Capital New York

Capital New York is not a Tomatometer-approved publication. Reviews from this publication only count toward the Tomatometer when written by the following Tomatometer-approved critic(s): Michelle Orange
Rating Title/Year Author
Take This Waltz (2011) Michelle Orange Polley is a detail-oriented director who can get a little lost dazzling us with the little things. EDIT
Posted Sep 11, 2017
Ruby Sparks (2012) Michelle Orange It doesn't not work-there's too much genuinely great stuff going on. EDIT
Posted Sep 11, 2017
Zero Dark Thirty (2012) Michelle Orange ... even good stories don't tell themselves, especially not if they aim to be great. EDIT
Posted Sep 11, 2017
Cosmopolis (2012) Michelle Orange ... Cronenberg's Cosmopolis expresses something new and necessary about the book, which is to say about limits, the gaps in what can be known, both within and between us. EDIT
Posted Sep 11, 2017
Diana Vreeland: The Eye Has to Travel (2011) Michelle Orange The limits placed on Immordino Vreeland by a presumed family obligation and her subject's superstructure persona create a fascinating narrative tension in an otherwise admirably executed but boilerplate personality piece. EDIT
Posted Sep 11, 2017
Django Unchained (2012) Michelle Orange Where other movie histories might seek to teach, rewrite, or gild the stories of our collective past, Tarantino prefers to demonstrate how the movies can help us detonate history's legacies... EDIT
Posted Sep 11, 2017
56 Up (2012) Michelle Orange Here as always [Director Michael] Apted jumps between his subjects' variously aged selves with hypnotic, occasionally ruthless dexterity, mapping new narrative sequences and creating damning or salubrious conversations. EDIT
Posted Sep 11, 2017