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A very slow burn but worth sticking with to see what lies we the viewers are being told along the way.
Gypsy should've been a richly textured thriller laced with an irresistible sexual energy but it falls short. It might pick it up in the second half but even Naomi Watts' luminous performance can't disguise the fact that Gypsy is a little bit pedestrian.
Despite all these highly qualified cooks, Gypsy comes out a flavourless hodgepodge, with nothing about Watts's character's crisis even faintly convincing.
I'm not sure that Gypsy's somewhat antiquated feminist message -- is Rubin aware that Betty Friedan has been dead for a while now? -- works in a context in which her behaviour also dictates that she should be struck off.
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