Pather Panchali Photos

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Cast

Runki Banerji
as Durga as a child

Kanu Banerjee
as Harihar Ray, Harihar the Father

Kanu Banerji
as Harihar the Father

Karuna Banerjee

Subir Banerjee
as Apu/Sarbajaya the Mother

Runki Banerjee
as Durga (joven, Durga as a Cchild, Durga as a child

Subir Banerji
as Apu

Uma Das Gupta
as Durga as a Young girl

Karuna Bannerjee
as Sarbojaya Ray

Chunibala Devi
as Indir Thakrun, Indirtharkun the old aunt

Umas Das Gupta
as Durga as a young girl

Haren Bannerjee

Reba Devi
as Mrs. Mookerjee

Rama Gangopadhaya
as Ranu Mookerjee

Tulshi Chakraborty
as Schoolmaster

Reva Devi
as Mrs. Mookerji

Harimoran Nag
as Doctor

Subir Bannerjee
as Apu

Aparna Devi
as Nilmoni's wife

Tulsi Chakraborty
as Prasanna, school teacher

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Critic Reviews for Pather Panchali

Audience Reviews for Pather Panchali

• Sep 04, 2018

  Clearly influenced by Italian neorealism, this is the simple story of a small family living in poverty in rural Bengal. The backstory behind the film is quite impressive; it was director Satyajit Ray's first, and done with an incredibly low budget, inexperienced crew, and amateur actors. The result is often stunning. There are some truly beautiful scenes in the natural surroundings where the family live, and the cinematography is wonderful. The family members are striking as well, starting with the grandmother (Chunibala Devi), who with her withered face and stooped back, has quite an appearance. Devi portrays the character with inner fire and depth, and it was sad to read she passed away at 80 before the film was released. The little boy, Apu (Subir Banerjee) also looks out on the world he is growing up in with such beautiful eyes. Despite the film being the first in the 'Apu Trilogy', the film really centers on the mother (Karuna Banerjee), who is the bedrock of the family. She keeps it together while the husband (Kanu Banerjee) pursues idealistic dreams, often not taking their economic condition seriously enough. She deals with her neighbors, who criticize her daughter (Runki Banerjee and Uma Dasgupta) for stealing fruit, and also her parenting. She accepts her own broken dreams ("I had lots of dreams too. All the things I wanted to do..."), and handles the sadness which comes their way. While I appreciated the film's beauty, and the fact that it transported me into this impoverished little world, it was a little too quiet for my taste. There are some moving events and it finishes strong, but too much of it was mundane along the way. Perhaps Ray simply captures this little world perfectly, without pretense and completely realistically, which artistically is saying something, and what resonates so strongly with most critics. If that's what you're looking for, this is your film. As an alternative, I personally liked a couple of his later films better (Charulata (1964), and The Coward (1965)), which you might consider.
  Antonius B Super Reviewer
• Jan 05, 2017

  Nothing spectacular at all. Entirely overrated. I like old movies (and foreign films) but hardly anything happens in this one!
  

  Peter B Super Reviewer
• Oct 25, 2015

  An impressive achievement considering that this was Ray's first film, and he displays an enormous confidence in the direction of this hypnotizing and realistic look into the life of a Bengali family struggling with poverty as witnessed by the eyes of an eight year-old boy.
  Carlos M Super Reviewer
• Oct 01, 2014

  India's greatest film is staggering in its depth of character but ultimately lacking in hope. This is of course not necessarily a bad thing.
  

  John B Super Reviewer

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