Five Easy Pieces - Movie Reviews - Rotten Tomatoes

Five Easy Pieces Reviews

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October 23, 2016
A New Wave Film, Five Easy Pieces brings solitude in the mix of Jack Nicholson's character of being runaway in life
October 1, 2016
If you're ever feeling down on yourself, just watch this and think to yourself "At least I'm not as bad as this guy".
September 21, 2016
The mystery of human condition -- why happiness and fulfillment is so hard to find and maintain.
August 10, 2016
Jack Nicholson is an enigma. You either admire his work or find him irritating. Think of politicians.
In this film Nicholson showcases his talent as the main star for the first time. He had a supporting role in Easy Rider a year earlier than this film from 1970.
Nicholson plays the character of Robert Dupea. A blue collar oil rigger living in a trailer park with his waitress girlfriend, Rayette (Karen Black).
He gets a message from his sister that his father is very ill so makes the momentous decision to return home.
The home is not what you would expect. It's more like a mansion home to classical pianists.
Rayette fits in well amongst the upper class family members.
Five Easy Pieces derives from the title of the book Robert used to study to learn the piano.
The film as an excellent example of the 'new wave' era of films produced from Hollywood and would ensure Nicholsons notoriety.
1970 but just as enjoyable nearly fifty years later.
½ July 18, 2016
Featuring the first Jack Nicholson performance to earn an Academy Award nomination for Best Actor, Five Easy Pieces sounded like a powerfully acted drama.

Having just earned widely-recognized critical acclaim for his supporting performance in Dennis Hopper's counterculture classic Easy Rider (1969), Jack Nicholson was a big name at the time of Five Easy Pieces and established a key name in the counterculture movement. With the same sense of blunt nihilism in the atmosphere, Five Easy Pieces almost seems like director Bob Rafelson's companion piece to Easy Rider. By contrast, Easy Rider attempted to capture the manic energy of the counterculture era and the broadness of its effects spread all over America while Five Easy Pieces remains more focused on the individuals who were affected by it. Contemporary audiences won't be able to get the full effect of Five Easy Pieces because feeling the full power of the drama demands audiences who had first-degree experience with the harsh reality of counterculture time. Modern audiences are also less likely to be able to embrace the slow pace of the film or understand just how unconventional the film was for its time. Most of the value comes from the nostalgia factor; the fact that this was one of the original counterculture films and a major boost in Jack Nicholson's career. There is no doubt that the film retains strong narrative value, but one must understand and appreciate the context of the film to embrace its full value. But even then, the film doesn't hold up with the same entertainment value these days.
On the surface, Five Easy Pieces is a slow drama about a man who doesn't care about anything in life. He is estranged from his father, cheats on his girlfriend and never embraces his potential as a pianist. Through extremely slow-moving and subtle storytelling, we gradually learn more and more about protagonist Bobby Dupea. Problem is that when I say gradually, I mean at a rate which can prove very boring at times. It's difficult to understand why Bobby Dupea refused to take his talents beyond mere potential, and viewers are left to assume that he simply didn't because it was what people expected him to do and he refused to succumb to the demands of mainstream society and chose instead to pursue his own path. Of course this is contradicted by the fact that he took a job on an oil rig where he does little more than contribute directly to the corporate machine with his own hands. Essentially, the film is a testament to a man who feels nothing and loves nothing in life; an existence which is literally meaningless. This is a feeling which many audiences will be familiar with and so there is still empathetic value to the right viewer, but as far as entertainment value goes there is really only so much to feel for Five Easy Pieces in the modern day. Since Bobby Dupea essentially just moves from town to town without ever staying in one place, the story follows him and never sits down to appreciate the full extent of its dramatic potential and leaves viewers fazed by a spark which never becomes a fire. All in all, Easy Pieces relies too much on relatability, contemporary context and an excess of subtlety to claim your viewing pleasure. It's a prime example of a film which has not aged too well.
Still, Bob Rafelson's intentions are good and his sense of style is admirable. The on-location scenery of the San Joaquin Valley captures a perfectly accurate setting for the story. The on-location scenery gives a feeling of legitimacy to everything while the lifeless colour scheme of the buildings and endless dry horizon behind it captures a westernized feeling. A frequent theme of postmodern western cinema is the arrival of the frontier; a time in which the world changes and left countless people behind in disillusioned sadness and melancholy. The setting changes over the course of the story, but Five Easy Pieces always contains a very monochrome colour palette as it takes audiences on a tour of the American countryside. Not the sunny and beach-filled California, but the cold and muddy outskirts of Washington state. The cinematography captures everything nicely, blending the characters seamlessly with the setting to establish a feeling of lifelessness in them. This renders them as objects; figures as dead as the objects that surrounds them. The colour scheme is executed extremely well in Five Easy Pieces, and it seems to have come naturally with the film.
And the performances in Five Easy Pieces are certainly on target.
Given that Jack Nicholson's performance in Easy Rider was the most critically acclaimed of all of them, a counterculture themed film centred solely around him is clearly a popular idea. But rather than shamelessly claiming a paycheck, Jack Nicholson does exactly what you could expect and delivers an incredibly solid performance. With a tenacious grip on the directionless anger and frustrated of his spiritless character, Jack Nicholson perfectly encapsulates the disillusionment of the American everyman with his portrayal of Bobby Dupea. Though the film never completely certifies just what has caused the man to be dead inside, Jack Nicholson consistently keeps viewers enticed with his charismatic dramatic strength. He constantly remains in an intense state of mind which hints at ambiguous inner torment. This ultimately becomes unleashed towards the end of the film. When Jack Nicholson delivers his tearful monologue to his character's father at the end of the film, he single handily certifies that the entire film was worth watching. Breaking down to his unspeakable father as he discusses the conversation they might have been having had he not exiled himself from his father's existence is heartbreaking. It's one with the strength to make audience members consider those whom they have lost contact with. Jack Nicholson's incredible leading performance is the first of many deserving Academy Award nominations and a strong credit to his name.
Karen Black also delivers a powerful effort. Another name being carried over from Easy Rider, Karen Black may not get a character with the relevance that her performance deserves but she nevertheless delivers. She captures the positive-spirited but emotionally distraught product of a distant boyfriend; one who is heartbroken yet always trying to hide from the world around her and pretend things are ok. Karen Black's persistent optimistic façade with undertones of serious internal stress makes her a powerful effort anytime she is on screen. She makes a powerful pair alongside Jack Nicholson.
Susan Anspach's friendliness and clear understanding of both the characters and the world around her help to make her a compelling screen presence, and Billy "Green" Bush delivers a solid supporting effort.

