Courage Under Fire - Movie Reviews - Rotten Tomatoes

Courage Under Fire Reviews

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½ June 6, 2017
A bit maudlin at times, but overall, very solid performances from Washington and Ryan. Probably one of their best movies.
½ March 14, 2017
Courage Under Fire is a war movie with much sentiments and it is rare to see this side of Meg Ryan. She did really good in it. And there was also newly born star at the time, Matt Damon.
½ March 11, 2017
Strong acting performances. Intelligent and dramatic script. A great study of mistakes and how honor and valor is still possible. Meg Ryan was a bit annoying outside of her standard romantic comedy. 7.75 / 10
January 11, 2017
"Mayday mayday mayday" he screams into the radio as the chopper is going down..... LMFAO. Who gonna save you?
December 9, 2016
Courage Under Fire the wife and i sat and watched it through Fetch TV and it was a slow drawn out war drama about an army mishap that caused the death of a Helicopter pilot and all the re-tellings of how she died.
The cast is A grade, however, the movie is a tad too long.
If you like Denzel movies this is one of his earlier flicks and he always displays top shelf performances.
This is not for everyone no kiddies allowed and if you like war movies you would like this one.
March 8, 2016
Interesting story and story telling. Great actors and acting.
February 7, 2016
Meg Ryan proves that she can handle a dramatic role.
January 15, 2016
This is a movie about a woman who gets the Medal of Honor for committing a war crime. If you can ignore that fact, it's a pretty good movie.
September 30, 2015
78%
Saw this on 29/9/15
It's ultimate result is predictable, but the paths towards the same are not. Though this is the weakest Edward Zwick film after Love and other drugs, this military film benefits from the fine performances delivered by Denzel Washington, Meg Ryan and Matt Damon.
½ April 28, 2015
Evolves into a rather intriguing mystery from what at first blush appeared to be just another generic war piece but is a fine,well acted movie that's so much more than that.
½ February 8, 2015
This is - gasp! - a Hollywood movie actually daring to bare its teeth at silly American flag-waving.
February 8, 2015
Powerful. Gripping. Strong. Words which describe as much this movie as those who serve to protect us. The truth should be told. All the truth. Great cast.
Robbanflix
Super Reviewer
January 2, 2015
I found this movie to be a bit slow with a not so good story and the chararcters / actors have made alot better movies. Still is a well made flick overall and i had a fair time watching it , so i can recommened this one for any war/drama fan who like the actors and this type of genre.
October 10, 2014
Wow, who knew Meg Ryan had it in her? Wish she'd played more roles like this.
August 3, 2014
An American Rashomon Story
June 15, 2014
Effectively combines war drama with a mystery for a unique look at pressures of combat and fates of veterans. Outside-the-box role for Meg Ryan, in both as a supporting player and a dramatic turn, works well in her favor. Denzel Washington is strong as usual. One of the earlier turns by Matt Damon gives a look into his promising career.
Cameron W. Johnson
Super Reviewer
May 25, 2014
"I have only one burning desire, let me stand under your fire!" While Jimi Hendrix was also an American tragedy, I don't know if this film is quite as upbeat as that song, even though it is directed by the guy who made "Legends of the Fall" pretty much a fluff piece in its melodrama. Oh, people probably weren't thinking about that, as much as they were thinking about "Glory", because it seems as though if Edward Zwick makes a film about war, then Denzel Washington just has to be somewhere in there. I think if you look at one of the war battle sequence in "The Last Samurai", Denzel Washington pops up in black Asian makeup somewhere in the background. Seriously those, for those who wanted Washington to receive more of the attention which was divided in "Glory", then you've come to the right place, and for those wondering if Lou Diamond Phillips was still alive by 1998, here you go. Phillips' career seems to be under fire, and he probably would have pulled through this film if that pesky, newcoming Matt Damon didn't show up. Sorry, Lou, but hey, at least you knocked out a couple good films, such as this film, which, even then, like Lou Diamond Phillips' career, has its faults.

