Crimes and Misdemeanors


Crimes and Misdemeanors

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Reviews Counted: 43

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Average Rating: 4/5

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Movie Info

Considered an important entry in filmmaker Woody Allen's body of work, and certainly one of his most interesting pieces, Crimes and Misdemeanors is an alternately comical and dramatic examination of scruples as it follows two parallel storylines that manage to connect by the story's end. One follows the exploits of a philandering optometrist (Martin Landau) who is trying hard to break off his relationship with an obsessive, overly dependent woman (Angelica Huston) who blackmails him into remaining with her. Her conniving leads to tragedy. The other plotline deals with a depressive documentarymaker (Allen) in love with his producer (Mia Farrow). He is working on a film about her selfish and arrogant employer, a popular television comedian.


Woody Allen
as Clifford Stern
Martin Landau
as Judah Rosenthal
Mia Farrow
as Halley Reed
Alan Alda
as Lester
Anjelica Huston
as Dolores Paley
Joanna Gleason
as Wendy Stern
Jerry Orbach
as Jack Rosenthal
Claire Bloom
as Miriam Rosenthal
Stephanie Roth
as Sharon Rosenthal
Victor Argo
as Detective
Bill Bernstein
as Testimonial Speaker
Thomas P. Crow
as TV Producer
George J. Manos
as Photographer
Delores Sutton
as Judah's Secretary
Martin Bergmann (II)
as Prof. Louis Levy
George Mason
as Photographer
Jerry Zaks
as Man on Campus
Dolores Sutton
as Judah's Secretary
Joel Fogel
as TV Producer
Stanley Reichman
as Chris' Father
Donna Castellano
as TV Producer
Rebecca Schull
as Chris' Mother
David S. Howard
as Sol Rosenthal
Garrett Simowitz
as Young Judah
Barry Finkel
as TV Writer
Steve Maidment
as TV Writer
Frances Conroy
as House Owner
Anna Berger
as Aunt May
Sol Frieder
as Seder Guest
Justin Zaremby
as Seder Guest
Marvin Terban
as Seder Guest
Hy Anzell
as Seder Guest
Sylvia Kauders
as Seder Guest
Nora Ephron
as Wedding Guest
Merv Bloch
as Wedding Guest
Thomas Bolster
as Wedding Guest
Robin Bartlett
as Wedding Guest
Warren Vache
as Jazz Band
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Critic Reviews for Crimes and Misdemeanors

All Critics (43) | Top Critics (7)

  • It is both a civilised comedy with iron in its soul and a serious examination of our inner fears that also manages to be very funny.

    Mar 20, 2018 | Full Review…

    Derek Malcolm

    Top Critic
  • The overall 'philosophical' thrust -- that good guys finish last and that crime does pay -- is designed to make the audience feel very wise, but none of the characters or ideas is allowed to develop beyond its cardboard profile.

    Feb 12, 2008 | Full Review…
  • The structural and stylistic conceit is that when Landau is onscreen, the film is dead serious, even solemn, while Allen's own appearance onscreen signals hilarious satire and priceless one-liners.

    Feb 12, 2008 | Full Review…

    Variety Staff

    Top Critic
  • Dramatically, the film seldom fulfils its promise, and its pessimistic 'moral' -- that good and evil do not always meet with their just deserts -- looks contrived and hollow. Intriguing and patchily effective, nevertheless.

    Feb 9, 2006 | Full Review…

    Geoff Andrew

    Time Out
    Top Critic
  • The movie's secret strength -- its structure, really -- comes from the truth of the dozens and dozens of particular details through which it arrives at its own very hesitant, not especially comforting, very moving generality.

    May 20, 2003 | Rating: 4.5/5
  • A relative of Hannah and Her Sisters in its duplex structure and of The Purple Rose of Cairo in its bitter theme, Crimes is two movies in one, a blend of Allen's satiric and pretentious dramatic styles.