Five Easy Pieces proves Bob Rafelson has a strong understanding for the contemporary age and knows how to grasp the best of Jack Nicholson's charisma, but the slow pace and abundance of subtlety leaves it having aged poorly.
Super Reviewer
½ May 29, 2016
This movie is considered a classic for a reason. Jack Nicholson, in one of his earliest big roles, stars as Robert Dupea, a former piano prodigy who left his wealthy family for a simpler life. This is prime character study material, folks. The story isn't as important as how Nicholson's character handles the story, and he handles it well. While it has a slow start, Five Easy Pieces is well worth the patience you put into it. Learning about Robert - the life he left behind, the life he lives today, his moral standings and troubles - is incredibly rewarding. It's also a film which offers debate: did Robert make the right choice when he left his family? Is his morality worth his happiness? If you enjoy classic movies and/or Nicholson, go find this movie. I promise it's worth your time.
½ May 13, 2016
Alienated American films of the New Hollywood era can sometimes feel too much like products of their time (see the BBS film from the prior year, "Easy Rider"), but then there are films like "Five Easy Pieces" that speak to the modern soul just as much as they capture the aimless anxiety of their times. With one of the best Jack Nicholson performances out of many great performances and a crackling screenplay from Carole Eastman, "Head" director Bob Rafelson was able to make a film which showed the world that a new kind of independent film had arrived. Much like Easy Rider before it, the film utilized a sense of emptiness and isolation that drove on towards inevitable doom. Unlike Easy Rider's Fonda and Hopper, the counterculture icons who ultimately "blew it," Nicholson's Dupea has a restlessness that continues on ad infinitum. Perhaps this is why Five Easy Pieces feels perpetually more timely than it's predecessor. Easy Rider is about the death of a dream that couldn't last, and Five Easy Pieces is about a deep, hopeless dissatisfaction with oneself.
½ April 17, 2016
Understated character study about inner states and the United States. Nicholson's break through performance still has a fresh take on manhood. An independent cinema staple, and a more heady 70s version of Rebel Without a Cause. See Also: One Flew Over the Cuckoo's Nest, Cool Hand Luke.
½ March 9, 2016
Love is dumb, dumb is love. You don't wanna love dumb. Dumb is not free.
½ January 21, 2016
Such a good character study. I'm not even sure why I loved this so much, there wasn't anything particular that blew me away. But it felt so well done (and the cinematography is stunning).
½ September 23, 2015
A blue-collar slice-of-life, "Five Easy Pieces" is an emotional portrait of middle-American isolation backed with strong performances.
½ September 1, 2015
An essential work of the American vernacular, retaining the vividness of its era thanks to the great performances and screenplay and steady direction
September 1, 2015
Five Easy Pieces is the high point of the America's Lost and Found: The BBS Story box set (Overall score 4.2). Between this, Easy Rider, and The Last Picture Show I am glad to have access to these films and it is an excellent snap shot of the independent ideals of the 70's in Hollywood.

