el combo, película y soundtrack.
June 14, 2015
I want to see this because of Matt Dillon.
June 7, 2015
I Don't Like Romantic Comedies Expect For 2004's Eternal Sunshine Of The Spotless Mind.
½ June 1, 2015
A time capsule of a film that could have been more memorable.
April 26, 2015
My introduction of sorts into grunge... in a way.
April 11, 2015
Ground Zero of the Gen X movement. Introduced the world to Seattle, coffee, Soundgarden, and Pearl Jam.
March 28, 2015
It probably doesn't leave too big of an impression on me like other Cameron Crowe movies from its time, but Singles is a solid composition about late-20's Gen-X'ers in Seattle navigating through their own lives.
February 6, 2015
Completely frivolous but Crowe's dialogue always has a snap and the large and varied cast is likable. The concert scenes rule, as well, but when it was released it felt like a cash grab on the "Grunge" scene. It's still a lot of fun.
January 16, 2015
Cute ensemble cast telling several romantic stories with mild, tender humor. And Paul Giamotti in an early bit part!
October 3, 2014
An interesting enough slice-of-(love)life film from 1992, set in Seattle and filled with music and cameos (including Eddie Vedder and Chris Cornell).. The leads? well, to me, they didn't stick as leads. Cameron Crowe's movies following this were better :)
September 16, 2014
"Singles" centers on the lives of a group of young people, mostly in their 20s, living in an apartment block in Seattle, Washington. Janet (Bridget Fonda), a coffee-bar waitress is fawning over Cliff (Matt Dillon), an aspiring, yet slightly aloof rock musician of the grunge/rock band Citizen Dick. Linda Powell (Kyra Sedgwick) and Steve Dunne (Campbell Scott), is wavering on whether to commit to each other or not, and Debbie Hunt (Sheila Kelley), who is trying to find Mr. Right - a man who would make an ideal romantic partner. Their search for love and romance will eventually change them...

Cameron Crowe´s "Singles" is set against the backdrop of the early 1990s grunge movement in Seattle. Contrary to popular belief, the film was already well underway when the celebrated "Seattle sound" became popular, rather than being designed as a vehicle to capitalize on its popularity. In fact, this film was supposed to begin production in 1984, right after The Wild Life (1984) but the project was delayed. While completed in early 1991, the film was not released until September 1992. The film's release went through repeated delays while studio executives debated how to market it. Warner Bros. did not know what to do with the film, but after the grunge scene exploded, the movie was finally released. The film includes cameos from key bands from the Seattle music scene of the time, such as Pearl Jam, Alice in Chains, Soundgarden, and grunge favorite Tad Doyle (lead vocalist of the Seattle bands Tad and Hog Molly). Stone Gossard, Jeff Ament, and Eddie Vedder, all members of Pearl Jam, have small parts as members of Matt Dillon's character Cliff Poncier's fictional band Citizen Dick. Their parts were filmed when Pearl Jam was known as Mookie Blaylock. Most of Matt Dillon's wardrobe in the movie actually belonged to Pearl Jam bassist Jeff Ament. During the making of the film Ament produced a list of song titles for the fictional band, Citizen Dick. Chris Cornell (of Soundgarden and Audioslave) saw the list of Citizen Dick song titles, which would appear briefly in the film and decided to pen songs to match each title. One of those songs, "Seasons", appears on the film soundtrack. Another, "Spoonman", was later recorded by Chris Cornell's band Soundgarden. It became a hit in 1994 and can be heard in a rough version (perhaps a demo) in the film when an unseen person is posting Citizen Dick flyers. T Citizen Dick's song name "Touch Me, I'm Dick" is a word play on the song "Touch Me, I'm Sick" by the Seattle band Mudhoney. Also, in the inside cover photo of the soundtrack, there is a Citizen Dick CD with the track listing on the CD itself. One of the songs is called "Louder Than Larry (Steiner)", a wordplay on the Soundgarden album, Louder Than Love. The band name Citizen Dick is a play on the Seattle band Citizen Sane, which itself is a play on the 1941 film, Citizen Kane. Soundgarden frontman Chris Cornell has a cameo as the guy who comes out to listen to a car radio. He also appears in a later scene with his band Soundgarden performing the song "Birth Ritual". The members of Alice in Chains also appear in the film as a bar band, playing the songs "It Ain't Like That" and "Would?". A year later in August 1992, a month after the film's release, "Would?" became Alice In Chains' biggest AOR hit to-date and "Singles" wins an MTV Movie Award for Best Movie Song. he Singles soundtrack was released on June 30, 1992 through Epic Records and became a best seller three months before the release of the film. The soundtrack included music from mentioned key bands from the Seattle music scene of the time, such as Alice in Chains, Pearl Jam, and Soundgarden. Pearl Jam performed two previously-unreleased songs on the soundtrack: "Breath" and "State of Love and Trust". The Soundgarden song "Birth Ritual" and Chris Cornell's solo song "Seasons" appear on the soundtrack. Paul Westerberg of The Replacements contributed two songs to the soundtrack and provided the score for the film. The Smashing Pumpkins also contributed to the soundtrack with the song "Drown". Been awhile since I saw "Singles", but it was such a pleasant trip back to 1992. Crowe´s honest and natural way of directing it (for example the idea of letting several characters talk straight to the camera fits so well with the movie) in combination of the script and the magic the actors create gives such a believable feeling to the movie. The strength of the movie is of course the music and the fact that it was a backdrop to the exploding Seattle music scene, which was happening when they actually filmed the movie. In hindsight I assume Crowe is pleased that he managed to use several of the great Seattle bands before they broke and integrated them and their music so well in the movie. It´s a treat to see Stone Gossard, Jeff Ament and Eddie Vedder acting as Matt Dillon´s bandmates for example. The movie has a good balance in general, even if love and to be loved is the focal point of the movie. It feels genuine/real and you get swept away with the characters and their lives. It was a treat as well to re-see the beautiful Bridget Fonda (still have a crush on her) and I can´t help missing her. And of course you can´t forget that "Singles" had one of the best soundtracks in the 90s.
August 19, 2014
Great soundtrack but a very mediocre movie.
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