Cinema Movil

Tomatometer-approved publication
Rating Title/Year Author
Good Time (2017) Gonzalo Lira Galván The Safdie brothers, despite having a cast of popular actors... manage to retain their independent essence, never giving in to the usual vain whims of stars... [Full review in Spanish] EDIT
Posted Dec 29, 2017
Bridget Jones's Baby (2016) Enrique Solórzano ... light entertainment that wants to share a moment in the lives of the characters who, like us, are no longer young. [Full review in Spanish] EDIT
Posted Nov 29, 2017
4.5/5 The Killing of a Sacred Deer (2017) Gonzalo Lira Galván ... a film that cannot be easily shaken. [Full review in Spanish] EDIT
Posted Nov 28, 2017
4/5 Becoming Cary Grant (2016) Gonzalo Lira Galván Becoming Cary Grant is a work whose strengths will be greater if the public is one that knows and admires its main character. [Full review in Spanish] EDIT
Posted Oct 27, 2017
2.5/5 Casa Caracol (2017) Gonzalo Lira Galván ... the director depends more on its embellished scenes than a solid argument or development. [Full review in Spanish] EDIT
Posted Oct 27, 2017
3 Coco (2017) Gonzalo Lira Galván A film that must be seen and we appreciate that it exists to exalt one of the most beautiful traditions of our country. [Full review in Spanish] EDIT
Posted Oct 23, 2017
2/5 mother! (2017) Oscar Uriel The first hour is more or less effective, but the second part is an unintelligible coven that only manifests the presumption of the director. [Full review in Spanish] EDIT
Posted Sep 14, 2017
3/5 The Florida Project (2017) Oscar Uriel The story seems to be armed only with trivial vignettes, although I must confess that the protagonist's charisma ends up winning over the audience. [Full review in Spanish] EDIT
Posted Sep 14, 2017
4/5 Film Stars Don't Die in Liverpool (2017) Oscar Uriel A candorous film, but the ending provides a couple of sequences directed with such subtlety that it ends up seducing the viewer. Please, someone give Bening an Oscar! [Full review in Spanish] EDIT
Posted Sep 14, 2017
3/5 Lady Bird (2017) Oscar Uriel The obvious honesty of the director makes this seemingly ordinary anecdote become something close to the spectator. [Full review in Spanish] EDIT
Posted Sep 14, 2017
The Shape of Water (2017) Oscar Uriel I don't know if it's Del Toro's best film but it's his most mature and, paradoxically, accessible work. [Full review in Spanish] EDIT
Posted Sep 14, 2017
3/5 Stronger (2017) Oscar Uriel Far from the trivial melodrama, the director opts for an almost documentary montage in which the cast offers interpretations that will surely be remembered in the award season. [Full review in Spanish] EDIT
Posted Sep 13, 2017
4/5 Call Me by Your Name (2017) Oscar Uriel A melancholic film that will inevitably evoke this singular restlessness of the first love. [Full review in Spanish] EDIT
Posted Sep 13, 2017
3.5/5 Professor Marston & the Wonder Women (2017) Oscar Uriel An overly entertaining experience. [Full review in Spanish] EDIT
Posted Sep 13, 2017
3/5 I, Tonya (2017) Oscar Uriel Gillespie's tone is the right one, but the director was left in the middle without reaching the final consequences. [Full review in Spanish] EDIT
Posted Sep 13, 2017
3.5/5 Voyage à travers le cinéma français (2016) Gonzalo Lira Galván One of the documentaries that best explain the reasons why France was, is and will continue to be one of the countries whose film production will hardly go unnoticed in the future. [Full review in Spanish] EDIT
Posted Aug 30, 2017
1.5/5 Before I Fall (2017) Fernando Santoyo Tello For young audiences and fans of Netflix series will certainly turn out to be a good movie. The bad thing is that it didn't know how to round out its virtues to access and please all the spectators. [Full review in Spanish] EDIT
Posted Aug 3, 2017
4/5 Spider-Man: Homecoming (2017) Gonzalo Lira Galván A summer film that re-creates in a surprisingly entertaining way the myth of a hero in the era of technology, and that all it seeks is to connect with a young audience eager to skip school and go to the movies. [Full review in Spanish] EDIT
Posted Jul 6, 2017
4/5 After the Storm (2016) Gonzalo Lira Galván Koreeda's approach almost doesn't give false steps (although suddenly it gets distracted in subplots) and again it's a delight how it involves us in the customs of its culture. [Full review in Spanish] EDIT
Posted Jun 29, 2017
2.5/5 Two Is a Family (2016) Fernando Santoyo Tello A film worth seeing because of the work of its protagonist as well as for comparing both versions. [Full review in Spanish] EDIT
Posted Jun 13, 2017
2.5/5 Pelé: Birth of a Legend (2016) Fernando Santoyo Tello The reality is that, even in soccer, the development of the story falls short. [Full review in Spanish] EDIT
Posted Jun 5, 2017
1.5/5 Rodin (2017) Oscar Uriel A didactic film, which paradoxically lacks strength and passion. [Full review in Spanish] EDIT
Posted May 30, 2017
3/5 Good Time (2017) Oscar Uriel It is somewhat overrated, but not so Pattinson's magnificent work, who finally found a character to manifest his talent. [Full review in Spanish] EDIT
Posted May 30, 2017
4.5/5 A Beautiful Day (2017) Oscar Uriel Unlike his previous works, Ramsay goes to the point giving a class of narrative synthesis. [Full review in Spanish] EDIT
Posted May 30, 2017
2/5 Le Redoutable (2017) Oscar Uriel The film lacks solidity and clear intention to engage the viewer. [Full review in Spanish] EDIT
Posted May 26, 2017
