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Rating Title | Year Author Quote
Bagworm (2026) Damon Wise The toxic world of the manosphere has seldom been so graphically or gruesomely rendered.
Posted Mar 20, 2026  Edit critic review
My Brother's Killer (2026) Damon Wise My Brother’s Killer is an overdue valediction for the victim, a romantic loner whose haunting and horribly prophetic poem “A Piece of Me” bookends the film, offering a poignant glimpse of a future that might have been but never was.
Posted Mar 18, 2026  Edit critic review
Love Language (2026) Glenn Garner Love Language is a return to classic rom-com form, with heart and humor, as well as a talented ensemble cast that beautifully brings Power’s script to life against a dreamy Chicago backdrop.
Posted Mar 18, 2026  Edit critic review
Sender (2026) Pete Hammond This is a promising debut for Goldman, who has found a way to take the more limited constraints of his short and to give it the purpose and time to thrive. It is a head-scratcher, but one well worth scratching.
Posted Mar 18, 2026  Edit critic review
The Saviors (2026) Pete Hammond I was never sure if [Kevin Hamedani] means this to be more comedic than thriller, but still I had a pretty good time, even if it could have been so much more.
Posted Mar 18, 2026  Edit critic review
Chili Finger (2026) Pete Hammond Chili Finger doesn’t rewrite the rules, but with a cast having a blast, it modestly provides a good ol’ time.
Posted Mar 18, 2026  Edit critic review
Crash Land (2026) Damon Wise Crash Land reveals itself as the warm and unexpectedly moving story of overgrown kids clinging onto their youth for just that little bit too long.
Posted Mar 18, 2026  Edit critic review
Basic (2026) Glenn Garner In the age of social media obsessions and waning monogamy, Basic is a ridiculously relatable laugh riot.
Posted Mar 18, 2026  Edit critic review
Forbidden Fruits (2026) Glenn Garner A worthy entry to the comedy horror genre that explores toxic feminism through the female gaze, filled with elements that nod to Mean Girls, Jawbreaker, The Craft, The Shining, Psycho and even a bloody fun dash of Final Destination.
Posted Mar 18, 2026  Edit critic review
They Will Kill You (2026) Glenn Garner With nods to films of the samurai and shoot-em-up genres, Beetz gives the physical performance of a lifetime.
Posted Mar 18, 2026  Edit critic review
Mike & Nick & Nick & Alice (2026) Glenn Garner Fans of the actor might enjoy the movie’s double dose of Vaughn, but it’s the supporting cast of Mike & Nick & Nick & Alice that makes it great.
Posted Mar 17, 2026  Edit critic review
Over Your Dead Body (2026) Glenn Garner With ample amounts of gore that somehow feels earned, Taccone weaves a fun, tense comedy thriller, with help from Segel and Weaving’s unhinged onscreen chemistry and a talented ensemble cast.
Posted Mar 15, 2026  Edit critic review
Power Ballad (2026) Glenn Garner Despite Power Ballad‘s comedic shortcomings, the film has the potential to serve as a feel-good movie for a date night or maybe even a comfort watch for artists who want to feel valued in an oversaturated creative landscape.
Posted Mar 15, 2026  Edit critic review
Pretty Lethal (2026) Glenn Garner With [Uma] Thurman leaving no crumbs in her performance as the revenge-seeking matriarch of criminals, she is complimented by a talented ensemble of young actresses.
Posted Mar 14, 2026  Edit critic review
Family Movie (2026) Pete Hammond There can be no question the Bacons are having a hell of a good time not only sending up this well-traveled genre but also deliciously adding more buckets of blood to it.
Posted Mar 14, 2026  Edit critic review
Ready or Not 2: Here I Come (2026) Glenn Garner This action-packed, blood-soaked sequel is just what fans have been waiting for the past seven years, hopefully paving the way for a trilogy in this sinister world Radio Silence has created.
Posted Mar 14, 2026  Edit critic review
Grind (2026) Damon Wise Though Grind also hits the occasional bump, the structure is built to absorb it, creating a believable world, with recurring characters and in-jokes that keep the wildly divergent plot on track.
