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Inkoo Kang

Tomatometer-approved critic

Reviews

Movies TV Shows
Jury Duty Presents: Company Retreat: Season 1 (2026) 91% EDIT ““Jury Duty,” whose scripts refer to the unsuspecting main character as the “Hero,” is hamstrung by its insistence on protecting its protagonist. ” – The New Yorker Mar 31, 2026 Full Review Vladimir: Season 1 (2026) 73% EDIT “Despite this unpromising start, “Vladimir” proves strangely compelling. Even when we think we know where the series is going, it remains as slippery as its unreliable narrator, difficult to nail down in both genre and intent. ” – The New Yorker Mar 12, 2026 Full Review Industry: Season 4 (2026) 96% EDIT “For all the emphasis on the political, the personal remains key, even as the personalities involved have become more deformed. ” – The New Yorker Feb 10, 2026 Full Review Riot Women: Season 1 (2025) 92% EDIT “The characters are so finely observed, and their emotional lives so wonderfully textured, that I’d happily have watched them just go about their days. ” – The New Yorker Feb 6, 2026 Full Review The Beauty: Season 1 (2026) 72% EDIT “Seasoned actors are replaced by newcomers with none of their predecessors’ gravitas. Murphy’s desperate bid for attention has reduced him to this: a show that puts an expiration date on its own appeal.” – The New Yorker Jan 22, 2026 Full Review I Love LA: Season 1 (2025) 87% EDIT “The notion that all things must pass is both a comfort and a threat... I Love L.A.'s treatment of this anxiety is funny and, as the season progresses, sneakily humanizing.” – The New Yorker Dec 22, 2025 Full Review Pan y circo: Season 1 (2020) 100% EDIT “For non-Mexican viewers, Pan y Circo offers an invaluable perspective too seldom offered in mainstream English-language media: How do (largely left-leaning) Mexicans talk to each other about Mexican issues? ” – The Hollywood Reporter Dec 12, 2025 Full Review Pluribus: Season 1 (2025) 99% EDIT “Her one-note sullenness means that Seehorn, who was heartbreaking as the repressed Kim on “Saul,” is squandered as the lead of her own show.” – The New Yorker Nov 24, 2025 Full Review Death by Lightning: Season 1 (2025) 90% EDIT “Perhaps fittingly for a show about a bunch of forgotten names, “Death by Lightning” is a delightful showcase for undersung character actors. ” – The New Yorker Nov 12, 2025 Full Review The Lowdown: Season 1 (2025) 98% EDIT “Harjo, with his eye for human eccentricities, lends a pulse to stock types... Gradually, as on “Reservation Dogs,” a crew of kooks, knuckleheads, ne’er-do-wells, and melancholics takes shape.” – The New Yorker Sep 23, 2025 Full Review The Paper: Season 1 (2025) 85% EDIT “I found myself distracted from its nostalgia for Watergate-era journalism by my own nostalgia for early-two-thousands network sitcoms... By contrast, The Paper’s torpor exemplifies the pacing crisis of the streaming era. ” – The New Yorker Sep 3, 2025 Full Review And Just Like That...: Season 3 (2025) 45% EDIT “Is “And Just Like That” bad enough to retroactively diminish its predecessor? I’d argue yes. ” – The New Yorker Aug 15, 2025 Full Review Landman: Season 1 (2024) 78% EDIT “If I’m not necessarily Sheridan’s target audience, it’s still fun to debate his hero in my head.” – The New Yorker Aug 8, 2025 Full Review King of the Hill: Season 14 (2025) 98% EDIT “In our polarized times, for every left-leaning fan comforted by Hank’s fundamental decency, another might see his brand of conservatism as a nostalgic gloss on an increasingly ugly movement.” – The New Yorker Aug 8, 2025 Full Review Too Much: Season 1 (2025) 80% EDIT “With its quicksilver shifts and sneaking sweetness, the experience of watching feels a lot like falling in love.” – The New Yorker Jul 10, 2025 Full Review The Gilded Age: Season 3 (2025) 95% EDIT “In this season, though, consequences arrive at last. It’s not a coincidence that it’s the series’ strongest. Seeds planted at the outset are coming to fruition.” – The New Yorker Jun 26, 2025 Full Review Your Friends & Neighbors: Season 1 (2025) 79% EDIT “Coop purports to disillusion viewers, but he is simultaneously creating a list of objects for us to covet... The overwhelming reaction that the series elicits, then, is not sympathy but cognitive dissonance.” – The New Yorker Jun 2, 2025 Full Review Overcompensating: Season 1 (2025) 94% EDIT ““Overcompensating” gradually shifts from a straightforward sex comedy to something emotionally richer. Much of that depth comes from an increasing focus on Carmen. ” – The New Yorker May 16, 2025 Full Review Hacks: Season 4 (2025) 98% EDIT “Female ambition is “Hacks” ’s object of obsession, and while the series’ portrayal of Hollywood feels timely, it’s used mostly in service of developing the central theme. ” – The New Yorker May 5, 2025 Full Review The Studio: Season 1 (2025) 92% EDIT “Like most Rogen projects, “The Studio” is proudly potty-mouthed but ultimately toothless. One gets the feeling that the actor-producer is too ensconced in the system to truly go for broke. ” – The New Yorker May 5, 2025 Full Review Dying for Sex: Season 1 (2025) 98% EDIT “[Dying for Sex] has a morbid, somewhat off-putting hook... But, in its second half, the series deepens wonderfully.” – The New Yorker Apr 8, 2025 Full Review Wolf Hall: Season 2 (2024) 100% EDIT “Season 2 is arguably greater than its acclaimed predecessor. Cromwell’s middle-aged regrets build poignantly, while brisker pacing and some levity lend the proceedings a teeming liveliness.” – The New Yorker Apr 1, 2025 Full Review Adolescence: Season 1 (2025) 97% EDIT “Unfortunately, Adolescence’s flashy, fragmentary approach undermines its attempts to illuminate. ” – The New Yorker Mar 17, 2025 Full Review The White Lotus: Season 3 (2025) 86% EDIT “There’s something similar at work in the third season, a promiscuous application of the formula that yields diminishing returns. It isn’t just the characters who seem a bit lost in Thailand; White does, too. ” – The New Yorker Feb 22, 2025 Full Review The Pitt: Season 1 (2025) 95% EDIT “It’s structured such that you know you’ll have your heart broken and mended several times per episode -- it’s just a matter of how.” – The New Yorker Feb 12, 2025 Full Review
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