Wah-Wah - Movie Reviews - Rotten Tomatoes

Wah-Wah Reviews

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August 6, 2013
Written and directed by Richard E. Grant, this is a semi-autobiographical film based upon Grant's life growing up as a youngster in Swaziland, which at the time was still under the rule of the crumbling British Empire, and it's last days until it was granted independence. It's a very good coming-of-age drama with some good performances and a lot of local colour of the time period it's set in. Set between the mid 1960's to the early 1970's, this tells the story of Ralphie Compton (Zac Fox and Nicholas Hoult), whose father Harry (Gabriel Byrne) has ties with the aristocracy who lives in Swaziland. However, his mother Lauren (Miranda Richardson) leaves Harry for another man, and Ralphie goes to boarding school. A few years later, he comes back home to find out that Harry has married Ruby (Emily Watson), who works as a stewardess for American Airlines. Although Ruby and Ralphie don't connect at first, they soon do, but when Lauren comes back into Ralphie's life, Harry descends into serious alcoholism. Grant called upon a lot of favours to get this film made, but he shows a lot of confidence in his directing and his writing, even if it was a difficult production, with a "control freak producer" as Grant put it and only 7 weeks to film it. But, it looks brilliant, and he was lucky in having a good cast on screen to portray his childhood.
July 3, 2013
I just read a review of it today, and it sounds kind of interesting.
½ July 3, 2013
A long melodramatic soap opera set in 1960s Swaziland. The setting kept me interested for the first half hour but I soon gave up under the weight of cheesy melodramatic strings and flying plates.
June 8, 2013
Looks pretty boring, or lets say, looks boring as hell
½ March 7, 2013
What a disappointment! This movie was just a bunch of random dramatic scenes strung together for the sake of being dramatic...some of the acting was pretty great but most of it was based on stereotypes of "bold brass American woman" and "angry post-divorce alchoholic" that the actors seemingly saw in a high school play.
February 24, 2013
I loved this movie. Walters is amazing as always.
½ October 24, 2012
A personal project by Richard E Grant in relation to his upbringing in South Africa during the 60s. Interesting story but difficult to relate to the context.
September 17, 2012
Has a strong opening, great cast, and plenty of worthwhile moments throughout, but the parts don't quite add up to a whole.
June 17, 2012
A little strange. Didn't really get it, even though I really wanted to.
December 21, 2011
Fascinating, and well performed by a diverse ensemble. There are a little too many stories to follow, however when it focuses on his immediate relationships it really has a warm, touching quality. It's also beautifully shot with vibrant colours.
December 11, 2011
Marvellous performances, in a movie rife with all the bad parts of humanity, but at the same time, all the amazing parts as well! Great story and beautiful scenery, Africa has always had the power to steal my breath away.
December 11, 2011
Marvellous performances, in a movie rife with all the bad parts of humanity, but at the same time, all the amazing parts as well! Great story and beautiful scenery, Africa has always had the power to steal my breath away.
Super Reviewer
November 2, 2011
Sentimental and well meaning, the first writing/directing credit for Richard E.Grant (a favorite actor of mine) and auto-biographical as well. The damned Brits are losing their very last colonial holding as those that do the actual work of holding party like its the end of the world.
September 19, 2011
Friday, 25 May 2007

Wah Wah, 2005
Writer / Director Richard E Grant, Starring Gabriel Byrne, Miranda Richardson, Julie Walters, Emily Watson, Nicholas Hoult (you might recognise the eyebrows from About a Boy)

We saw this special screening as part of the Auckland Writers & Readers Festival. We watched Wah Wah first. Apparently the names have been changed and the timeline needed to be condensed in places, but the script is close to true events. The film's story starts in 1969, Swaziland independence, it's the end of the British colonialist era.

