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Critics Consensus: James Marsh's doc about artist Phililppe Petit's artful caper brings you every ounce of suspense that can be wrung from a man on a (suspended) wire.
Critic Consensus: James Marsh's doc about artist Phililppe Petit's artful caper brings you every ounce of suspense that can be wrung from a man on a (suspended) wire.
All Critics (158) | Top Critics (42) | Fresh (158) | Rotten (0) | DVD (5)
It all makes for an absorbing, mischievously amusing yarn, whose climax unfolds with unexpected emotional force.
In this exhilarating, palm-moistening documentary by British filmmaker James Marsh (Wisconsin Death Trip), the twin towers are back to celebrate one of their finest moments.
The erasure of the towers adds poignance and irony to a documented event that is inherently thrilling and beautiful.
Though we know how it ends, it unfolds with suspense. And though it lacks any discussion of the towers' destruction, it succeeds as a tribute to their birth.
It's a story worth telling, yes -- but after 90 minutes, it's hard not to wonder if the storyteller can talk about anything else.
By any rational gauge, Petit's WTC obsession was flat-out crazy, but Marsh takes a limpid, nonjudgmental view of it all.
Some of the on-the-spot footage of the eccentric French thrillseeker's exploits truly boggle the mind (including a controversial stroll Petit once took across the Sydney Harbour Bridge).
Man on Wire is 80 minutes of white-knuckled suspense followed by a surprisingly emotional climax.
Exhilarating docu about high-wire feat has some edgy scenes.
...captures the mysterious beauty of Petit's obsession, without ever being so gauche as to 'explain' it.
The triumph of Man on Wire is its archival footage, including the stunning scenes of Petit dancing and tumbling 1,350 feet above the pavement. They put the most dizzying shots of The Dark Knight to shame.
The pains of the public eye are acknowledged just as much as the joy this artistic endeavour brought people.
A magnificent feat told by its own participants. Emotionally engaging and exhilarating.
Super Reviewer
A stuntman/performer dreams up a stunt impossible to ignore in the modern day world full of been there, done that. True enough, I wondered what's the big deal, "a guy on a tightrope", blah, blah, blah, yada, yada. Fueling these thoughts, the man himself, Monsieur Petit, seems a shameless attention hog, one whom it inadvertently pleases one to ignor. But then, the stunt itself ... jaw droppingly, utterly un-friggen-believable! See it.
A beatific documentary about a sole subject, this film was basically all about the feat that Petite pulled off, which comes off as sentimental and assured. Still, I would have liked to see a broader view of the accomplishment, one that possibly exaggerated Petite's abilities, showed more backstory, and the way he became a wire walker. Not much is shown on Petite's abilities other than his illegal yet masterful attempts at walking across some of the most famous locations in the world. The subject of the entire documentary wasn't given credence to showcase himself, except in interviews. In said interviews he comes off as childish, imaginative, and has a memory like a steel trap. Instead of truly looking into the depth of the subject the film uses interviews, and those dowdy recreations that pop up on episodes of America's Most Wanted. Though I found the footage of him walking on the wire truly ingratiating and just as feel good as they were purposing it to be, it didn't reel me in with anything all too interesting or new. Beside that the aftermath of the event wasn't shown in a true light and was further romanticized by Petite's ex, who viewed his infidelity as kismet rather than the delusions of a newly made icon. Most of the film covers the buildup to the event, assembling the crew, getting past security, and rigging the equipment up on the top floors of the newly created World Trade Center towers. It varies between flashbacks and interviews and that becomes quite confusing and annoying to boot. Really, it has its moments and was touching at times, but otherwise it was just wishy washy and slightly unpleasant.
In the tradition of a heist film, this documentary depicts a high-wire artist's attempt at walking between the Twin Towers. Made in 2008, Man on Wire elides all discussion of 9/11, and even though this was probably better for the film -- after all, what can they really say of any importance? -- watching Philippe Petit and his cohorts break into the WTC with enough equipment to set up their wire made me think that I was watching what could have been a terrorist attack instead of a crazy, effervescent Frenchman with a God complex. The film might have made me uncomfortable, but I think it's better to say that I was uncomfortable watching it. Petit is nuts. But from a distance, he's fun to watch. I think my favorite moment was when, describing how he was looking for a small fishing wire in the dark, Petit said -- as though this is the most reasonable thing to do, right out of the "How to Find Fishing Wire in the Dark" manual, -- "I stripped naked so that with all my body I could feel for the wire." Who thinks that? Next time I lose my keys in my office, I'll give it a try. Other critics have called the film's climax "exhilarating" and said that the film's result takes on an adventure-movie level of suspense, and though I didn't feel this, I did find the film as a whole to be entertaining and fun but not with much sophistication. The "follow your dreams" mantra that provides the film's moral center feels contrived, like something out of a Cracker Jack box. Overall, I liked Man on Wire, and now that there are movie-goers too young to fully remember 9/11, this documentary may serve as a tribute to buildings' existence rather than a reminder of their destruction.
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