Jesse Hassenger Movie Reviews & Previews - Rotten Tomatoes

Jesse Hassenger

Jesse Hassenger
Jesse Hassenger's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Filmcritic.com, PopMatters, AV Club, Time Out, Brooklyn Magazine

Movie Reviews Only

Rating T-Meter Title | Year Review
C+ 88% Girls Trip (2017) A big crowd-pleasing comedy that's a little too long, squishy, and sloppy for its own good.‐ AV Club
Read More | Posted Jul 19, 2017
C 83% Megan Leavey (2017) When Megan Leavey touches upon the treatment of post-traumatic stress disorder in both humans and animals, it looks capable of bringing something novel to the human-and-dog formula. Most of the time, it's a rote biography of someone a dog really liked.‐ AV Club
Read More | Posted Jun 8, 2017
C- 20% Diary Of A Wimpy Kid: The Long Haul (2017) It traffics in computer-generated vomit, a surprising number of defecation gags, and a weird grudge against both the overweight and the bearded.‐ AV Club
Read More | Posted May 18, 2017
90% Paint It Black (2017) Tamblyn has talent.‐ Brooklyn Magazine
Read More | Posted May 17, 2017
D+ 48% Paris Can Wait (Bonjour Anne) (2017) Even the heartfelt details are bizarre contrivances.‐ AV Club
Read More | Posted May 9, 2017
28% King Arthur: Legend Of The Sword (2017) It's the /Snatch mash-up you probably didn't want but might not mind watching.‐ Brooklyn Magazine
Read More | Posted May 9, 2017
C 30% 3 Generations (2017) It spends 92 Weinstein-approved minutes on the verge of telling a compelling story, and winds up stalling out telling a worthwhile one.‐ AV Club
Read More | Posted May 3, 2017
82% Guardians of the Galaxy Vol. 2 (2017) Already damned with faint raves (lots of fun, so likable, but not quite as fresh as the original), Guardians Vol. 2 is a better, more satisfying movie.‐ Brooklyn Magazine
Read More | Posted May 2, 2017
C 15% The Circle (2017) It's hard to make a film that's critical of digital technology without sounding like a square.‐ AV Club
Read More | Posted Apr 27, 2017
67% Free Fire (2017) Nothing about Free Fire is narratively elusive-it takes place more or less in real time. Yet it remains mysterious, in its goofball way. ‐ Brooklyn Magazine
Read More | Posted Apr 20, 2017
B- 28% Sandy Wexler (2017) This is all still Sandler shtick, replete with endless running gags, but it's also surprisingly endearing and often quite funny.‐ AV Club
Read More | Posted Apr 14, 2017
C 63% Tommy's Honour (2017) Despite its scope, the filmmaking doesn't evoke the weight of time's passage, just the story's gentle pokiness.‐ AV Club
Read More | Posted Apr 12, 2017
80% Colossal (2017) Hathaway is at her best digging into characters who know that they might have or could have been sweethearts-and who often feel that anger, guilt, or loss eating away at them.‐ Brooklyn Magazine
Read More | Posted Apr 4, 2017
B- 88% Their Finest (2017) Their Finest nimbly sidesteps inspirational pomposity and lands on a refreshingly utilitarian approach to the art of writing and producing a war movie.‐ AV Club
Read More | Posted Apr 4, 2017
44% Ghost in the Shell (2017) There are few young actors more interesting to watch quietly grappling with what the hell it means to be human.‐ Brooklyn Magazine
Read More | Posted Mar 30, 2017
46% Wilson (2017) Amazing, the way the right pair of glasses can bring a comic-strip character to life.‐ Brooklyn Magazine
Read More | Posted Mar 22, 2017
B 43% Song to Song (2017) Song To Song simultaneously wants to capture every little thing in its sight, and as few big things as possible; it's a strategy as foolhardy as it is stunningly beautiful.‐ AV Club
Read More | Posted Mar 16, 2017
