Wait Until Dark - Movie Reviews - Rotten Tomatoes

Wait Until Dark Reviews

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April 30, 2017
Wait Until Dark is a really great old fashioned thriller that anyone would like
February 27, 2017
Not as engaging or suspenseful as I'd remembered.
½ February 23, 2017
As a teenager, I used to take the subway into Manhattan Saturday mornings and go to the movies. One of the most memorable of these films was without a doubt 'Wait Until Dark'. This taut thriller still stands far above other more recent entries into this genre. The reason for this persistence in excellence is this film does not depend on the typical slasher flicks special effects. These blood and gore scenes are good for a moment but soon become old. Wait Until Dark depends more on the human mind, a technique that can thrill far more than any fake blood and dismembered body parts. Susy (Audrey Hepburn) is a young woman who lives in New York City, is married to a successful photographer (Efrem Zimbalist Jr), and she is blind. While her husband is on a business trip, a beautiful blond slips a doll into his belongings, one that conceals a large quantity of heroin. The blond winds up dead (in Suzy's apartment), and the doll is also somewhere in the apartment. The main crook Roat (Alan Arkin) is determined to get the drugs back and deceptively enlists the aid of two other criminals, Mike (Richard Crenna) and Carlino (Jack Weston). The three men will pose as police officers to deceive the poor blind girl into letting them into the apartment where they can search for the drug right under her nose.

What ensues is a brilliantly orchestrated cat and mouse game largely between Roan and Suzy which itself sets this film above the typical Hollywood thriller. Rather than sitting back and surrendering to gory effects the audience is expected to think, to truly care about Suzy and root for her survival. Suzy is not the usual hapless damsel in distress; she is bright, resourceful and perceptive, more than a match for the clever Roat. Being blind turns out not to be a disadvantage to Suzy. It gives her the ability to notice little things the sighted would have overlooked. Things like furniture slightly moved the constant playing with the window blinds (a signal between the crooks) and the movements of the men throughout her apartment. It dawns on Suzy that something is amiss and she begins to prepare for the worse. While not a criminal mastermind Roat devises a plan that seemingly is brilliant. He underestimates how easy it will be to fool the blind woman but the manner in which he manipulates the other two men is inspired. The ending is shrouded in darkness. When I saw this film in my youth, the gimmick was for the theater to dim the house lights to the edge of the legal limit to accentuate the tension. It did, and I remember it now several decades later. You might want to try this at home.

One of the factors that help to propel this film to the heights it has achieved is the cast. Audrey Hepburn takes a character that normally would be considered helpless and turns her around into a sharp and incredibly bright young woman. Her performance lulls the audience into accepting her as determined but physically helpless only to watch her inner strength and determination forced to the surface. There is a spectacular beauty to how Hepburn places the character development of Suzy carefully, gradually allowing the audience's empathy to grow. Little hints to the self-reliance given from the start but as the film progresses we see just how strong she is. Arkin gives the performance of his lifetime here. He plays three characters in his plot against Suzy, Roat, Roat Jr. and Roat Sr. the subtle difference in how he plays each role is an exhibition of how an actor should approach a character. What impressed me most here is the amount of control these two leads display. They take the time and effort required to allow the audience to get to know these people, what motivates them and what is behind their reactions. Crenna and Weston give solid performances as the ancillary characters here. Each of these two men is capable of strong performances, and they give them to us. As low-level crooks, they are baited by Roat, manipulated and controlled by him. Their desperation is visceral; the audience can feel the emotions these men hold just under the surface.

Director Terence Young knows how to please an audience. He is responsible for three of the early (and best) James Bind films, 'Doctor No,' 'From Russia with Love' and 'Thunderball.' You may wonder if a director used to such action-oriented films can handle a far more cerebral thriller, the answer is a resounding yes. His control of the all important pacing is gifted. While most thrillers seem to feel that an initial shock required at the start of the film, Young give the audience time to acclimate to the situations and characters. He develops the plot slowly, like a fine dinner left to simmer and merges the flavors. He exhibits the same control of the lighting. Due to the specifics of this film, this is even greater than usual. As the ending approaches the lights dim, one by one, darkening the theater reinforcing the events on screen. Shadows become something out of a nightmare as our concern for the plight of Suzy increases. Young manipulates the emotions of the audience to perfection.

