Ralph Breaks the Internet
Mission: Impossible - Fallout
Log in with Facebook
Forgot your password?
Don't have an account? Sign up here
and the Terms and Policies,
and to receive email from Rotten Tomatoes and Fandango.
Already have an account? Log in here
Please enter your email address and we will email you a new password.
No consensus yet.
Tomatometer Not Available...
No consensus yet.
All Critics (25)
| Top Critics (4)
| Fresh (17)
| Rotten (8)
| DVD (10)
How does Lyne's Lolita compare with Stanley Kubrick's, back in 1962? It's superior in balance.
Shorn of Nabokov's language, as it must be, any film of Lolita, even one as adequately made as Lyne's, must seem somewhat gaunt.
Dominique Swain as Lolita is appropriately sulky and gawky, and she has a sudden, delayed smile which lights up the whole film whenever it appears.
[VIDEO ESSAY] Although it is considered sacrilege in some circles to say it, Adrian Lyne's 1997 film version of Vladimir Nabokov's often banned 1954 novel is a vast improvement over Stanley Kubrick's beloved 1962 version.
...the performances hit the right notes...
Irons is excellent, but the film is a real cold shower
...any film of Lolita is bound to disappoint the few who insist on the primacy of Nabokov's novel
Unlike Kubrick's cool, black comedy, Lyne's LOLITA displays a much broader emotional tapestry
Lyne's update on this comic, bittersweet tale benefits mightily from a clever screenplay by Stephen Schiff and terrific performances by the movie's two leads.
The film is remarkably...disturbing. There's no other way to put it.
Nabakov's insightful questioning of the values of modern Western culture are still wonderfully hidden in this take on his still discomforting tale about living your dream, about the myth of having it all. Excellent turns by the cast almost give one to forget the mischevious, indelicate way the subject is approached. The puzzle here is that Nabakov's ( and the original film's ) "you-know-I'm-joking, right, just-making-a-point?" wink at you is replaced by Lyne's decision to simply tell the tale straight, w/o any curves at all ... is that a good or a bad thing? Its certainly more terrifying.
I expected it to be much more disturbing, however since it was Lolita who started all their exploits it wasn't as creepy or perverted. Saying that, it was uncomfortable to watch at times especially with the great performances by Irons and Swain. The character of Lolita was very well done as she acted incredibly childish and immature for her age but then suddenly switched when she wanted something. She knew exactly what she was doing. I sort of felt sorry for Humbert as she was blatantly playing him and he fell for it because of his past. However, he still shouldn't have given in to his desires and they both got what they deserved in the end.
Where do I even start with this movie?! I seem to have fallen into a trap of late of watching movies that seem to have this child/adult love theme. I had the book for ages and never read it, resigning myself to watch the movie before hand (which is something I very rarely do) and I am happy I did because now I could not imagine the characters as anyone but those in movie. Jeremy Irons again perfection, his narrative in this film haunting and resonant even if there were moments when I wondered why the hell I was watching it! Kinda slow, but never dull.
The remake of the hugely controversial film, original Directed by Stanley Kubrick and taken from the novel by Vladimir Nabokov.
As remakes go, the general view tends to be that the original is best in most cases, not in this one, or at least not for me.
It?s very difficult not to feel uncomfortable watching parts of this film because of the nature of the story, but Jeremy Irons was extremely impressive, with a wonderful performance from Jeremy Irons as Humbert and a great role played by Dominique Swain as Lolita too, both controversial roles.
The view of this unspeakable romance being told through a Writers eyes, almost tries to justify to justify his acting upon his feelings and instincts. What I also liked about this version was seeing the perspective from each person involved, rather telling the story just through one set of eyes.
For the first time I could see this story through the young girl?s eyes, like many girls her age having feelings for an older man and the innocence of how those feelings could come across to somebody else and be used to manipulate situations, debates are a must for this film.
View All Quotes