An investigative drama, the film obviously offers plenty of exposition as it goes alone, but not necessarily about Denzel Washington's leading Nathaniel Serling character, whose immediate development is lacking, and whose gradual characterization is sometimes thinned down for the sake of focusing on Meg Ryan's Karen Walden character's story, which is itself improvably fleshed out, despite the film's possessing a runtime of almost two hours that it achieves partly through dragging. Even as one of Edward Zwick's more minimalist dramas, this film gets to be aimless in its struggling to find things to do, and I'd be a little more willing to accept that if the film didn't have a tendency to run to familiar material to keep busy with. This is actually a fairly unique war drama in a lot of ways, so when uniqueness lapses, it's all the more glaring, for although the film is never truly trite, there are formulaic occasions, many of which were kind of bland to begin with in their consequentiality. Really, whether they be familiar or refreshing, many aspects to this intimate war drama are a little too minimalist to be all that dramatically juicy or tense, and no matter how limited, the natural shortcomings stand, and Zwick struggles to compensate. Zwick has always been a sentimental storyteller, and no matter how genuine his efforts are in a lot of ways, when he gets heavy-handed with, say, James Horner's emotive score or some slightly melodramatic dialogue and visuals, subtlety lapses, ambitiously, if you will, cheesing up the dramatically worthy affair. This and other issues are light, but they still stand and are recurrent, threatening the reward value of drama which is somewhat minimalist in scale. Of course, the film's strengths ultimately prevail, being themselves limited, but prominent enough to endear pretty thoroughly, even if they're sometimes abused.

James Horner, in his third and final collaboration with Edward Zwick, turns in a formulaic and sentimental score that is often misused to establish a tonal sting to the histrionics, but more often used effectively, with a lovely and sometimes subtly intense tastefulness that works very effectively when it works in the film's tonal context. Just as he gets to be sentimental with his plays on scoring, Zwick often hits hard with his directorial plays, and not just on Horner's efforts, entertaining with a certain subtle snap to his plays with Steven Rosenblum's editing, and thrilling with a grand staging of gripping war combat sequences, rounded out with some dramatic tension. He has his overblown moments, as I've said time and again, but as a dramatic storyteller, Zwick is effective more often than not, using thoughtful pacing and heavy visuals in a manner that is audacious and genuine, establishing tension and, at times, resonance. Zwick is inspired, at least more often than not, and such inspiration meets ambition enough to compensate for the drama's overblown attributes, although it's not as though you can ever blame Zwick for all the ambition. For a war drama, the film dealing with an investigation of what truly occurred in the heat of a controversial battle, and with a soldier's struggle to bring his mind back home, is minimalist in scale, but worthy as portrait on the struggle to seek truth and peace of mind, with thoughtful direction to endear you to slightly undercooked, but worthy characters, though not quite as much as the performers. The film is intimate with its characters, of course, and it certainly feels that way, thanks to the inspired performances within a cast from which Matt Damon and Lou Diamond Phillips stand out with their intense portrayal of men with dark secrets, just as Meg Ryan impresses in her layered portrayal of a military woman who may or may not have been as heroic as they boast, and Denzel Washington carries the film with his trademark subdued charisma, punctuated by a dramatic intensity that sells Nathaniel Serling's struggle with his duties and personal demons. This and certain other performances define the heart of this military drama, and no matter how dramatically flimsy the final product is at times, it entertains, bites and resonates enough to compel and reward as a portrait on war and humanity.

In conclusion, when not underdeveloped, storytelling is draggy, and when not refreshingly genuine, the film slips in conventions and histrionics which bring the narrative's minimalism to light to threaten the final product's reward value, secured by James Horner's tasteful scoring, Edward Zwick's stylish and thoughtful direction, and many a solid performance, - particularly by Denzel Washington - which secure "Courage Under Fire" as a generally tense and moving dramatic portrait on a search for peace within one's own humanity.

3/5 - Good
April 10, 2014
2014-04-10 watched for 2nd time. still great.
March 9, 2014
I refuse to watch any more movies starring denzel washington. his involvement should be taken as a warning.
½ February 28, 2014
It had some good ideas, but there were some painfully poorly directed moments.
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