Invisible Hands (2018)
60%
EDIT
“Invisible Hands lacks focus. Rather than targeting its rage at the most egregious megacorporations, calling for specific boycotts, it swipes broadly at consumerism as a whole.” –
L.A. Weekly
Nov 28, 2018
Full Review
Mobile Homes (2017)
57%
EDIT
“In Vladimir de Fontenay's Mobile Homes, Imogen Poots gives a performance of such multifaceted distinction that it might be hard to believe you're watching the same actress from frame to frame.” –
L.A. Weekly
Nov 14, 2018
Full Review
The Grief of Others (2015)
92%
EDIT
“Working with deliberately limited resources, writer-director Patrick Wang revels in technical gaucherie that would hinder lesser filmmakers.” –
L.A. Weekly
Nov 6, 2018
Full Review
Garry Winogrand: All Things Are Photographable (2018)
97%
EDIT
“Garry Winogrand: All Things Are Photographable is an elegant, tender ode to Winogrand, but it's no hagiography.” –
L.A. Weekly
Oct 3, 2018
Full Review
Netizens (2018)
92%
EDIT
“Cynthia Lowen, who produced the disturbing 2011 doc Bully, scores another infuriating triumph with her directorial debut, Netizens, which follows three victims of online sexual harassment and defamation.” –
Village Voice
Apr 19, 2018
Full Review
No Greater Law (2018)
EDIT
“At long last, here is a documentary about religious fanatics that, while certainly critical, doesn't treat any of its subjects with a trace of condescension.” –
Village Voice
Apr 19, 2018
Full Review
Little Woods (2018)
95%
EDIT
“Nia DaCosta's absorbing debut is laced with urgent dread, experienced by characters you care deeply about.” –
Village Voice
Apr 19, 2018
Full Review
The Feeling of Being Watched (2018)
94%
EDIT
“Boundaoui's expos of her own near-Sisyphean quest for justice is a searing snapshot of an ongoing battle with seemingly no end in sight.” –
Village Voice
Apr 19, 2018
Full Review
The Seagull (2018)
68%
EDIT
“Bening has played so many high-intensity mothers by now, you'd think she'd have exhausted her resources. But she's a firecracker in Michael Mayer's spirited adaptation of Anton Chekhov's The Seagull, as the aging, boastful actress Irina.” –
Village Voice
Apr 19, 2018
Full Review
Love After Love (2017)
85%
EDIT
“Harbaugh, with his subtle approach, renders this trio likable. He knows just when to burrow the camera in for jittery effect and when to relent.” –
Village Voice
Mar 28, 2018
Full Review
Ramen Heads (2017)
65%
EDIT
“As demonstrated by this exquisite documentary, the preparation of Japan's national dish is an arduous affair ...” –
Village Voice
Mar 14, 2018
Full Review
November (2017)
93%
EDIT
“[A] bone-chilling, hallucinatory tour de force ...” –
Village Voice
Feb 21, 2018
Full Review
Frank Serpico (2017)
75%
EDIT
“Frank Serpico, though sprawling and seething, isn't a hagiography. It probes instead into Serpico's personal agonies.” –
Village Voice
Nov 1, 2017
Full Review
The Exception (2016)
75%
EDIT
“Whenever Plummer is onscreen, The Exception is scintillating entertainment. Unfortunately, it gets bogged down ...” –
Village Voice
May 31, 2017
Full Review
Take Me (2017)
68%
EDIT
“While the film, to its credit, doesn't become a trite morality play, the ending is thin and contrived nonetheless.” –
Village Voice
May 3, 2017
Full Review
Flames (2017)
67%
EDIT
“Flames, though energetically crafted, erotic, and at times heartfelt, is an exasperatingly esoteric meditation on love.” –
Village Voice
Apr 27, 2017
Full Review
Actor Martinez (2016)
82%
EDIT
“Whether the real-life Martinez is this hotheaded and quick-tempered is left a mystery, but it matters not a whit, because even five minutes in the company of this Martinez is excruciating.” –
Village Voice
Mar 15, 2017
Full Review
Nakom (2016)
88%
EDIT
“The film ... transcends its familiar "career vs. home obligations" conflict.” –
Village Voice
Mar 1, 2017
Full Review
Rooted in Peace (2015)
EDIT
“The film is not without its trenchant moments, most rooted not in peace but in science.” –
Village Voice
Dec 14, 2016
Full Review
Bobby Sands: 66 Days (2016)
87%
EDIT
“Byrne never resorts to such cheap tricks as matching the imagery to what the interviewees are saying, and the film is no hagiography.” –
Village Voice
Nov 30, 2016
Full Review
By Sidney Lumet (2015)
83%
EDIT
“Shares the flaws of Lumet's own movies: It's workmanlike and impassioned, but ultimately preaching to the choir.” –
Village Voice
Oct 27, 2016
Full Review
EDIT
“A gruesomely riveting sucker punch of a movie.” –
Village Voice
Oct 20, 2016
Full Review
Sky Ladder: The Art of Cai Guo-Qiang (2016)
100%
EDIT
“The film, in the end, is a celebration of a humble artist who easily could have been - and perhaps deserves to be - a megalomaniac.” –
Village Voice
Oct 12, 2016
Full Review
London Town (2016)
53%
EDIT
“It's extremely likable, but sentimental is the last thing a tale about growing up poor and angry in working-class, late-1970s England should strive to be.” –
Village Voice
Oct 5, 2016
Full Review
La Notte (1961)
84%
EDIT
“Ennui and eroticism make an oddly alluring combo in Michelangelo Antonioni's La Notte.” –
Village Voice
Sep 16, 2016
Full Review
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