71% Beauty and the Beast (2017) The feelings it conjures are akin to those that course through the brain while experiencing a particularly well-designed attraction at a Disney theme park.‐ Brooklyn Magazine
Read More | Posted Mar 14, 2017
93% Logan (2017) Jackman makes Wolverine seem acutely-sometimes sardonically; sometimes tragically-aware of his capacity for pain, whether inflicted on himself or others.‐ Brooklyn Magazine
Read More | Posted Mar 1, 2017
99% Get Out (2017) It's rare that a movie (especially from a big studio) wrings so much suspense over the degree of obliviousness some white people are displaying in their racism.‐ Brooklyn Magazine
Read More | Posted Feb 23, 2017
42% A Cure For Wellness (2017) saturated with movie-ness and a thick sheen of music-video artificiality, though mostly, again, in a good way‐ Brooklyn Magazine
Read More | Posted Feb 14, 2017
10% Fifty Shades Darker (2017) strange that in a purportedly kinky movie, the two main characters only ever seem to achieve orgasm in the missionary position‐ Brooklyn Magazine
Read More | Posted Feb 9, 2017
C+ 83% A United Kingdom (2017) Outside of confirming its stars' presence, A United Kingdom is more valuable as history than filmmaking.‐ AV Club
Read More | Posted Feb 9, 2017
B 90% The Lego Batman Movie (2017) In rampaging through Batman mythologies like a child through a playroom, the movie makes an admirable attempt to reconcile kid-friendly adventures with the character's psychological pain.‐ AV Club
Read More | Posted Feb 7, 2017
C+ 50% Journey to the West: The Demons Strike Back (2017) If anything, Demons Strike Back is an even zanier and more kid-friendly affair than the Chow original. Yet without Chow's unique strain of silliness, it also feels louder and more antic while covering less ground.‐ AV Club
Read More | Posted Feb 3, 2017
17% The Space Between Us (2017) Chelsom and Loeb are the kind of filmmakers whose faces should be attached to any number of grievances from nonwhite, nonmale directors having a rough go of it.‐ Brooklyn Magazine
Read More | Posted Feb 3, 2017
C- 25% The Comedian (2017) The uncomfortable yet not unwelcome spectacle of De Niro attempting zingers makes this movie an essential subject for future study of the actor's comic side. Unfortunately, it is essential in no other way.‐ AV Club
Read More | Posted Feb 2, 2017
35% Resident Evil: The Final Chapter (2017) Anderson doesn't have the patience or the imagination of a great action director, but he throws a lot out there.‐ Brooklyn Magazine
Read More | Posted Jan 27, 2017
75% Split (2017) Split earns its unsettling sense of the creeps and is a pleasure to regard even when it's not springing surprises ‐ Brooklyn Magazine
Read More | Posted Jan 19, 2017
D 42% The Resurrection of Gavin Stone (2017) Like so many movies designed for believers first and ordinary sinners second, if at all, Gavin Stone has trouble approximating the sensibility of actual entertainment and is particularly deadly as a comedy.‐ AV Club
Read More | Posted Jan 19, 2017
C 32% Monster Trucks (2017) Whatever else can be said about Monster Trucks, it offers a strikingly peculiar version of hokey Americana.‐ AV Club
Read More | Posted Jan 12, 2017
C- 4% Arsenal (2017) Miller conducts an ongoing distraction campaign against his own movie, with explosions of gnarly gore and Nicolas Cage overacting.‐ AV Club
Read More | Posted Jan 5, 2017
B 34% Live By Night (2017) It's a lavish, decade-spanning period piece about what amounts not to a stirring microcosm of the American dream but the petty criminal squabbles that decorate its story's surface.‐ AV Club
Read More | Posted Dec 28, 2016
C+ 43% Gold (2017) Gold is fitfully entertaining, but for a movie that gives itself license to go bigger and weirder than real life, its imagination for excess runs out whenever it isn't focused intently on its star.‐ AV Club
