Ralph Breaks the Internet
Mission: Impossible - Fallout
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All Critics (18)
| Top Critics (5)
| Fresh (5)
| Rotten (13)
This is a completely unenlightening cri de coeur against the most obvious targets of financial-spiritual discontent.
Both bitter and delicious.
Is there such a thing as "tastefully smutty"? Director Im Sang-soo's moody and semi-Shakespearian The Taste of Money walks that line with some artfully lit humping and cross-generational seduction.
As the sexual, financial and criminal shenanigans get ever more complicated, absurd and melodramatic, the film becomes increasingly tiresome; it's not even possible to enjoy its excesses in a 'so bad it's good' way.
A trite and tangled potboiler that, despite its polemical pretensions, is just a glorified Korean domestic drama with classier couture and shapelier champagne flutes.
The director seems uncertain whether he is making a slow-burning character drama or a satirical gangster movie about modern-day Seoul's answer to the Borgias.
It feels like Im intended this as a moral fable. He should have played for laughs; material this blunt works best as satire.
Sex, death, greed, corruption: they're all here in handsomely mounted and highly polished cases. Taste the money - smell the glove.
A veritable orgy of vulgar melodrama, The Taste of Money might pass as satire if the conclusions drawn were not so broad and unsurprising.
It's ultimately wearing, yet somehow memorable.
It is a strange slo-mo farce, well directed, highly sexualised - shallow, but sleek.
This grotesque, luxe white-collar chamber drama from South Korea is often laughably bad.
Visually impressive but thematically hollow.Â This film didn't do much for me as it was an absolute chore to sit through for most of its running time.Â Personally, the story and the character development did absolutely nothing for me.Â It's like a South Korean version of Dallas.Â Rich people doing deplorable things to other, less fortunate people and each other without facing any of the consequences.Â This might sound interesting to some people and, in theory, it probably came across like that.Â Execution, though, is another thing entirely.Â It just leaves a lot to be desired, there's no real character progression.Â I understand Young-jak has a character arc but it's pretty uninteresting.Â At first he's tempted by the money and power, then he realizes the corruption that goes along with that and decides he no longer wants a part of it.Â That's as much effort as there was put into any.Â Oh and the patriarch of the family actually did have the most interesting stuff going on, considering he wants to leave the family in search of the happiness he hasn't in all the years he's been married, but his wife, the head of the family, does not allow him to.Â Easily much more interesting than the main character's arc Other than that there's not much going on here.Â That's not to mention the tonal shifts that drag the movie down. Sometimes the film has a darkly comic tone, but other times it is completely humorless, almost ridiculously so. Like the scene at the airplane near the end feels like right out of a romantic comedy. Particularly considering the fact that that scene was followed by an incredibly serious moment. This movie clearly does not know what it wants to be. Solid acting and beautiful cinematography don't mean shit when your film is that lacking. I wouldn't recommend this at all, unless you're interested in it visually and technically, other than that, this movie doesn't offer anything.
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