    Jan 1, 2000 | Full Review…

Audience Reviews for Crimes and Misdemeanors

I coincidentally happened to watch this on Woody's birthday, and I can't think of a better way to celebrate the man than by watching one of his finest films. In one of his finest films to blend comedy and drama, we get a superb meditation on choice, morality, fidelity, and the consequences of such things told both humorously and tragically. With the dramatic story, we get wealthy society man Judah Rosenthal whose ex-mistress is planning to expose his marital and financial indiscretions. He finds himself torn between taking the advice of his rabbi or following the propositions made by his mob-connected brother. Comedically, there's the story of filmmaker Cliff Stern who is torn between making an important work full of integrity or selling out to make a commercial piece that flatters a man who doesn't really deserve it. Yeah, the two stories have a big contrast in terms of the immediate impact of things, but the repercussions of things are matched in the weightiness of ow it'll all end. This really is a joy to watch, even when it gets dark and heavy. It's impeccably written, wonderfully acted, very compelling, and succeeds with both the drama and the comedy (some of the best laughs being the interactions between Cliff and his niece). And on top of that, the climax and final monologue are simply perfect. I very highly recommend this masterpiece.

Chris Weber
Chris Weber

Super Reviewer

Perhaps this is a good movie - after all 90% of reviewers like it. I'm in the 10%. Is the world that full of MD's who get away with murder, comedians who are not funny, filmmakers who cannot make films, marriages that are farces? I guess I would prefer my movies to offer me hope instead of realism.

Red Lats
Red Lats

Super Reviewer


"Sleeper" was and has been my favorite Allen film, always light, breezy and fun, but I haven't seen them all and now this dark rumination forces me to alter my original opinion. The acceptance here of dark forces roaming the void is unavoidable and comedy becomes ... disposable, or at best only momentary in a sea of sadness. Must see for Allen fans.

Kevin M. Williams
Kevin M. Williams

Super Reviewer


Somehow this Woody Allen film truly surprised me. There wasn't something I could outright point to and use as an exact example, but this film isn't the conventional Allen film and maybe not a conventional film on its own. Though Allen would later try to fuse comedy and drama with his film Melinda and Melinda, he failed in many ways to be poignant with the drama and anything except quirky with the comedy. This film separates the two stories by keeping it between two completely different people and storylines. I think the reason so many people embrace this while not identifying with the bevy of his other work, is that it doesn't always fall into the obscurity category. Allen always makes his films about people and their morals, the way they throw them away for love, money, dreams or keep them and suffer. He recycles plots and characters with ease and that irks some people. This film cannot be replicated, mostly because of the tour de force performance from Martin Landau. Completely unrecognizable from his Oscar winning performance in Ed Wood, Landau is an oddly subtle yet extraordinary character, who lies easily enough to his wife and children while keeping company with an overly dramatic mistress (Huston) who has a dangerous wish to upend his life and reveal his frivolous affair to his do gooder wife. On the other end of the spectrum is Allen's character who is trying to get out of his platonic marriage and is hurt by the actions of a woman he loves but who is spending her time with a man he personally reviles. Much of the comedy belongs to the way Allen's character satirizes Lester (Alda) in a documentary he is making. Alda acts as a pretentious comedic genius who doesn't like being shown in a negative light, and seduces every woman with his fame and greasy persona. Alda is by far the greatest presence in the film and the loudest, while still letting Allen be the grieving martyr. Really, it's not that either storyline is better or less equal to one another, it's that they work so well together to form a film that wrenches a decent emotional response while still relaying the message that all crimes are punished and no evil goes unburdened throughout people's lives, while also showing the comedy in neurotic people's desperation when other people's crimes interfere with their happiness. It's so hauntingly good and yet unspecific that I can take so many meanings from this and be happy with them all. Love this Allen film more than many others.

Spencer S.
Spencer S.

Super Reviewer

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