Jack Nicholson's performance of a listless piano maestro who chose to distance himself from his musical family and Rafelson pulled some of the best single scene acting of Nicholson's career, which says quite a lot. That performance, with Kovacs cinematography, hold up several average scores and, like many of the recent films I have watched is dragged down by parity.
July 14, 2015
A powerful film that, despite its tendency to wander, has thought and emphasis behind every scene. Great performance from Jack Nicholson.
July 2, 2015
A great piece of film making and a tremendous charachter study, played uniquely by young Jack Nicholson. A must-see film, with many beautiful and poetic scenes and contradictions.
June 22, 2015
There's a lot being said news today concerning the upper strata of our society colloquially known by in the media as the '1%'. The American Dream has always been that anyone, no matter how lonely born, hard work and ingenuity can pull themselves up to that elite status. This actually nothing new about this, the grass is always greener on the other side especially when you're too poor to have a lawn. There are also stories concerning those who gag on their silver spoon. These individuals rebel against inherited fame and fortune eschewing it for experiencing life on their own terms. In 1970 a phone was released that provided a uniquely fascinating perspective on such an individual; 'Five Easy Pieces'. The film is concerned with a man born with an exceptional musical talent who would rather use his nimble fingers under Reagan oilfield than on stage with a grand piano. The screenplay was written by Carole Eastman under the nom de plume of Adrien Joyce) and Bob Rafelson. Mr. Rafelson is credited as one of the founders of the New Hollywood movement of that decade. Although still working within the confines of the studio system, Rafelson and others like him were successful in introducing subject matter and portrayals of characters previously only seen in independent films, effectively reinvigorating American cinema. This eclectic writer/director/producer was significantly involved in an exceptionally unorthodox movie, 'Head'. This film was an experimental musical comedy co-written by Jack the question and featuring televisions 'Prefab Four', 'The Monkeys'. Mr. Rafelson took the helm of the film under consideration here as its director and producer. It was nominated for several Academy Awards including Best picture which lost to 'Patton'. Although lost the overworked during awards season in 2000 and was selected for preservation in the Library of Congress with addition to the National Film Registry. His latest honorific is demonstrated in this new high-definition release as part of the well lauded Criterion Collection.
Bobby Dupea (Jack Nicholson) works on an oil rig in California, a physically demanding vocation. It is not as if Bobby was born into this trait over is not prepared any alternatives. He was born into a family of very well-known and eccentric musicians. He was a prodigy at the piano and his childhood was devoted towards making him a concert pianist. Bobby's intrinsic nature was contrary to a life on stage performing for adoring crowds of sophisticated men and women. Bobby preferred a life of working hard playing even harder. His chosen exile from society is going well until Bobby learns that his father is dying. This prompted road trip Southern California up to Washington State to confront his father one last time. The necessity of this journey shakes Bobby out of his normal routine of drinking beer and bowling with his friend, Elton (Billy Bush). Elton has a wife and infant son which appears to have a marginal impact on his pursuit of happiness. Bobby's girlfriend Rayette Dipesto (Karen Black) is a scatterbrained waitress with aspirations of becoming a famous country music singer.
The usual plot points necessary for any drama concerning red necks dutifully met; Elton is arrested for a call to the year before and Rayette is pregnant. Bobby quits his job and plans to visit Los Angeles to meet up with his sister Partita (Lois Smith); also a concert pianist was making a recording. His assistant informed them that their father is dying. Along the way they pick up pair women, Palm Apodaca (Helena Kallianiotes) and Terry Grouse (Toni Basil), hitchhiking after their car was wrecked an accident. In one scene the quartet stopped Betty diner for some food. Bobby is very polite to the waitress (Lorna Thayer), as he orders an omelet with tomatoes and a side order of wheat toast. When the waitress informs him that there are no substitutions, no side orders of toast and you must order only worked on the menu, Bobby goes into one of the most elaborate orders ever given in a diner in one of the most iconic scenes Jeff Dickerson has ever performed.
When they finally get to the destination Bobby becomes acutely aware that Rayette lacks the social graces to fit in with his family. He registers her in a motel before heading to his family home. He walks in on his sister giving their father, Nicholas (William Challee) a haircut. The old man is oblivious to what's going on after suffering two strokes in the past. Bobby has been estranged from his father for many years which prompted his way into blue-collar work. At dinner they are joined by his brother Carl (Ralph Waite), a violinist, and his fiancée, Catherine Van Oost (Susan Anspach), yet another pianist. Bobby was never much for monogamy having cheated on Rayette numerous times back in California. Bobby, or Robert as Catherine refers to him, find themselves mutually attracted to each other and wind up having sex in her room. When Rayette runs out of money at the motel she comes to Dupea family home. The unexpected appearance is not well received especially from a by a haughty family friend, Samia Glavia (Irene Dailey).