Posted Mar 13, 2026  Edit critic review
Wishful Thinking (2026) Glenn Garner Pullman and Hawke incite emotional whiplash with their unique onscreen chemistry that works just as well when they’re at each other throats as when they’re steaming up the camera.
Posted Mar 13, 2026  Edit critic review
Seekers of Infinite Love (2026) Pete Hammond Apart from Strouse’s smart and funny script, what makes this little gem hum are the performances starting with Einbinder, who is a complete natural onscreen, just as she is in Hacks.
Posted Mar 13, 2026  Edit critic review
I Love Boosters (2026) Glenn Garner Eight years after his debut film Sorry to Bother You, Riley knocks it out of the park with another absurdist, stylized take on modern society, as Palmer’s performance grounds his writing to its real-world implications.
Posted Mar 13, 2026  Edit critic review
Project Hail Mary (2026) Pete Hammond A movie made for IMAX, Project Hail Mary is mission accomplished, an entertaining and engaging piece of science fiction that suggests even though we may be worlds apart, in order to save us from ourselves we must band together now more than ever.
Posted Mar 10, 2026  Edit critic review
Peaky Blinders: The Immortal Man (2026) Damon Wise The Immortal Man is an entertaining slice of British pulp that knows exactly what it is -- and Murphy knows exactly what he’s doing in it. To paraphrase Bob Marley, if the cap fits, let him wear it.
Posted Mar 05, 2026  Edit critic review
THE BRIDE! (2026) Pete Hammond Gyllenhaal proves after an impressive but much smaller directing debut with 2021’s The Lost Daughter (also with Buckley) that she can handle a movie on a very big scale with even bigger ideas.
Posted Mar 04, 2026  Edit critic review
Hoppers (2026) Dessi Gomez Hoppers delivers equal parts laughter and compassion with a sprinkle of tear-jerking scenes, as the studio’s narratives are known to do.
Posted Mar 02, 2026  Edit critic review
Scream 7 (2026) Pete Hammond It may have taken 30 years for Williamson to finally get to steer his own ship, but with Scream 7 it proves well worth the wait. Fans will approve.
Posted Feb 26, 2026  Edit critic review
Jane Austen's Period Drama (2024) Pete Hammond Jane Austen’s Period Drama is entertaining enough but basically a one-joke premise telegraphed by the cute title.
Posted Feb 24, 2026  Edit critic review
Butcher's Stain (2025) Pete Hammond Meyer Levinson-Blount’s compelling Butcher’s Stain feels a bit unremarkable until we really see where this is going, a subtle comment on the fraught tensions in the Middle East but played on a simple human level.
Posted Feb 24, 2026  Edit critic review
A Friend of Dorothy (2025) Pete Hammond Margolyes is an acting treasure, but then we knew that didn’t we? She is perfectly matched with the promising Nwachukwu, who makes a strong impression against a true pro here. It’s a charmer.
Posted Feb 24, 2026  Edit critic review
The Singers (2026) Pete Hammond Ultimately, The Singers lifts our spirits with hope for humanity and the common good in life.
Posted Feb 24, 2026  Edit critic review
Children No More: Were and Are Gone (2025) Pete Hammond The film is by design quite repetitive as the number of protesters grows significantly day to day, in increasingly huge numbers, and that is where it gains its power.
Posted Feb 24, 2026  Edit critic review
All the Empty Rooms (2025) Pete Hammond This 33-minute documentary is not just a portrait of the children lost but also of the reporter determined to use his camera and voice to make sure they are never forgotten.
Posted Feb 24, 2026  Edit critic review
Armed Only With a Camera: The Life and Death of Brent Renaud (2025) Pete Hammond This engrossing film takes us all the way from Brent’s life journey to his open coffin and final resting place at home in Arkansas. In doing so it reminds us of the cost for journalists out on the front lines getting it all on camera.
Posted Feb 24, 2026  Edit critic review
The Devil Is Busy (2024) Pete Hammond The Devil Is Busy gains its enormous worth by taking a massive national issue and humanizing it in the bleakest of ways.
Posted Feb 24, 2026  Edit critic review
Perfectly a Strangeness (2024) Pete Hammond You don’t question it, you don’t try to analyze it, you don’t try even to understand it. You just go with it.
