The Crying Game Reviews
The Body Is to Be Holy
9 Do you not know that sinful men will have no place in the holy nation of God? Do not be fooled. A person who does sex sins, or who worships false gods, or who is not faithful in marriage, or men who act like women, or people who do sex sins with their own sex, will have no place in the holy nation of God.
1 Corinthians 6:9King James Version (KJV)
9 Know ye not that the unrighteous shall not inherit the kingdom of God? Be not deceived: neither fornicators, nor idolaters, nor adulterers, nor effeminate, nor abusers of themselves with mankind,
Saw this on 20/11/16
Though it loses steam by the end, The Crying game has a couple of twists (although the twist that it is famous for is too obvious and predictable). It starts one way and goes out another way. Where it succeeds is that, it has a goon or a henchman as its protagonist, a character that would have definitely been just an extra in other films. Actors Stephen Rea and Jaye Davidson perform well in their roles.
Rewatch review: Still amazing on a second watch, tight script and stellar presentation. All around a gripping and absorbing thriller highly recommended
Jody (Forest Whitaker), a British soldier gets seduced into a trap laid by IRS and becomes a hostage where he befriends one of his captors Fergus (Stephen Rea) who mutually responds to the affinity. A day comes when Fergus has to execute Jody but couldn't because of their bonding and Jody makes a run for it realizing that but gets crushed by an incoming tank of the British army who eventually annihilate the IRS camp. Assuming everyone to be dead, Fergus moves to Britain and starts living an anonymous life while looking for Dil (Jaye Davidson), who Jody mentions to be very special and requests Fergus to meet her. Fergus has to cope up with Dil's secret and his past catching up to him.
Performances: Forest Whitaker starts off the proceedings well with a charismatic role with a small screentime that needs to be remembered throughout the movie. The mantle is carried forward excellently by Stephen Rea but the eventual showstopper is a career defining performance by Jaye Davidson as Dil with varying character arcs who is confident yet vulnerable and longing yet stubborn. Also a special mention goes to the bartender who plays an entertaining role. The rest of the actors does a decent job, they may not have layered characterizations but they settle into their roles well.
Filmmaking: From the outset it looks like a slow building drama while the brilliance lies in its writing which brings various themes, story arcs and characters with such smoothness that it takes time to realize that the course of the story has changed from time to time. The director knows his winning moments as he invests enough of his runtime for such scenes which actually lingers on audience minds long after watching the movie. Almost always a conventional successful story is one which makes the audience to look forward to know how it concludes - 'Crying Game' is no different but with its unconventional theme and background it also adds an element of mystery and suspense making it even better. The background score does a great job by staying in the background, it is neither intrusive nor out of key and blends well with the proceedings on the screen.
A slow building multi-layered original drama with beautiful moments and unexpected twists