Read More | Posted Dec 23, 2016
87% A Monster Calls (2017) Due credit for a family film that goes to such sad places.‐ Brooklyn Magazine
Read More | Posted Dec 21, 2016
C+ 92% Hidden Figures (2017) For all of its current touchstones, Hidden Figures feels far too late, both in the recognition these women deserve and the filmmakers' goodhearted but dull approach to their stories.‐ AV Club
Read More | Posted Dec 20, 2016
C- 18% Assassin's Creed (2016) It's not unusual to see great European actors appearing in big-budget dreck, of course, but the participation of Fassbender (who also produced!) and Cotillard seems particularly unnecessary.‐ AV Club
Read More | Posted Dec 19, 2016
C 40% Why Him? (2016) This is the kind of movie where an early-on mention of the band KISS must result in a late-movie KISS karaoke performance, dress-up scene, and/or band appearance.‐ AV Club
Read More | Posted Dec 19, 2016
C- 73% Sing (2016) In a way, Sing deserves credit for bravely rejecting cuteness as a dominant animation aesthetic-though it's not clear that the movie knows it's doing this.‐ AV Club
Read More | Posted Dec 19, 2016
93% Fences (2016) The musicality of Washington's voice as he turns interrogative, the repetitions and the needling, make Troy an intimidating force even when he's all bluster.‐ Brooklyn Magazine
Read More | Posted Dec 18, 2016
85% Rogue One: A Star Wars Story (2016) It's most distinctive as a stylistic departure from the original Star Wars template.‐ Brooklyn Magazine
Read More | Posted Dec 18, 2016
B 84% The Founder (2017) A compelling (if sometimes slightly underexplained) business procedural, rife with details about franchise laws, handshake agreements, and contract negotiations, plus plenty of the invaluable Michael Keaton.‐ AV Club
Read More | Posted Dec 12, 2016
41% Office Christmas Party (2016) Office Christmas Party does tap into some kind of pent-up HR-suppressed energy.‐ Brooklyn Magazine
Read More | Posted Dec 10, 2016
C 66% Frank & Lola (2016) In a trim 88 minutes, it manages to make Poots and Shannon an intriguing duo, then lets them revert to odd mismatch.‐ AV Club
Read More | Posted Dec 7, 2016
28% Anesthesia (2016) Too often, it plays like a self-consciously high-minded riff on Crash.‐ Brooklyn Magazine
Read More | Posted Nov 30, 2016
84% Midnight Special (2016) Midnight Special is a pretty good film; its best moments thrum with mystery. In the end, it's just hard to feel transported by a puzzle-box that doesn't want anyone opening it up.‐ Brooklyn Magazine
Read More | Posted Nov 30, 2016
50% 13 Hours: The Secret Soldiers Of Benghazi (2016) There are few horrors of war that can't be reduced to blockbuster shtick.‐ Brooklyn Magazine
Read More | Posted Nov 29, 2016
53% Triple 9 (2016) The sloppiness of the cops-and-robbers games starts to feel pointless, even as it remains generally compelling. Everyone in Triple 9 ultimately feels a bit like a supporting character -- even the filmmakers.‐ Brooklyn Magazine
Read More | Posted Nov 29, 2016
15% Gods Of Egypt (2016) Granted, there's really no good reason for this nonsense to last over two hours; there's probably no good reason for it to exist at all beyond garnering Alex Proyas a long-overdue paycheck. But here it is, and it's actually pretty fun.‐ Brooklyn Magazine
Read More | Posted Nov 29, 2016
83% The Wave (Bolgen) (2016) The Wave, based on some actual rockslides from decades ago, may try for a little bit of respectability, but it doesn't have much to say, and then says it in a somber closing credits: Watch out for rockslides, basically.‐ Brooklyn Magazine
Read More | Posted Nov 29, 2016