Posted Feb 24, 2026  Edit critic review
Butterfly (2024) Pete Hammond Unquestionably the most beautifully animated of the bunch, this is also the most dramatic in its telling, with warnings that it may not be appropriate for younger viewers.
Posted Feb 24, 2026  Edit critic review
Retirement Plan (2024) Pete Hammond Gleeson is wonderful in his voice-over performance with a witty script of possibilities provided by Kelly and co-writer Tara Lawall. This is a gem with simple but clever animation detailing all that life has to offer, or so we think.
Posted Feb 24, 2026  Edit critic review
The Girl Who Cried Pearls (2025) Pete Hammond [A] beautifully designed work with superb puppetry from past Oscar nominees Chris Lavis and Maciek Szczerbowski, and exceptional storybook-style narration from Colm Feore.
Posted Feb 24, 2026  Edit critic review
Forevergreen (2025) Pete Hammond A delightful and poignant 13-minute short from writer-directors Nathan Engelhardt and Jeremy Spears, with exceptional production design also from the latter.
Posted Feb 24, 2026  Edit critic review
Two People Exchanging Saliva (2024) Pete Hammond Natalie Musteata and Alexandre Singh direct and write the wildly inventive and certainly different 36-minute short that has more on its mind than is plainly evident.
Posted Feb 24, 2026  Edit critic review
Nightborn (2026) Damon Wise Bergholm has a lot of fun with all these elements, and seasoned genre audiences -- who are so very well versed in misdirection by now -- should too.
Posted Feb 19, 2026  Edit critic review
Queen at Sea (2026) Damon Wise This is a film about facing facts, and, as tough as it is to watch, its hard truths hit home.
Posted Feb 19, 2026  Edit critic review
I Can Only Imagine 2 (2026) Pete Hammond It is Ventimiglio who steals the film lock stock and barrel as the affable and relatable Timmons whose strong beliefs and the “X” he draws daily on his pulse serve as the truly inspiring part of this story.
Posted Feb 17, 2026  Edit critic review
Wolfram (2025) Damon Wise Arthouse audiences everywhere will appreciate the film’s scope and Thornton’s controlled execution. Australian cinema, meanwhile, may just have found itself a new modern classic.
Posted Feb 17, 2026  Edit critic review
Yellow Letters (2026) Damon Wise A grim reminder that principles mean nothing to those who have none, and that right-wing governments always come for academia first.
Posted Feb 17, 2026  Edit critic review
Rosebush Pruning (2026) Damon Wise This insane black comedy might well be worth your while, a bad-taste riot that surpasses Aïnouz’s last film Motel Destino in all its candy-colored decadence.
Posted Feb 17, 2026  Edit critic review
At the Sea (2026) Pete Hammond This latest English-language production for Mundruczó is sadly a miss... This time, even with a talent like Adams at the helm, he can’t seem to get around a very familiar kind of melodrama Hollywood did so much better in the ’50s.
Posted Feb 17, 2026  Edit critic review
Rose (2026) Damon Wise [Sandra Hüller's] return to the festival circuit is another remarkable piece of work, one that cements her reputation as a striking yet surprisingly chameleonic talent with Tilda Swinton’s eye for dark but intellectually rewarding material.
Posted Feb 17, 2026  Edit critic review
Mouse (2026) Pete Hammond I cannot say enough about the performance of Mallen-Kupferer, who is perfectly cast and will simply break your heart.
Posted Feb 14, 2026  Edit critic review
Everybody Digs Bill Evans (2026) Damon Wise ...like Gee’s perceptive doc about Joy Division, the highly influential Manchester post-punk band of the late ’70s, Everybody Digs Bill Evans is about the ordinary that feeds the extraordinary and leaves us to figure out the rest for ourselves.
Posted Feb 14, 2026  Edit critic review
No Good Men (2026) Damon Wise The way Sadat’s film cleverly weaves western rom-com tropes...is one thing, but its sudden escalation — with just 20 minutes to go — into shocking violence and tangible chaos is a bait-and-switch that takes things to a whole other level.
Posted Feb 13, 2026  Edit critic review
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