The Boys in the Band Reviews

  • Oct 15, 2020

    Yet another story about horrible people that never needed to be told

    Yet another story about horrible people that never needed to be told

  • Oct 03, 2020

    Revolutionary in its time, it has been criticized because of offering a bad image and stereotypical image of gay community but, when you look at it, it is radically more positive than the previous ones in cinema, and also histrionical in some moments, other characters are quite balanced, showing a broad image with the positive and the negative (depending, of course, from the point of view). I had previously seen the 2020 version, and this one is more peaceful (in the rhythm and the level of noise; the strenght of the message is even more poweful), more solid in the interpretations,

    Revolutionary in its time, it has been criticized because of offering a bad image and stereotypical image of gay community but, when you look at it, it is radically more positive than the previous ones in cinema, and also histrionical in some moments, other characters are quite balanced, showing a broad image with the positive and the negative (depending, of course, from the point of view). I had previously seen the 2020 version, and this one is more peaceful (in the rhythm and the level of noise; the strenght of the message is even more poweful), more solid in the interpretations,

  • Oct 01, 2020

    Brilliant adaptation of a classic! More nuanced and less theatrical than the original film based on the original off-Broadway play. Each actor gives a superlative nuanced performance, making old lines sound almost fresh and improvisational. I saw the 2018 Broadway revival 3 times and longed for a filmed version of the stage play. But with this adaptation, the audience gets so much more, allowing you to get up close and personal with each character. Bravo to director, Joe Mantello, producer Ryan Murphy, and to the entire openly gay cast for reviving and giving new life to this classic work by playwright and screenplay author, Mart Crowley. A+

    Brilliant adaptation of a classic! More nuanced and less theatrical than the original film based on the original off-Broadway play. Each actor gives a superlative nuanced performance, making old lines sound almost fresh and improvisational. I saw the 2018 Broadway revival 3 times and longed for a filmed version of the stage play. But with this adaptation, the audience gets so much more, allowing you to get up close and personal with each character. Bravo to director, Joe Mantello, producer Ryan Murphy, and to the entire openly gay cast for reviving and giving new life to this classic work by playwright and screenplay author, Mart Crowley. A+

  • Aug 30, 2020

    Thanks to truly amazing dialogue that constantly reveals new layers to the film's characters along with a phenomenal, sophisticated script, The Boys in the Band truly is one of the most underrated films from the seventies and an undeniable masterpiece that never got the reputation that it undoubtedly deserves. All of the performances are excellent with Kenneth Nelson's being the standout. This chamber drama is at first fun and funny, but later down the line it becomes a tragic, sobering look into the gay lives of this particular period. Unlike what many would nowadays complain about, the movie is painfully realistic in all of its characters, resulting in a downright incredible time capsule in its own right.

    Thanks to truly amazing dialogue that constantly reveals new layers to the film's characters along with a phenomenal, sophisticated script, The Boys in the Band truly is one of the most underrated films from the seventies and an undeniable masterpiece that never got the reputation that it undoubtedly deserves. All of the performances are excellent with Kenneth Nelson's being the standout. This chamber drama is at first fun and funny, but later down the line it becomes a tragic, sobering look into the gay lives of this particular period. Unlike what many would nowadays complain about, the movie is painfully realistic in all of its characters, resulting in a downright incredible time capsule in its own right.

  • Sep 29, 2019

    Outstanding. Ahead of it's time in 1970.

    Outstanding. Ahead of it's time in 1970.

  • Sep 02, 2019

    At least somebody was brave enough to attempt it....

    At least somebody was brave enough to attempt it....

  • May 15, 2019

    A brilliant film of a groundbreaking play and a groundbreaking time. The criticisms of the self loathing pathetic gay man is understandable, However, there are many humorous, witty and self respecting gay traits here as well. News Flash! Gay people are multi-dimensional, including hard to face dimensions. The talk of it being dated does not hold up very well either. (why? because it doesn’t paint the happy rainbow we are supposed to present with modern sensibilities? The clothes are from the 70s? Please!). I am a gay man and there is nothing in this, or people I have not seen or heard at parties with my gay friends, in 2019. The acting is astounding. Particularly Cliff Gorman and Leonard Frey. My only hesitation (not criticism) is yes, it does end too (typical for the time) negatively (though Larry and Hank are upstairs having sex in a complete and real and basically healthy relationship, a fact overlooked by many), and Kenneth Nelson in the lead is too theatrical and lays it on too thick for a film performance). A classic!