Simple narrative throughout the film - it opens with a key scene - Richard's character, Ralph, is "asleep" in the backseat of a car and his mum is having it off with his dad's bestie - nice. Later at home his parents argue and next morning his mother sneaks off with her lover. Gwynnie (the jilted wife of the love quadrangle) and a horsy woman buzz round newly single dad, lots of booze involved. Ralph's despatched to boarding school. On a home visit a few years later he meets Ruby, "surprise! here's your new step mum!" Bit of teen rebellion - typical "you're not my mum" reaction and drug experimentation. Gets involved in a community play, which seals love of performing arts. There's a tense gun scene as dad's drinking spirals out of control. Dad finally kicks his addiction with antibooze pills but by this time he's already driven away wifey No.2. Wifey No. 1 returns - disaster - she's still a selfish B$%CH and given the boot. Wifey No.2 comes back again but tragedy - dad's been diagnosed with terminal illness. Last scenes set in hospital, then at funeral.

I didn't find it hard to like Wah Wah - great cast and unpretentious story. It's hard to remember now but back then kids mostly acted like kids instead of growing up far too soon, possibly because adults didnt involve kids so much in their affairs and strictly controlled who & what they saw and did.

Ralph's" upbringing in Swaziland have some similarities to NZ society in the 70s and the clinging to outdated customs from the "motherland". Many people whose parents broke up around this era can probably relate; divorce back then was still frowned upon and very much a social stigma - more so for women than men. Adults didn't discuss and barely explained things to children - a throw back to the Victorian "children should be seen and not heard". That old aunty / uncle nonsense is also a common memory ? supposedly a sign of respect and affection towards close family friends despite no blood relation.

A couple of scenes stand out: Ralph and mum are standing on a bridge and he realises she didnt come home for them - it was because her boyfriend was being sent to Peru. Ralph emotionally and mentally breaks ties with his mum as it hits him she will never be the mother he wants - the emotional shock is communicated to the audience using a handheld camera & change in film speed. Another device is used for another scene involving emotional shock / realisation - when Ruby brings him back home after the gun incident and Ralph happens to say something about the root cause of his dad's drinking. We see the car stop and Ruby quickly runs outs of frame as Ralph goes to talk to his dad.

Wah Wah Q&A with Richard E Grant

REG is - funny, entertaining, gracious ("I thank you for your question"), expressive, uses colourful language, unpretentious, honest.

Interviewer with broken mike "blah blah", difficult to focus on their conversation; I fixated on reading REG's body language - performer is constantly moving, almost more interesting than the words that are being spoken.

Noticeable change in behaviour to previous day's TV1 interview (typical i/v of most actors I've seen-fresh off the plane-jet lag to blame?) where interviewer asked the obvious quickfire questions about the film - only short time to capture few soundbytes.

Q&A - questions posed by audience included:

Person at front (out of view) asked 2 questions (greedy!), frustratingly struggled to form words, wants to make a film about scientist father - an expose. 1st question was about retaining creative control. REG told story about making Wah Wah and how the producer tried to take out two key scenes, including the one where his father whispers "I still love your mother". "If you don't stick to your ideas then you may as well just bend over and take a bus up you", REG advised.

Other question was about how to decide on what the story is about & what to focus on - should the film be about the relationship with her father or informing public? REG says write the screenplay and it will reveal itself.

Funny story about work permits and visas - crew arrived in Swaziland days before filming due to start after 5 years of preparation. Official screamed for half an hour, rang producer (who supposed to arrange) who said to ask permission from the King - authorisation granted but stuck with 330K fine.

Another behind-the-scenes story about the funeral scene - REG admitted to committing some kind of cinematic incest as the girl playing his character's girlfriend was his 18yo daughter. Friend who attended actual funeral was evangelical, thought he could raise the dead, leapt on to coffin in ground, ripped off lid. Had to resist urge to look, in case father happened to rise like Lazarus. Feedback from previews was not to include the coffin scene in film -"too Monty Python", audience would lose narrative thread which starts from the time his dad is diagnosed and is later shown in hospital and the final key scene when dad hands over his watch and reveals secret about still loving his 1st wife.

