Mary Poppins Returns
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All Critics (22)
| Top Critics (7)
| Fresh (12)
| Rotten (10)
No attempt is made to win over the audience. This welcome absence of sentimentality allows us to experience Tutu's own crisis of faith as he attempts to reconcile this man's actions with his bedrock belief in forgiveness.
[The Forgiven] only succeeds as an ugly, empty-headed provocation.
Several powerful narratives vie for supremacy in the political drama "The Forgiven," but this sluggishly paced film's disparate parts never come together as a compelling whole.
"The Forgiven" is heavy-handed from its early texts explaining apartheid through its end credits.
At least gives the Commission's heroic chairman, Archbishop Desmond Tutu, his due by placing him front and center in its history - though it's debatable whether Forest Whitaker's glazed impersonation should be considered an honour.
The Forgiven tackles its important political and social issues in an overly talky fashion. The film has its merits, but it represents a significant comedown for the director of such classics as The Mission and The Killing Fields.
Strong performances from an international cast raise the interest level, and it's a vivid exploration of mercy that transcends some rather sentimental storytelling.
The film gives the viewer ample reason to make Tutu a saint, but little reason to make him a dramatic screen hero.
A drama about the restorative justice and forgiveness work of Archbishop Desmond Tutu and South Africa's Truth and Reconciliation Commission.
The Forgiven is a timely and powerful film, and the ultimate testament to the power of forgiveness and finding common ground in our humanity.
Just alone, the scenes between Bana and Whitaker earn the film a recommendation, but other than that there's just not much else worthy of note.
The Forgiven plunges us into the heart of post-apartheid chaos, where we see and feel the hurt, fear, and rage that had to be aired before the healing could begin.
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