This film is an astounding example how actors, each great in their right, can interact with such amazing perfection that the synergy derived by the cast is nothing short of brilliant. Mr. Zimbalist and Mr. Weston were so brilliant in their portrayal of the soldier villains Mike and Carlino that a substantial baseline established the foundation for the coming terror flawlessly.

It is the cat and mouse game between the ruthless, expertly driven criminal and a young blind woman that takes the suspense and escalating terror to heights beyond any expectations the audience might have brought into the theater. Overall the mastering of this Blu-ray is excellent. Considering the age of the source material, you can expect some variation in the balance of light and dark scenes. The slight grain found in the previous DVD release was eradicated during the 'upgrading process' to high definition. The source material had to be a near pristine 35mm to achieve such a crisp video. Especially appreciated is the greater clarity in the many dimly lit scenes. The nature of the story requires the set be in nearly total darkness. On the DVDthe figures are little more than dark gray blobs, now transformed into discernable characters. Among the strongest reasons I had driving my excitement to receive a copy of this release for preview was the thought od experiencing a favorite film with video and audio superior to my initial viewing so many years ago.

Presenting the soundtrack in its original mono format is always appreciated by film purists. Altering the video's aspect ratio is tantamount to heresy, but fewer cinephiles are that concerned with alterations to the audio. The source material didn't provide a lot of sound elements to process, but the transition to DTS High Definition Audio allowed for a robust spectrum of the audio. It comes across as a bit more oriented to center stage, reinforcing the overall feel and look which emulates a live stage performance. There are no extremes in bass or treble here. On the plus side, it does give a live stage feel to the film. I watched this film bypassing the bit stream audio and using the Prologic 'Live' mode for more a theatrical feel to the experience. The extras are interesting. There is a stroll down memory lane by Alan Arkin and producer Mel Ferrer detailing just what went into the making of this classic. There is also a little featurette chronicling how this adaptation of this work from the original stage production. Rounding out the extras are a few trailers. Don't 'wait,' get this one Blu-ray even if you already own the Blu-ray and enjoy a great film experience.
½ December 13, 2016

