Four Hands (Die Vierhändige) (2018)
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Critic Reviews for Four Hands (Die Vierhändige)
An elegant thriller with unusual psychological resonance that serves as a strong calling-card for German writer-director Oliver Kienle.
From the opening scene, the beauty and relative innocence of music (Gabriel Fauré's Pavane doing the honours on three, bookend-like occasions), serves as the ideal foil to brutal murders
Although the plot can sometimes veer into the preposterous and the script's twists and turns aren't nearly as unpredictable as Kienle would like to believe, Four Hands works as an entertaining exercise in genre filmmaking.
Four Hands is effective enough that we expect a cleverer, more satisfactory resolution.
Sometimes this moodiness gets a bit much and eats away at one's patience with the characters, but overall this is an impressive piece of work, stepping beyond cynicism and finding a way to keep playing.
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