2.5/5 The Meyerowitz Stories (New and Selected) (2017) Oscar Uriel Noah Baumbach's film doesn't stop giving us the sensation that it is made for television. [Full review in Spanish] EDIT
Posted May 26, 2017
3/5 The Killing of a Sacred Deer (2017) Oscar Uriel I prefer the previous works of the Greek director, although it must be recognized that both Farrell and Nicole Kidman are splendid in their respective roles. [Full review in Spanish] EDIT
Posted May 26, 2017
3.5/5 The Beguiled (2017) Oscar Uriel Compact, effective and inspiring. Another success within the director's filmography. [Full review in Spanish] EDIT
Posted May 26, 2017
Sea Sorrow (2017) Oscar Uriel It gives us the impression that Sea of Sorrow is a totally amateurish work that we could hardly resist for its compassionate purpose. [Full review in Spanish] EDIT
Posted May 25, 2017
4/5 Visages, villages (2017) Oscar Uriel A poignant portrait that exposes the particular relationship between its two characters. [Full review in Spanish] EDIT
Posted May 25, 2017
2.5/5 Okja (2017) Oscar Uriel The film has an impeccable manufacturing, however it's evident that the intention of the filmmakers is to create a title that all the members of the family can enjoy. [Full review in Spanish] EDIT
Posted May 25, 2017
3.5/5 The Square (2017) Oscar Uriel The film isn't as round as its previous work, but preserves the inherent seal of the director's filmography. [Full review in Spanish] EDIT
Posted May 25, 2017
4/5 120 battements par minute (2017) Oscar Uriel The film is loaded with a particular energy, which Campillo uses to explore in the intimate life of its protagonists. [Full review in Spanish] EDIT
Posted May 25, 2017
2.5/5 Beware the Slenderman (2016) Fernando Santoyo Tello The end result couldn't be more different than the horror film that the trailer promises. [Full review in Spanish] EDIT
Posted May 24, 2017
2.5/5 Jupiter's Moon (2017) Oscar Uriel Mundruczó films in a splendid way, nevertheless the general subject of the film seemed unintelligible to us. [Full review in Spanish] EDIT
Posted May 22, 2017
3/5 Barbara (2017) Oscar Uriel Funny and caustic, the film ends up being a delight, although I doubt it has power outside of French lands. [Full review in Spanish] EDIT
Posted May 22, 2017
2.5/5 Wonderstruck (2017) Oscar Uriel Wonderstruck doesn't look anything like what Haynes has given us over the years and I say this as a flaw. [Full review in Spanish] EDIT
Posted May 22, 2017
4/5 Nelyubov (2017) Oscar Uriel A successful glacial portrait of human behavior in present-day Russia. [Full review in Spanish] EDIT
Posted May 18, 2017
2.5/5 Les fantômes d'Ismaël (2017) Oscar Uriel A delirious tragicomedy that becomes excessive and gratuitous to the degree that gives us the impression of being before a self parody. [Full review in Spanish] EDIT
Posted May 18, 2017
I Am Not Your Negro (2016) Gonzalo Lira Galván An essential film to understand the history of humanity and its fear of adaptation, which also feels more than effective in a politically correct world. [Full review in Spanish] EDIT
Posted May 4, 2017
Raw (2016) Gonzalo Lira Galván An experience with the same doses of intelligence as of emotion and restlessness. [Full review in Spanish] EDIT
Posted Apr 18, 2017
XX (2017) Fernando Santoyo Tello It's a pleasure to meet with this kind of works, where a group of women use their talent in a genre that continues to be erroneously associated with leading men, which shows us that diversity is necessary. [Full review in Spanish] EDIT
Posted Apr 18, 2017
3/5 The Discovery (2017) Juan Tolentino A fascinating story, with a rhythm that oscillates between drama and dark humor. [Full review in Spanish] EDIT
Posted Apr 18, 2017
3.5/5 T2 Trainspotting (2017) Juan Tolentino The director tries to give another meaning to the story by placing it in a different context. Nostalgic, fun, and yes, it still has that punk essence that permeated the first film. [Full review in Spanish] EDIT
Posted Mar 22, 2017
3/5 The Founder (2016) Fernando Santoyo Tello Despite the lack of conflict and mordacity in the story, it's an entertaining and interesting film, where the masterful interpretation of Keaton stands out. [Full review in Spanish] EDIT
Posted Mar 22, 2017
4/5 Jackie (2016) Gonzalo Lira Galván It manages to circumvent the conventions of biopics or ordinary historical films thanks to its spooky but alway sober atmosphere loyal to the period portrayed. [Full review in Spanish] EDIT
Posted Feb 22, 2017
Manchester by the Sea (2016) Gonzalo Lira Galván A vortex of tragedy, where not only one of the best works of its protagonist actor truly stands out, but also the simple but attractive photography by Jody Lee Lipes. [Full review in Spanish] EDIT
Posted Feb 15, 2017
4.5/5 Moonlight (2016) Gonzalo Lira Galván One of the most important and urgent premieres to watch, as it tackles the topics it talks about with integrity, ambiguity and lots of dignity. [Full review in Spanish] EDIT
Posted Feb 1, 2017
1/5 Intruder (2016) Fernando Santoyo Tello A film that tries to give a message about the saturation of technification that is lived today, but even the message is overshadowed by a ridiculous script and loose staging. [Full review in Spanish] EDIT
Posted Jan 17, 2017
1.5/5 Incarnate (2016) Fernando Santoyo Tello The result isn't even close to what could be expected, since its ending it's like a pastiche of many things and nothing at the same time. [Full review in Spanish] EDIT
Posted Jan 12, 2017