Original rating: 10-9-2012 (8/10)
Antonius Block
Super Reviewer
½ November 30, 2016
It's hard to say whether Audrey Hepburn truly pulls off being blind in this movie, but this is a strong cast, and seriously creepy story. Alan Arkin is fantastic as the ruthless drug dealer who schemes with a couple of characters played by Richard Crenna and Jack Weston to trick Hepburn into letting them into her home, in search of a doll that was used to smuggle heroin and which ended up in her husband's possession. The film is not 100% convincing and you'll probably find yourself pointing out a few plot holes, but it's convincing enough, and I liked how taut the story-telling was. What could be more eerie than thinking you're alone in your apartment, but have three men with you in the room? We feel for this vulnerable blind woman and pull for her as she begins to figure out what's happening by paying attention to her other senses (and getting some help from a neighbor girl), and there is real tension as she does. You'll have to suspend disbelief a little bit to enjoy it, but it's certainly worth watching.
½ October 29, 2016
Engrossing, chilling, and smart, this domestic thriller has classic taste and uncommon menace for its time.
October 18, 2016
this movie is pretty good for a movie made in 60's but it still doesn't age too well. audrey hep over acts a lot.
October 18, 2016
Alan Arkin steals the show in this tense, tightly wound thriller.
½ September 10, 2016
Overall I liked it. Halfway through you think to yourself "this could be a stage play" and sure enough it was originally. Thankfully it's not too horror film-ish for my taste.
September 9, 2016
A fabulous thriller, played out, mostly, in one location. It was adapted from a play, and you can tell. Hepburn is great, making sure her role as a blind woman is completely believable. (Watch the small moments!). Crenna is great, too. But the most fun is watching Alan Arkin play a few different roles. So much fun, and very thrilling at times.
June 29, 2016
A great suspense filled film. Rather unbelievable at first, but then it gets good.
June 21, 2016
Excellent suspense thriller that kept me on the edge of my seat! Audrey Hepburn is beautiful, classy and a great heroine that really made me care for her character. There were some good surprises that made me jump. Great movie!
May 22, 2016
Quite a good thriller with the setting in just one small home most of the time throughout the movie. Efrem Zimbalist Jr. is a photographer who took a doll from a woman at the airport which contain drugs. The woman is afraid and did so. Efrem bring it home. Audrey Hepburn is his recently blind wife. The upstairs neighbor Julie Herrod is a girl who likes to find her. Richard Crenna and Jack Weston first broke into the home to find it but Alan Arkin the smart one end up control them and make them work together with him. So they start to pretend and pose as friends, police officers, other people to gain trust of Audrey when Efrem is out of town. Richard is getting impatient when the doll can't be found. Julie took the doll and return it and Audrey call Richard. She ask Julie to look out for police car but there isn't any like Richard said. Audrey get Julie to see the phone booth and give a 2 ring call to her whenever there's people going in. Now she knows after calling Richard, the signal arrive. She know she can't trust Richard and any of those characters. Julie manage to walk away to find help. Audrey break all the lights and pour acid in a pot. Alan killed the 2 men and decide to confront Audrey. He pour gas around waiting to set fire. Audrey seize a chance to splash the acid onto him and break the last light. She make him tap the cane and she go for the chained door. But Alan open the fridge to light up the house. She take the doll out of the garbage and keep a knife. She stab at him and Alan in his weak state try to kill her too. Audrey can't close the fridge and take out the switch. Efrem, Julie and 2 cops arrive and save Audrey with all the baddies dead.
½ April 25, 2016
A tense thriller with outstanding acting from Audrey Hepburn. It's a classic well worth seeing. (First and only viewing - 12/23/2010)
February 3, 2016
Alan Arkin at his best with Audrey Hepburn, the chemistry is electrifying between the two thespians.
½ November 21, 2015
Tight horror thriller based on a play with Alan Arkin mesmerising in a rare villainous role.
½ November 14, 2015
Way better than the so-called Hitchcockian classics. What Hepburn experienced here could mean to be a real hopeless and dreadful thriller. The tensions and fear are not exogenously imposed, but catalyzed from within. It could never have been that involving without the perfect score, as well as the great performance from the cast, especially Hepburn and the gruesome Alan Arkin.
½ October 16, 2015
Audrey Hepburn was awarded her fifth Oscar nomination for her portrayal of Suzy Hendrix, a recently blinded NYC housewife whose husband is determined to make ‚??the world‚??s champion blind lady‚?? out of her. It doesn‚??t take long for Suzy to get herself in trouble when a group of con men grease their way into her apartment in an elaborate plot to locate a doll stuffed with small bags of heroin. Two are merely petty thieves, but their employer Harry Roat (Alan Arkin) is a sinister monster.
September 28, 2015
Hepburn, Arkin e Crenna. N„o tinha como dar errado.
½ September 28, 2015
I hadn't watched this since I was a little kid, so I didn't remember much about it, except it's a suspense classic. You have to suspend a lot of disbelief, and I was willing to go with it, until Audrey Hepburn SENDS THE LITTLE NEIGHBOR GIRL ALONE IN A CAB TO THE PORT AUTHORITY--AT NIGHT!!--TO WAIT FOR HER HUSBAND TO GET OFF WHATEVER RANDOM BUS HE MAY GET OFF OF. Who does that? To hell with her, I with Alan Arkin killed her after that.
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