Das Boot Reviews
The fact that this movie is about German soldiers adds to the realism, for the Germans are more prone to realism, they don't have to emphasize the heroism like, for example, the Americans would do; but to just honestly portray men in the dire straits.
And finally, I'm sure that only the 5-hour version should be watched, I can't imagine what possibly can be cut out of it to make it a two and a half hour film.
Incredible cinematography, great performances, and intense, Das Boot truly shows how claustrophobic U Boats were.
It's a very slow grinder, just as war itself. I never really get to know many of the crew members and it's tiring to wait for the more thrilling scenes. When they come they sure deliver and I would say they was worth the wait. It's realistic and there is always some sort of excitement going on. I dig the fighting attitudes the actors bring, as they feel trapped, naturally scared, while they never want to give up. I shifted between English and German soundlayereing for a while. It's cool that the cast themselves dubbed the film into English since they all knew the language. I went with the original German version for most of the time since I like when mouthmovements and uttered words match.
So, 216 minutes was a bit too much as I don't think the extra scenes made it more rememberable. It's a cool setting, it looks perfectly tight and dark and the action is as good as it can get when it comes to WWII-sub action. Otherwise it's just all right but the classic certification stands correctly.
7 out of 10 bananas.
At its time, this was the most expensive film ever produced in Germany. However, this was a pittance relative to Hollywood budgets. Despite this, Das Boot conveys it message precisely. Certainly, it is dated from a special effects perspective. It would be fascinating to see this made with today's special effects.
The film demonstrates the claustrophobia, danger, tension and prowess of the German U-boaters of WWII. These men were in their early 20s. The captain was 30 and chief engineer 27. However, the maturity of the leadership is astounding to see under various circumstances, especially in life and death situations.
This is a film that brings you on the ship and makes you feel like the plot unfolds as you are one of the crew. The ending is one of my favourites in cinematic history. The parallels between ship and captain manifest throughout the film right through to the final scene.
Das Boot is a 1981 German epic war film written and directed by Wolfgang Petersen. It has been exhibited both as a theatrical release and as a TV miniseries, and in several different home video versions of various running times. An adaptation of Lothar-Günther Buchheim's 1973 German novel of the same name, the film is set during World War II and tells the fictional story of U-96 and its crew. It depicts both the excitement of battle and the tedium of the fruitless hunt, and shows the men serving aboard U-boats as ordinary individuals with a desire to do their best for their comrades and their country. The screenplay used an amalgamation of exploits from the real U-96, a Type VIIC-class U-boat. Development began in 1979. Several American directors were considered three years earlier before the film was shelved. During production, Heinrich Lehmann-Willenbrock, the captain of the real U-96 and one of Germany's top U-boat "tonnage aces" during the war, and Hans-Joachim Krug, former first officer on U-219, served as consultants. One of Petersen's goals was to guide the audience through "a journey to the edge of the mind" (the film's German tagline Eine Reise ans Ende des Verstandes), showing "what war is all about". Produced with a budget of 32 million DM (about $18.5 million), the film was released on September 17, 1981, and was later released in 1997 in a director's cut version supervised by Petersen. It grossed over $80 million worldwide between its theatrical releases and received critical acclaim. Its high production cost ranks it among the most expensive films in the history of German cinema. Rotten Tomatoes consensus states "Taut, breathtakingly thrilling, and devastatingly intelligent, Das Boot is one of the greatest war films ever made.". The film was ranked #25 in Empire magazine's "The 100 Best Films Of World Cinema" in 2010. At the 55th Academy Awards, Das Boot was nominated for six awards, including Best Director. To this day, it holds the record for the most Academy Award nominations for a German film. In late 2007, there was an exhibition about the film Das Boot, as well as about the real U-Boat U-96, at the Haus der Geschichte (House of German History) in Bonn. Over 100,000 people visited the exhibition during its four-month run.
I am not sure how many times I have seen "Das Boot", but I have seen it a few times but not in the Director´s Cut version which I saw this time around, a version that runs for over three hours. This film is still to this day one of the finest german films I have ever seen. It so well directed, well acted, well written and well edited it still blows your mind in 2017. Yes, there´s some wobbly green screen moments, but for example the detail level of the submarine interior and as well the exterior is of the highest standard. Then again with that budget Wolfgang Petersen managed to get, I wouldn´t expect less. Petersen has portrayed the german crew as human beings participating in a war with anxiety, fear, homesickness, boredom, apathy, terror, sadness and horror while they are trying to obey the ideology of the government under which they serve. Not like mindless war hungry Nazis. It´s hard to not sympathise with them while on their impossible missions. Time is given to truly develop the characters and that adds so much to the film. I truly like that. The pacing is slow, just as slow it is to wait and wait and wait for something to happen on a submarine mission. Petersen has also managed to shoot the film in a cramped confined submarine space and it´s spectacular how well made it is. Jürgen Prochnow is at his prime and delivers such a believable performance it´s a wonder he didn´t win an Oscar. "Das Boot" is a true classic. It´s an intense, gripping, authentic, dramatic and emotionally draining film.
Trivia: The bulk of the film's $15 million budget was spent on constructing U-boats. Specifications for the original Type VII-C U-boat were found at the Chicago Museum of Science and Industry. The plans were taken to the original builder of the subs, who was commissioned to build a full-sized, sea-going replica, their first such assignment since the war ended. A second full-sized model was built for interior filming.
Because the original TV mini-series was severely criticized in Germany for portraying World War II Germans sympathetically, the producer greeted the first American showing of the film at the Los Angeles Film Festival with great trepidation. They weren't sure how a former enemy nation in that war would react to the film, especially in a city with a large Jewish population, and their fears were reinforced when the audience applauded the opening caption saying 30,000 of 40,000 German men that went into war in submarines didn't come back. However, when it ended, the audience gave the film a standing ovation in appreciation of the artistry of the filmmakers.
The cast was deliberately kept indoors continually during the shooting period in order to look as pale as a real submarine crew would on a mission at sea.
To help his actors convey the claustrophobic conditions found on a real U-boat, director Wolfgang Petersen insisted on filming within the actual confines of the ship (scarcely wider than a man's outstretched arms), rather than removing the model's outer wall.
The picture was nominated for six Academy Awards which was at the time the highest number of Oscar nominations ever received by a foreign language film. The record has since being beaten by such films as Life Is Beautiful (1997) and Crouching Tiger, Hidden Dragon (2000).
With production costs of 31 million DM, it was for a long time the most expensive German movie ever made. It was beaten in 2006 by "Perfume: The Story of a Murderer" (2006), which, however, was a German-French-Spanish co-production shot in English.