    A brilliant film of a groundbreaking play and a groundbreaking time. The criticisms of the self loathing pathetic gay man is understandable, However, there are many humorous, witty and self respecting gay traits here as well. News Flash! Gay people are multi-dimensional, including hard to face dimensions. The talk of it being dated does not hold up very well either. (why? because it doesn’t paint the happy rainbow we are supposed to present with modern sensibilities? The clothes are from the 70s? Please!). I am a gay man and there is nothing in this, or people I have not seen or heard at parties with my gay friends, in 2019. The acting is astounding. Particularly Cliff Gorman and Leonard Frey. My only hesitation (not criticism) is yes, it does end too (typical for the time) negatively (though Larry and Hank are upstairs having sex in a complete and real and basically healthy relationship, a fact overlooked by many), and Kenneth Nelson in the lead is too theatrical and lays it on too thick for a film performance). A classic!

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    Alec B Super Reviewer
    May 24, 2018

    A fascinating time capsule. Some of the material hasn't aged well, but overall Crowley's vicious, hilarious screenplay remains an important milestone for the gay community.

    A fascinating time capsule. Some of the material hasn't aged well, but overall Crowley's vicious, hilarious screenplay remains an important milestone for the gay community.

  • Nov 13, 2017

    I thought "The Boys in the Band" would be a campy ridiculous movie, redeemed only by its groundbreaking status as one of the first mainstream films that dealt with homosexuality. Instead I found it to be thoughtful, serious, well-written, and brilliantly-acted. Its dubious reputation is the result of homophobic film reviewers (the dark side of Pauline Kael) and the fact that, as gay liberation blossomed, the gay community felt a need to distance itself from the subject of self-loathing. In terms of camp, many primetime t.v. shows now feature outre gay characters for comic effect. Every "Will & Grace" and "Queer Eye for the Straight Guy" owes an immense debt to Mart Crowley (writer, producer) and William Friedkin (director). The point to this campiness in 1970 was to establish that this was not going to be a film about assimilation, about how gay people are just like anyone else except maybe more sad. Instead this film would show a (literal) walled garden where gay men acted as they would were nobody watching. The result was pathos, similar in tone to "Who's Afraid of Virginia Woolf?" (1966). in which the reigning heterosexual king and queen of the movies, Richard Burton and Elizabeth Taylor, exposed a self-loathing just as deep. The plot is strikingly similar, an outsider arrives and witnesses the reality that lies beneath surface appearances. In "The Boys in the Band" Peter White, as straight college chum Alan, plays the naif role that belonged to George Segal and Sandy Dennis in "Woolf". Both movies started as stage plays and feature strong acting ensembles. Leonard Frey, as Harold, the "thirty-two year-old, ugly, pockmarked Jew fairy" is particularly compelling. And I just don't see performances like Kenneth Nelson' as Michael - breaking down at the end of the movie when the reality of his situation hits him - in movies today. Maybe I am watching the wrong movies. The movie ends with a note of hope: after Harold verbally demolishes hypocritical, abusive Michael, he leaves and as he is going says "Call you tomorrow..." underscoring that their friendship will survive even this . I have to admit to envying the depth of their connection, most friendships between heterosexual men, mine included, seem mannered and fearful in comparison. "The Boys in the Band" highlights for me the terrible treatment gays have received up until a short time ago. As I've mentioned before, the good old days weren't so good for gays, blacks or anyone different. Which causes me to think about which groups are marginalized today in a way that we won't acknowledge as a society until decades hence. I think certainly animals: Jonathan Safer Foer's "Eating Animals" seemed to me to be a necessary call-out to Michal Pollan's evasive "Omnivore's Dilemma". I struggle with this issue practically daily and haven't been able to convert to vegetarianism. Other groups might include the physically ugly - the greatest most-unspoken discrimination ever I think, the aged, and, in terms of sexuality, BDSM practitioners, acceptance of whom is slowly becoming more mainstream, at least if you go by porn as a leading indicator. Most of the actor's in "The Boys in the Band" died in the first part of the AIDS epidemic. To me they were brave, and their work showed us a glimpse into "real" life, often I think art, movies, films, culture are the only true public glimpse into what's actually going on people's heads. To dismiss "The Boys in the Band" as campy self-loathing says more about the reviewer than the film.