This is one of the most interesting character studies ever committed to film. Although there are many fine performances contained within this movie is extensively of one man show dominated by Jack Nicholson's perfectly textured presentation of his character. Bobby is a man who hates himself. He tries to mask his self-loathing laughing it off but it remains seething just below the surface. The incident at the diner is an ideal demonstration of this duality within his personality. Bobby starts off very polite expecting the raters will take his order and bring him the food that he wants. When rebuffed it doesn't take long for that façade to erode with Bobby's well calculated alternative order culminating in his sweeping his arm for the table settings crashing to the floor. It seems that he chose the physically demanding job as an oil rig worker as a means to channel the potentially violent self-hatred he has to constantly keep in check. His disdain for himself prevents them from having any meaningful relationships. He reacts lackadaisical he and his best friend, Elton, are hauled off by the police Bobby is callously insensitive upon learning that his girlfriend is pregnant. A Blu-ray rendition of this as part of the Criterion Collection is long overdue. Their commitment to presenting a movie as closely as possible to its original theatrical release is a must especially for movies such as this. This also means that home theater enthusiast used to technical specifications that will push the limits of their home systems might be disappointed. The video is an artifact frees Widescreen 1.85:1 transfer. The color palette and contrast matching what you would have seen its original theatrical run. The audio track is the original Dolby mono. One thing I found to be very interesting is to activate one of my home theater receivers preloaded venue emulators. Most receivers offer a variety of audio styles ranging from large theaters to intimate clogs. Mine happens to have one meant for these older mono soundtracks providing a reverb similar to a movie theater of the era. The Criterion Collection remains true to film preservation. One of my pet peeves is cinephiles that demand in the original aspect ratio as set by the filmmaker. While I agree with this I can understand why they also are so willing to have the audio remastered just their entire speaker array can be utilized. As always a Criterion release remains true to both the audio and video including the cleanest remastering of both you are likely to ever find. Jeff Dickerson is undoubtedly one of the great actors L country has ever produced. He is an instance where a character actor and soul and body the personality and physical traits of his character that his talent had to propel him to the status of leading man. Nicholson is known for going over the top of his performances this is a case with the shows he has the control over his expression that enables him to channel it into an incredible performance here.
June 3, 2015
Good movie about a man who is super talented but angry at the world and is trying to come to grips with life as his father is dying. The movie itself is good, but is overshadowed by the great performance of Jack Nicholson. It has a few pacing issues and many annoying characters, in particular some hitchhikers that will not stop talking, but is worth a watch to see Nicholson do his thing.
4 Beards Out Of 5
½ April 18, 2015
With fantastic performances, especially that of Jack Nicholson who gives one of his best to date, superb screenplay and warm but grounded approach, Five Easy Pieces is truly a wonderfully crafted film which has weird editing owing to dragged beginning and rushed ending and its characters are sometimes too unlikable, but they are also very realistic with genuine problems and the film is lifted by its very strong acting and character development. It is a very well made drama which is one of the very best of that respectable year.
March 13, 2015
What is 5 Easy Pieces? One of them is a piano piece played by Jack Nicholson late in the film. You will also see Jack cry, seldom seen on film.

This tragic story of a life hurled into nowhere is Jack Nicholson's debut performance. Although coming from a middle class family with gifted musical talent, Jack just can't help himself but hit the road and be himself.

He reluctantly come home after 3 years when his father is ill and can't speak or respond to anything. Jack's sister and he get along fabulously, but he falls in love with his sister-in-law but finds she is not willing to leave with him.

Jack Nicholson is just Jack, but not the crazy we know him to be today. He is a little crazy, prone to violence and rootless. The diner scene is priceless.

5 Easy Pieces could be about a puzzle, but its much more serious than that. The puzzle is Jack's future...
January 27, 2015
better than I expected, even when I qualified my expectations with it being a 70s movie; which means I have to control my reactions to how women are portrayed.
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