The LEGO Movie 2: The Second Part
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It may favor spectacle in place of the deeper themes in Herman Melville's novel, but John Huston's Moby Dick still makes for a grand movie adventure.
All Critics (20)
| Top Critics (5)
| Fresh (17)
| Rotten (3)
One could have plenty of quarrels with this as an adaptation of the Herman Melville novel, but it's still one of the better John Huston films of the 50s.
Moby Dick is certainly the most unusual picture of the year and may well be the best.
Moby Dick is interesting more often than exciting, faithful to the time and text more than great theatrical entertainment.
It is often staggeringly good.
A rolling and thundering color film that is herewith devoutly recommended as one of the great motion pictures of our times.
he film was not well received in 1956, much of the criticism leveled at Peck, but his stylized performance is more interesting 60 years later. Huston's treatment is equally compelling.
John Huston gives a passionate and faithful rendering of Herman Melville's novel in Moby Dick, aided by a stellar cast.
John Huston's long-cherished adaptation of Herman Melville's novel has some wonderful scenes but must be counted as a noble failure.
The film takes flight as a grand chase movie, and leaves its ambition in its wake.
Even if it is Melville-lite, Moby Dick is a rousing, beautifully conceived old-school production.
Huston uses his great filmmaking skills to keep things mostly on course.
It's a considerable achievement, filmed against monstrous physical odds.
John Huston's flair for the manly adventure story gladly pounds it's own drum throughout this work that showcases men drinking, working, fighting, and in mortal fear together - it's what this film is all about. The women can only watch dockside and wonder if their loves will return. It's all portrayed very heroically, like Viking myth. And then there's the whale. The best of the big fish stories by my reckoning, symbolism aside, and even though Peck might overdo the "mad captain" bit sometimes.
"A hwite hwale, as big as a mountain of hwite snow." Gregory Peck, after Moby Dick was made, admitted that he was embarrassed by his performance: and rightfully so! Peck has established himself as a paternal figure, and then all of a sudden he needs to play a cold hearted, revenge crazed whaling ship captain. I'm not at all saying that he's bad. Peck overacts to the point of embodying the character of Captain Ahab and conquers every scene he's in. Peck gives one of the definite Hollywood performances of all time.
A major factor in me seeing this was because of Orson Welles, but he disappointingly had only about two to three minutes of actual screen time. Welles is near the beginning, and he sports a preposterously ragged beard and plays a priest who gives a sermon about Jonah and the Whale before the whalers go off to sea. His opening monologue was stupendous, but after that he wasn't there, which made me sad :(. This is the sixth film I've seen him in, others being Citizen Kane, Touch of Evil, The Third Man, The Stranger, and A Man for All Seasons, and I wanted to make a list of my five favorite, but both his performances in A Man for All Seasons and Moby Dick are extremely short, so I'll have to resume my search for other Welles films.
Famous science-fiction author Ray Bradbury (Martian Chronicles/ Fahrenheit 451) wrote the screenplay with John Huston, and like many cinematic adaptations of classic novels, namely The Brothers Karamazov starring Yul Breynner, there's very quick pacing and they skimmed over details. I haven't read the book, but it seemed like they just took out major moments in the plot and used them in the script. What surprised me the most was how well this strategy worked. I was never bored, I never felt like they were insulting my intelligence, and though the dialogue consisted of ye olde english: both the characters and writing conveyed their points well.
This is the fourth John Huston film I've seen, the others being The Maltese Falcon, The Treasure of the Sierra Madre, and The African Queen. I see some trends in his directorial style, but it's very difficult for me to put my finger on exactly what it is. I guess it's fair to say that he masterfully balances drama, entertainment, and intelligence, as well as creates great atmosphere. What stands out the most in this one is the stale visuals and a badass giant animatronic whale.
John Huston's Moby Dick starts out introducing a main character, as the novel does, with the famous line "Call me Ishmael", and then doesn't touch on him any further and begins a tale about a whaling ship. I found that to be a bad idea on Huston's part because from the beginning you're expecting to follow Ishmael on his journey, but then you're spontaneously introduced to many different characters with much more depth and then thrown into the madness of Captain Ahab. Other than the storytelling flaw early in the film, I found little wrong with anything else. 98/100
Peck is a BADASS!
A fair stab at adapting the classic novel by science fiction novelist Ray Bradbury, this is still the definitive screen version. Gregory Peck plays nicely against cast as the archetypal obsessive and has plenty of nice period detail. It's also interesting to see where pretty much every sea bound adventure gets it's inspiration...
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