    I thought "The Boys in the Band" would be a campy ridiculous movie, redeemed only by its groundbreaking status as one of the first mainstream films that dealt with homosexuality. Instead I found it to be thoughtful, serious, well-written, and brilliantly-acted. Its dubious reputation is the result of homophobic film reviewers (the dark side of Pauline Kael) and the fact that, as gay liberation blossomed, the gay community felt a need to distance itself from the subject of self-loathing. In terms of camp, many primetime t.v. shows now feature outre gay characters for comic effect. Every "Will & Grace" and "Queer Eye for the Straight Guy" owes an immense debt to Mart Crowley (writer, producer) and William Friedkin (director). The point to this campiness in 1970 was to establish that this was not going to be a film about assimilation, about how gay people are just like anyone else except maybe more sad. Instead this film would show a (literal) walled garden where gay men acted as they would were nobody watching. The result was pathos, similar in tone to "Who's Afraid of Virginia Woolf?" (1966). in which the reigning heterosexual king and queen of the movies, Richard Burton and Elizabeth Taylor, exposed a self-loathing just as deep. The plot is strikingly similar, an outsider arrives and witnesses the reality that lies beneath surface appearances. In "The Boys in the Band" Peter White, as straight college chum Alan, plays the naif role that belonged to George Segal and Sandy Dennis in "Woolf". Both movies started as stage plays and feature strong acting ensembles. Leonard Frey, as Harold, the "thirty-two year-old, ugly, pockmarked Jew fairy" is particularly compelling. And I just don't see performances like Kenneth Nelson' as Michael - breaking down at the end of the movie when the reality of his situation hits him - in movies today. Maybe I am watching the wrong movies. The movie ends with a note of hope: after Harold verbally demolishes hypocritical, abusive Michael, he leaves and as he is going says "Call you tomorrow..." underscoring that their friendship will survive even this . I have to admit to envying the depth of their connection, most friendships between heterosexual men, mine included, seem mannered and fearful in comparison. "The Boys in the Band" highlights for me the terrible treatment gays have received up until a short time ago. As I've mentioned before, the good old days weren't so good for gays, blacks or anyone different. Which causes me to think about which groups are marginalized today in a way that we won't acknowledge as a society until decades hence. I think certainly animals: Jonathan Safer Foer's "Eating Animals" seemed to me to be a necessary call-out to Michal Pollan's evasive "Omnivore's Dilemma". I struggle with this issue practically daily and haven't been able to convert to vegetarianism. Other groups might include the physically ugly - the greatest most-unspoken discrimination ever I think, the aged, and, in terms of sexuality, BDSM practitioners, acceptance of whom is slowly becoming more mainstream, at least if you go by porn as a leading indicator. Most of the actor's in "The Boys in the Band" died in the first part of the AIDS epidemic. To me they were brave, and their work showed us a glimpse into "real" life, often I think art, movies, films, culture are the only true public glimpse into what's actually going on people's heads. To dismiss "The Boys in the Band" as campy self-loathing says more about the reviewer than the film.

  • Mar 10, 2016

    William Friedkin's adaptation of a Mart Crowley play of the same name is a landmark of LGBT cinema, being one of the first mainstream films to deal with the subject of homosexuality bluntly. The cast is terrific, even if some of the presentations of the subject are a tad dated, they seem like an accurate representation of this culture at the time it was made. IT doesn't feel false or like the subject of homosexuality is being treated as a joke or something wrong...it is just presented as something that is, warts and all. It also seems like the absolute worst birthday party a friend could ever throw you. Decent melodrama with good acting from pretty much all involved.

    William Friedkin's adaptation of a Mart Crowley play of the same name is a landmark of LGBT cinema, being one of the first mainstream films to deal with the subject of homosexuality bluntly. The cast is terrific, even if some of the presentations of the subject are a tad dated, they seem like an accurate representation of this culture at the time it was made. IT doesn't feel false or like the subject of homosexuality is being treated as a joke or something wrong...it is just presented as something that is, warts and all. It also seems like the absolute worst birthday party a friend could ever throw you. Decent melodrama with good acting from pretty much all involved.