REG says... country is part of his DNA, goes back annually. English speaking countries like Africa and Australia, even NZ, the landscape is part of our identity, this is not the same in UK. [Perhaps this is why our countries are like a separate character in our films?].

"I know you" audience member - a guy in the audience apparently taught REGs daughter in a choir back in the UK. "I live here now" he says. REG says "it agrees with you... you seem more relaxed than back then". [Did the man come just for the recognition or does he genuinely like festival films?].

REG talked about the transition from actor to writer/director - he likes controlling all the details. Another director, Ridley Scott said [for him] it's like being pecked to death by pigeons, but REG loved people constantly coming to him to make decisions about 1000s of small details. As an actor you have to deal with things getting cut out but as a writer / director you get to decide on final content.

Another question raised about how REG dealt with the autobiographical nature of the film, and how to maintain objectivity? When REG wrote the rough draft he dealt with thoughts and feelings about his family then. By the time the actors actually get to perform the script it's gone through a huge change process. To bring a story to the screen required REG to condense some events which actually occurred over a few years into a few scenes but essentially the result was true to real events.

Is there a the problem of living people recognising themselves? REG says people generally don't recognise themselves as characters. REG has done impersonations to their face and they believed he was doing someone else.

Did mother approve? REG admits his mum is vain and self obsessed. A friend says that she loved the portrayal of her son angsting over her absence, that his father drank over her and on his deathbed declared his unrequited love.

Tales of audience reaction - REG was pleased that at premieres the audience was happy and sad at the appropriate bits. The most extreme audience reaction was from the Canadians who couldn?t wait to leap up, Oprah style, and shout YES! I too had a father like that!
September 2, 2011
Lovely film, with some great acting, especially from Gabriel Byrne! I've also read Richard's book about the making of the film which helps to understand it more. Well done Mr Grant!
½ June 10, 2011
Pretty good;) enjoyable
Super Reviewer
May 30, 2011
Cast: Gabriel Byrne, Emily Watson, Miranda Richardson, Nicholas Hoult, Julie Walters, Celia Imrie, Michael Richards, Julian Wadham, Fenella Woolgar, Ian Roberts

Director: Richard E. Grant

Summary: In his directing debut, Richard E. Grant dishes up a slice of his Swaziland boyhood. As the sun sets on Britain's colony, young Ralph Compton (played by Zachary Fox and later Nicholas Hoult) catches his mom, Lauren (Miranda Richardson), in a compromising position -- sending his dad, Harry (Gabriel Byrne), crawling into a bottle. The couple divorces and Harry remarries, but just as Ralph warms to his stepmom, Lauren turns up to reclaim her family.

My Thoughts: "This semi-autobiographical story set in his birthplace of Swaziland is a raw and honest look into the life of Richard E. Grant as a boy dealing with the separation of his parents and his father's habit with alcohol. The movie gives you an honest look at what it's like to live with an alcoholic and how it affects the family. You feel a lot of sympathy for Ralph as you witness with him the separation of his parents and his father's downfall with alcohol. His step-mom Ruby brings some light to his dark world. The film is listed as a comedy, and although there are some funny parts, I would label this as more a dark drama. The film is filled with very interesting character's that really make the film great. With a great story, acting, and direction, it makes this film one to see."
½ May 19, 2011
Ok Time piece such as the piano o the like of settles in colonial times at the other end of the scale in the 20th centurey at the time of a recognised independant nation. Meanwhile, the British start to withdraw from Swaziland. . Suffering attributes like obsessive excessive drinking and petty squabbles within a social pecking order.

For aDrama it had me, driven for the better part in 1969 a teenager deals with a parental separation driven to drink farther and a loving de facto relationship torn apart and mended time again in a family drama with all the ties and whistles.
May 9, 2011
coming of age in the context of boarding school, parental divorce, and frou-frou brit expats in africa. a tad hard to follow at times but hoult & byrne play their father-son tensions quite well, and it's watson who saves the show (and them).
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